Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#24744
of 909177 performers
Top 5%
Teo Yoo works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Teo Yoo appears in 8 films in the Nutevio catalogue, and none of them would work the same way without Teo. Pawn is the clearest case: a film rated 8.3 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, thriller, romance. It is a style built on what is withheld as much as what is played.
Working with Takashi Doscher, Celine Song, Park Chan-wook and others, Teo Yoo helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Pawn (2020) as Deok-hwa · Past Lives (2023) as Hae Sung · Decision to Leave (2022) as Assistant Manager Lee
Career snapshot
Ranked #24744 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
8
2015–2027
Career length
12 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.3
Pawn
Average Nutevio score
6.1
Across catalogue work
Highest IMDb rating
8.3
Pawn
Most frequent director
Takashi Doscher
1 film together
Longest collaboration
1×
With Takashi Doscher
Most common genre
Drama
6 titles
Average runtime
1h 40m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.4 average MV
The 2010s are where the work and the material meet. Vertigo, Black Money, Equals — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.4
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.4
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Vertigo, Black Money, Equals.
Most productive era
2020s
5 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.43 films | 7.53 films |
| Action | — | 0.01 film |
| Thriller | 7.11 film | 3.62 films |
| Comedy | — | 8.31 film |
| Crime | 7.11 film | — |
| Romance | 6.12 films | 7.23 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2015Equals
Where our catalogue meets this career, as Peter.
Highest rated performance · Career peak
2020Pawn
8.3 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2027Karoshi
The current state of the argument.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
8 of 8 films
as Hae Sung
Directed by Celine Song
as Deok-hwa
Directed by Kang Dae-gyu
as Assistant Manager Lee
Directed by Park Chan-wook
as Steve Jung
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Hae Sung
Past Lives (2023)
Performance score8.0
The performance the rest of the career is read through. Hae Sung gives Teo Yoo a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Deok-hwa
Pawn (2020)
Performance score8.0
Pawn asks for something the previous films did not, and gets it. Deok-hwa is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Assistant Manager Lee
Decision to Leave (2022)
Performance score7.2
Decision to Leave asks for something the previous films did not, and gets it. Assistant Manager Lee is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Steve Jung
Black Money (2019)
Performance score7.0
Black Money asks for something the previous films did not, and gets it. Steve Jung is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Hae Sung
Start here. Past Lives is the clearest statement of what Teo Yoo does — accessible, 106 minutes, and rated 7.7 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Teo at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Black Money (2019)
Keeps the drama register of Past Lives but asks for a colder reading of it.
Vertigo (2019)
Same director as Black Money, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Pawn (2020)
Keeps the drama register of Vertigo but asks for a colder reading of it.
Decision to Leave (2022)
A deliberate change of key after Pawn — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Kang Dae-gyu
Director
1 film together
Notably Pawn
Hong Ji-young
Director
1 film together
Notably New Year Blues
Park Chan-wook
Director
1 film together
Notably Decision to Leave
Celine Song
Director
1 film together
Notably Past Lives
Takashi Doscher
Director
1 film together
Notably Karoshi
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Kang Dae-gyu
Director
1 film together · 8.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
PawnCeline Song
Director
1 film together · 7.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Past LivesPark Chan-wook
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Decision to LeaveHong Ji-young
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
New Year BluesTakashi Doscher
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
KaroshiSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Pawn
as Deok-hwa
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Past Lives
as Hae Sung
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Pawn
as Deok-hwa
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Decision to Leave
as Assistant Manager Lee
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Past Lives
as Hae Sung
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Teo Yoo has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
6 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Pawn
as Deok-hwa
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Black Money
as Steve Jung
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Past Lives
as Hae Sung
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Decision to Leave
as Assistant Manager Lee
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Pawn
as Deok-hwa
Images that would survive with the sound switched off.
Best action sequence
Karoshi
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Black Money
as Steve Jung
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Karoshi
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Michael Caine
Built a career in the same territory: drama and thriller
Morgan Freeman
Built a career in the same territory: action and crime
Christian Bale
Built a career in the same territory: action and crime
Tom Hanks
Built a career in the same territory: family and comedy
Bonnie Hunt
Built a career in the same territory: family and comedy
Cillian Murphy
Built a career in the same territory: drama and thriller
Have your say
Community
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Reference
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