Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#51577
of 909177 performers
Top 10%
Susanne Wuest works on quiet performance rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Susanne Wuest appears in 6 films in the Nutevio catalogue, and none of them would work the same way without Susanne. Sound of Falling is the clearest case: a film rated 6.9 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, versatility, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for crime, drama, war. It is a style built on what is withheld as much as what is played.
Working with Stephan Lacant, Timo Jacobs, Maxwell McCabe-Lokos and others, Susanne Wuest helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Sound of Falling (2025) as Emma · A Cure for Wellness (2017) as Volmer Institute Staff · Manhunt: Cold Sun (2026) as Maria Weinert
Career snapshot
Ranked #51577 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
6
2017–2026
Career length
9 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.9
Sound of Falling
Average Nutevio score
3.9
Across catalogue work
Highest IMDb rating
6.9
Sound of Falling
Most frequent director
Stephan Lacant
1 film together
Longest collaboration
1×
With Stephan Lacant
Most common genre
Drama
3 titles
Average runtime
1h 24m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.4 average MV
The 2010s are where the work and the material meet. A Cure for Wellness — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.4
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. A Cure for Wellness.
Most productive era
2020s
5 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | — | 2.33 films |
| Comedy | — | 4.81 film |
| Crime | — | 5.01 film |
| Horror | 6.41 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Volmer Institute Staff.
Highest rated performance · Career peak
2025Sound of Falling
6.9 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Nicole.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
6 of 6 films
as Emma
Directed by Unknown
as Maria Barbizan
Directed by Maxwell McCabe-Lokos
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Emma
Sound of Falling (2025)
Performance score6.8
The performance the rest of the career is read through. Emma gives Susanne Wuest a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Maria Weinert
Manhunt: Cold Sun (2026)
Performance score6.5
Manhunt: Cold Sun asks for something the previous films did not, and gets it. Maria Weinert is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Nicole
Tod meiner Jugend (2026)
Performance score6.5
Tod meiner Jugend asks for something the previous films did not, and gets it. Nicole is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Olga
Dear Darkness (2022)
Performance score6.5
Dear Darkness asks for something the previous films did not, and gets it. Olga is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Emma
Start here. Sound of Falling is the clearest statement of what Susanne Wuest does — accessible, 148 minutes, and rated 6.9 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Susanne at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Stanleyville (2021)
A deliberate change of key after Sound of Falling — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Dear Darkness (2022)
A deliberate change of key after Stanleyville — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Manhunt: Cold Sun (2026)
A deliberate change of key after Dear Darkness — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Tod meiner Jugend (2026)
A deliberate change of key after Manhunt: Cold Sun — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Gore Verbinski
Director
1 film together
Notably A Cure for Wellness
Maxwell McCabe-Lokos
Director
1 film together
Notably Stanleyville
Timo Jacobs
Director
1 film together
Notably Tod meiner Jugend
Stephan Lacant
Director
1 film together
Notably Manhunt: Cold Sun
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Gore Verbinski
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A Cure for WellnessStephan Lacant
Director
1 film together · 5.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Manhunt: Cold SunMaxwell McCabe-Lokos
Director
1 film together · 4.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
StanleyvilleTimo Jacobs
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Tod meiner JugendSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Sound of Falling
as Emma
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Sound of Falling
as Emma
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Sound of Falling
as Emma
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
A Cure for Wellness
as Volmer Institute Staff
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Sound of Falling
as Emma
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Susanne Wuest has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
3 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
A Cure for Wellness
as Volmer Institute Staff
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
A Cure for Wellness
as Volmer Institute Staff
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Dear Darkness
as Olga
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
A Cure for Wellness
as Volmer Institute Staff
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Sound of Falling
as Emma
Images that would survive with the sound switched off.
Best action sequence
Sound of Falling
as Emma
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Sound of Falling
as Emma
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
A Cure for Wellness
as Volmer Institute Staff
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Built a career in the same territory: drama and crime
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Bonnie Hunt
Built a career in the same territory: comedy and drama
Morgan Freeman
Built a career in the same territory: crime and drama
Zach Grenier
Built a career in the same territory: crime and mystery
Richmond Arquette
Built a career in the same territory: crime and mystery
Have your say
Community
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Reference
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