Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#5856
of 909177 performers
Top 1%
Ryan Hansen works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Ryan Hansen appears in 15 films in the Nutevio catalogue, and none of them would work the same way without Ryan. Dog Days is the clearest case: a film rated 6.6 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, romance, mystery. It is a style built on what is withheld as much as what is played.
Working with Kimmy Gatewood, Jeff Wadlow, Miguel Arteta and others, Ryan Hansen helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Dog Days (2018) as Peter · Veronica Mars (2014) as Dick Casablancas · Central Intelligence (2016) as Steve
Career snapshot
Ranked #5856 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
15
2008–2023
Career length
15 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.6
Dog Days
Average Nutevio score
5.7
Across catalogue work
Highest IMDb rating
6.6
Dog Days
Most frequent director
Dax Shepard
2 films together
Longest collaboration
2×
With Dax Shepard
Most common genre
Comedy
12 titles
Average runtime
1h 41m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.0 average MV
The 2010s are where the work and the material meet. The Turkey Bowl, Dog Days, CHiPs — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.0
Across 8 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.0
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Superhero Movie.
Most productive era
2010s
8 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | — | 6.02 films | — |
| Action | 5.31 film | 6.04 films | — |
| Thriller | — | 5.71 film | — |
| Comedy | 5.31 film | 6.16 films | 5.45 films |
| Crime | — | 6.32 films | — |
| Romance | — | 6.22 films | 5.42 films |
| Horror | — | — | 5.81 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2008Superhero Movie
Where our catalogue meets this career, as Lance Landers.
Highest rated performance · Career peak
2014Veronica Mars
6.6 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Randy Collins.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
15 of 15 films
as Peter
Directed by Ken Marino
as Dick Casablancas
Directed by Rob Thomas
as Dennis
Directed by Kimmy Gatewood
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Peter
Dog Days (2018)
Performance score6.6
The performance the rest of the career is read through. Peter gives Ryan Hansen a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Dick Casablancas
Veronica Mars (2014)
Performance score6.6
Veronica Mars asks for something the previous films did not, and gets it. Dick Casablancas is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Armin
The Donor Party (2023)
Performance score6.5
The Donor Party asks for something the previous films did not, and gets it. Armin is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Randy Collins
The Christmas Classic (2023)
Performance score6.5
The Christmas Classic asks for something the previous films did not, and gets it. Randy Collins is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Peter
Start here. Dog Days is the clearest statement of what Ryan Hansen does — accessible, 112 minutes, and rated 6.6 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Ryan at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Veronica Mars (2014)
Keeps the comedy register of Dog Days but asks for a colder reading of it.
Good on Paper (2021)
Keeps the comedy register of Veronica Mars but asks for a colder reading of it.
The Donor Party (2023)
Keeps the comedy register of Good on Paper but asks for a colder reading of it.
The Christmas Classic (2023)
Same director as The Donor Party, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Jon M. Chu
Director
2 films together
Notably G.I. Joe: Retaliation
Dax Shepard
Director
2 films together
Notably CHiPs
Craig Mazin
Director
1 film together
Notably Superhero Movie
Rob Thomas
Director
1 film together
Notably Veronica Mars
Ken Marino
Director
1 film together
Notably Dog Days
Greg Coolidge
Director
1 film together
Notably The Turkey Bowl
Nicol Paone
Director
1 film together
Notably Friendsgiving
Miguel Arteta
Director
1 film together
Notably Like a Boss
Jeff Wadlow
Director
1 film together
Notably Fantasy Island
Kimmy Gatewood
Director
1 film together
Notably Good on Paper
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Dax Shepard
Director
2 films together · 5.9 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
CHiPsJon M. Chu
Director
2 films together · 5.6 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
G.I. Joe: RetaliationKen Marino
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Dog DaysRob Thomas
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Veronica MarsMiguel Arteta
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Like a BossJeff Wadlow
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Fantasy IslandKimmy Gatewood
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Good on PaperCraig Mazin
Director
1 film together · 5.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Superhero MovieGreg Coolidge
Director
1 film together · 5.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Turkey BowlNicol Paone
Director
1 film together · 4.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
FriendsgivingSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Dog Days
as Peter
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Jem and the Holograms
as Stephen the Guard
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Veronica Mars
as Dick Casablancas
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
G.I. Joe: Retaliation
as Grunt
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Dog Days
as Peter
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Ryan Hansen has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
12 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Fantasy Island
as J. D. Weaver
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Fantasy Island
as J. D. Weaver
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Jem and the Holograms
as Stephen the Guard
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Fantasy Island
as J. D. Weaver
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Central Intelligence
as Steve
Images that would survive with the sound switched off.
Best action sequence
G.I. Joe: Retaliation
as Grunt
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Veronica Mars
as Dick Casablancas
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Fantasy Island
as J. D. Weaver
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Reference
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