Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#4312
of 909177 performers
Top 1%
Scout Taylor-Compton is the performer our scores keep defending against the popular vote — a career of films that get better the further you stand from their release week.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Scout Taylor-Compton appears in 21 films in the Nutevio catalogue, and none of them would work the same way without Scout. An American Crime is the clearest case: a film rated 7.1 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, horror, thriller. It is a style built on what is withheld as much as what is played.
Working with Ryan Francis, Lane Toran, Floria Sigismondi and others, Scout Taylor-Compton helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
An American Crime (2007) as Stephanie Baniszewski · 13 Going on 30 (2004) as Tiffany (uncredited) · Dead Giveaway (2025) as Vicky
Career snapshot
Ranked #4312 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
21
2004–2025
Career length
21 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.1
An American Crime
Average Nutevio score
6.1
Across catalogue work
Highest IMDb rating
10.0
Dead Giveaway
Most frequent director
Ryan Francis
1 film together
Longest collaboration
1×
With Ryan Francis
Most common genre
Thriller
10 titles
Average runtime
1h 32m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
6.4 average MV
The 2000s are where the work and the material meet. Obsessed, An American Crime, Wicked Little Things — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
6.4
Across 5 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
6.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Obsessed, An American Crime, Wicked Little Things.
Most productive era
2020s
12 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.52 films | 6.42 films | — |
| Action | — | 5.81 film | 6.14 films |
| Thriller | 6.01 film | 5.92 films | 6.07 films |
| Comedy | 6.62 films | — | 6.42 films |
| Crime | 7.11 film | — | 6.31 film |
| Romance | 6.91 film | — | 6.31 film |
| Horror | 6.52 films | 5.61 film | 5.95 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
200413 Going on 30
Where our catalogue meets this career, as Tiffany (uncredited).
Highest rated performance · Career peak
7.1 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025Dead Giveaway
The current state of the argument, as Vicky.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
21 of 21 films
as Vicky
Directed by Unknown
as Meg
Directed by Unknown
as Stephanie Baniszewski
Directed by Tommy O'Haver
as Cassidy Branham
Directed by Unknown
as Annabelle Angel
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Vicky
Dead Giveaway (2025)
Performance score7.0
The performance the rest of the career is read through. Vicky gives Scout Taylor-Compton a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Meg
The Love Hunt (2023)
Performance score7.0
The Love Hunt asks for something the previous films did not, and gets it. Meg is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Stephanie Baniszewski
An American Crime (2007)
Performance score7.0
An American Crime asks for something the previous films did not, and gets it. Stephanie Baniszewski is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Cassidy Branham
Into the Deep (2025)
Performance score6.8
Into the Deep asks for something the previous films did not, and gets it. Cassidy Branham is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Vicky
Start here. Dead Giveaway is the clearest statement of what Scout Taylor-Compton does — accessible, 87 minutes, and rated 6.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Scout at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
An American Crime (2007)
A deliberate change of key after Dead Giveaway — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Apache Junction (2021)
Keeps the crime register of An American Crime but asks for a colder reading of it.
The Love Hunt (2023)
Same director as Apache Junction, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Into the Deep (2025)
Same director as The Love Hunt, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Joe Nussbaum
Director
1 film together
Notably Sleepover
Tommy O'Haver
Director
1 film together
Notably An American Crime
Steve Shill
Director
1 film together
Notably Obsessed
Floria Sigismondi
Director
1 film together
Notably The Runaways
Lane Toran
Director
1 film together
Notably Getaway
Ryan Francis
Director
1 film together
Notably Speed Train
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Tommy O'Haver
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
An American CrimeFloria Sigismondi
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The RunawaysJoe Nussbaum
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
SleepoverSteve Shill
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ObsessedRyan Francis
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Speed TrainLane Toran
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
GetawaySix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
An American Crime
as Stephanie Baniszewski
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Runaways
as Lita Ford
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
An American Crime
as Stephanie Baniszewski
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
13 Going on 30
as Tiffany (uncredited)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Dead Giveaway
as Vicky
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Scout Taylor-Compton has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
21 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Thriller Legend
Awarded
10 catalogue titles in thriller, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
An American Crime
as Stephanie Baniszewski
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
An American Crime
as Stephanie Baniszewski
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Runaways
as Lita Ford
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Chariot
as Lauren Reitz / Oliver
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Apache Junction
as Annabelle Angel
Images that would survive with the sound switched off.
Best action sequence
Apache Junction
as Annabelle Angel
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Runaways
as Lita Ford
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Lurker
as Taylor Wilson
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Michael Caine
Built a career in the same territory: drama and thriller
Tom Hanks
Built a career in the same territory: family and comedy
Bonnie Hunt
Built a career in the same territory: family and comedy
Morgan Freeman
Built a career in the same territory: action and crime
Matt Damon
Built a career in the same territory: drama and fantasy
Christian Bale
Built a career in the same territory: action and crime
Have your say
Community
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Reference
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