Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#7509
of 909177 performers
Top 1%
Sophia Lillis works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Sophia Lillis appears in 12 films in the Nutevio catalogue, and none of them would work the same way without Sophia. Jane Eyre is the clearest case: a film rated 10.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, crime, thriller. It is a style built on what is withheld as much as what is played.
Working with Michael Dowse, John Francis Daley, Wes Anderson and others, Sophia Lillis helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Jane Eyre (2020) as Helen Burns · The Summers of It – Chapter One: You'll Float Too (2019) as Self · Dungeons & Dragons: Honor Among Thieves (2023) as Doric
Career snapshot
Ranked #7509 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
12
2017–2025
Career length
8 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
10.0
Jane Eyre
Average Nutevio score
7.2
Across catalogue work
Highest IMDb rating
10.0
Jane Eyre
Most frequent director
Andy Muschietti
2 films together
Longest collaboration
2×
With Andy Muschietti
Most common genre
Drama
6 titles
Average runtime
1h 43m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.2
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.7
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
7.2 average MV
The 2010s are where the work and the material meet. The Summers of It - Chapter Two: It Ends, Nancy Drew and the Hidden Staircase, The Summers of It – Chapter One: You'll Float Too — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
7.2
Across 5 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
7.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Summers of It - Chapter Two: It Ends, Nancy Drew and the Hidden Staircase, The Summers of It – Chapter One: You'll Float Too.
Most productive era
2020s
7 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 7.02 films | 7.54 films |
| Action | — | 6.71 film |
| Thriller | 7.02 films | 6.71 film |
| Comedy | — | 6.73 films |
| Crime | 6.41 film | 6.71 film |
| Romance | — | 10.01 film |
| Horror | 7.02 films | 8.02 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2017It
Where our catalogue meets this career, as Beverly Marsh.
First Nutevio masterpiece · Highest rated performance · Career peak
2020Jane Eyre
The first film here to clear 9.0 on our scale — a threshold fewer than one film in ten reaches. 10.0 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025Trap House
The current state of the argument, as Deni Matthews.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
12 of 12 films
as Beverly Marsh
Directed by Andy Muschietti
as Doric
Directed by John Francis Daley
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Helen Burns
Jane Eyre (2020)
Performance score9.9
The performance the rest of the career is read through. Helen Burns gives Sophia Lillis a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Self
The Summers of It – Chapter One: You'll Float Too (2019)
Performance score8.0
The Summers of It – Chapter One: You'll Float Too asks for something the previous films did not, and gets it. Self is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Beth
Uncle Frank (2020)
Performance score7.6
Uncle Frank asks for something the previous films did not, and gets it. Beth is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Beverly Marsh
It (2017)
Performance score7.6
It asks for something the previous films did not, and gets it. Beverly Marsh is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Helen Burns
Start here. Jane Eyre is the clearest statement of what Sophia Lillis does — accessible, 150 minutes, and rated 10.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Sophia at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
It (2017)
Keeps the horror register of Jane Eyre but asks for a colder reading of it.
The Summers of It – Chapter One: You'll Float Too (2019)
A deliberate change of key after It — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Uncle Frank (2020)
A deliberate change of key after The Summers of It – Chapter One: You'll Float Too — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Dungeons & Dragons: Honor Among Thieves (2023)
A deliberate change of key after Uncle Frank — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Andy Muschietti
Director
2 films together
Notably It
Katt Shea
Director
1 film together
Notably Nancy Drew and the Hidden Staircase
Alan Ball
Director
1 film together
Notably Uncle Frank
Osgood Perkins
Director
1 film together
Notably Gretel & Hansel
Dustin Guy Defa
Director
1 film together
Notably The Adults
Wes Anderson
Director
1 film together
Notably Asteroid City
John Francis Daley
Director
1 film together
Notably Dungeons & Dragons: Honor Among Thieves
Michael Dowse
Director
1 film together
Notably Trap House
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Andy Muschietti
Director
2 films together · 7.0 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
ItJohn Francis Daley
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Dungeons & Dragons: Honor Among ThievesAlan Ball
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Uncle FrankMichael Dowse
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Trap HouseWes Anderson
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Asteroid CityKatt Shea
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Nancy Drew and the Hidden StaircaseDustin Guy Defa
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The AdultsOsgood Perkins
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Gretel & HanselSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Jane Eyre
as Helen Burns
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Jane Eyre
as Helen Burns
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Jane Eyre
as Helen Burns
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Asteroid City
as Shelly
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Jane Eyre
as Helen Burns
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Sophia Lillis has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
6 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Jane Eyre
as Helen Burns
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Jane Eyre
as Helen Burns
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Jane Eyre
as Helen Burns
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Gretel & Hansel
as Gretel
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Jane Eyre
as Helen Burns
Images that would survive with the sound switched off.
Best action sequence
Trap House
as Deni Matthews
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Jane Eyre
as Helen Burns
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Summers of It – Chapter One: You'll Float Too
as Self
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Works with the same directors — shared collaborators
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Matt Damon
Built a career in the same territory: adventure and drama
Léa Seydoux
Works with the same directors — shared collaborators
Have your say
Community
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Reference
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