Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#40827
of 909177 performers
Top 5%
Sybil Azur works on quiet performance rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Sybil Azur appears in 5 films in the Nutevio catalogue, and none of them would work the same way without Sybil. (500) Days of Summer is the clearest case: a film rated 7.4 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, transformation, versatility. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, comedy, drama. It is a style built on what is withheld as much as what is played.
Working with Marc Webb, Peyton Reed, Jay Roach and others, Sybil Azur helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
(500) Days of Summer (2009) as Dancer · Like Mike (2002) as Cheerleader #1 · Down with Love (2003) as Astronette #3
Career snapshot
Ranked #40827 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
5
2000–2009
Career length
9 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.4
(500) Days of Summer
Average Nutevio score
6.5
Across catalogue work
Highest IMDb rating
7.3
(500) Days of Summer
Most frequent director
Marc Webb
1 film together
Longest collaboration
1×
With Marc Webb
Most common genre
Comedy
5 titles
Average runtime
1h 37m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
6.5 average MV
The 2000s are where the work and the material meet. (500) Days of Summer, Down with Love, Austin Powers in Goldmember — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
6.5
Across 5 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
6.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. (500) Days of Summer, Down with Love, Austin Powers in Goldmember.
Most productive era
2000s
5 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s |
|---|---|
| Drama | 6.82 films |
| Comedy | 6.55 films |
| Crime | 6.21 film |
| Romance | 6.63 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2000Boys and Girls
Where our catalogue meets this career, as Dancer.
Highest rated performance · Career peak · Most recent film
7.4 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Dancer.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
5 of 5 films
as Astronette #3
Directed by Peyton Reed
as Foxxy's Backup Dancer
Directed by Jay Roach
as Dancer
Directed by Robert Iscove
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Dancer
(500) Days of Summer (2009)
Performance score7.2
The performance the rest of the career is read through. Dancer gives Sybil Azur a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Astronette #3
Down with Love (2003)
Performance score6.5
Down with Love asks for something the previous films did not, and gets it. Astronette #3 is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Foxxy's Backup Dancer
Austin Powers in Goldmember (2002)
Performance score6.5
Austin Powers in Goldmember asks for something the previous films did not, and gets it. Foxxy's Backup Dancer is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Cheerleader #1
Like Mike (2002)
Performance score6.5
Like Mike asks for something the previous films did not, and gets it. Cheerleader #1 is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Dancer
Start here. (500) Days of Summer is the clearest statement of what Sybil Azur does — accessible, 95 minutes, and rated 7.4 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Sybil at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Boys and Girls (2000)
Keeps the romance register of (500) Days of Summer but asks for a colder reading of it.
Austin Powers in Goldmember (2002)
Keeps the comedy register of Boys and Girls but asks for a colder reading of it.
Like Mike (2002)
Keeps the comedy register of Austin Powers in Goldmember but asks for a colder reading of it.
Down with Love (2003)
Keeps the comedy register of Like Mike but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Robert Iscove
Director
1 film together
Notably Boys and Girls
Jay Roach
Director
1 film together
Notably Austin Powers in Goldmember
Peyton Reed
Director
1 film together
Notably Down with Love
Marc Webb
Director
1 film together
Notably (500) Days of Summer
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Marc Webb
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
(500) Days of SummerPeyton Reed
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Down with LoveJay Roach
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Austin Powers in GoldmemberRobert Iscove
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Boys and GirlsSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
(500) Days of Summer
as Dancer
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
(500) Days of Summer
as Dancer
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
(500) Days of Summer
as Dancer
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Like Mike
as Cheerleader #1
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
(500) Days of Summer
as Dancer
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Sybil Azur has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
5 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
(500) Days of Summer
as Dancer
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
(500) Days of Summer
as Dancer
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
(500) Days of Summer
as Dancer
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Like Mike
as Cheerleader #1
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
(500) Days of Summer
as Dancer
Images that would survive with the sound switched off.
Best action sequence
(500) Days of Summer
as Dancer
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
(500) Days of Summer
as Dancer
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Boys and Girls
as Dancer
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Mark Ruffalo
Built a career in the same territory: crime and drama
Harvey Keitel
Built a career in the same territory: comedy and drama
Tom Wilkinson
Built a career in the same territory: comedy and drama
Have your say
Community
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Reference
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