Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#7353
of 909177 performers
Top 1%
Thomasin McKenzie works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Thomasin McKenzie appears in 14 films in the Nutevio catalogue, and none of them would work the same way without Thomasin. Jojo Rabbit is the clearest case: a film rated 8.1 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for horror, thriller, war. It is a style built on what is withheld as much as what is played.
Working with Paul Greengrass, Mona Fastvold, Jim O'Hanlon and others, Thomasin McKenzie helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Jojo Rabbit (2019) as Elsa · The Hobbit: The Battle of the Five Armies (2014) as Astrid · Last Night in Soho (2021) as Eloise Turner
Career snapshot
Ranked #7353 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
14
2014–2026
Career length
12 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.1
Jojo Rabbit
Average Nutevio score
5.4
Across catalogue work
Highest IMDb rating
8.0
Jojo Rabbit
Most frequent director
Paul Greengrass
1 film together
Longest collaboration
1×
With Paul Greengrass
Most common genre
Drama
8 titles
Average runtime
1h 50m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
7.4 average MV
The 2010s are where the work and the material meet. Jojo Rabbit, The King, Leave No Trace — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
7.4
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
7.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Jojo Rabbit, The King, Leave No Trace.
Most productive era
2020s
10 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 7.43 films | 5.55 films |
| Action | 7.61 film | — |
| Thriller | — | 4.84 films |
| Comedy | 8.11 film | 6.71 film |
| Crime | — | 5.81 film |
| Horror | — | 4.53 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2014The Hobbit: The Battle of the Five Armies
Where our catalogue meets this career, as Astrid.
Highest rated performance · Career peak
2019Jojo Rabbit
8.1 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026The Uprising
The current state of the argument.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
14 of 14 films
as Elsa
Directed by Taika Waititi
as Eloise Turner
Directed by Edgar Wright
as Astrid
Directed by Peter Jackson
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Elsa
Jojo Rabbit (2019)
Performance score8.3
The performance the rest of the career is read through. Elsa gives Thomasin McKenzie a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Eloise Turner
Last Night in Soho (2021)
Performance score7.9
Last Night in Soho asks for something the previous films did not, and gets it. Eloise Turner is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Tom
Leave No Trace (2018)
Performance score7.4
Leave No Trace asks for something the previous films did not, and gets it. Tom is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Astrid
The Hobbit: The Battle of the Five Armies (2014)
Performance score7.4
The Hobbit: The Battle of the Five Armies asks for something the previous films did not, and gets it. Astrid is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Elsa
Start here. Jojo Rabbit is the clearest statement of what Thomasin McKenzie does — accessible, 108 minutes, and rated 8.1 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Thomasin at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Hobbit: The Battle of the Five Armies (2014)
A deliberate change of key after Jojo Rabbit — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Leave No Trace (2018)
A deliberate change of key after The Hobbit: The Battle of the Five Armies — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Last Night in Soho (2021)
Keeps the drama register of Leave No Trace but asks for a colder reading of it.
Joy (2024)
Keeps the drama register of Last Night in Soho but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Peter Jackson
Director
1 film together
Notably The Hobbit: The Battle of the Five Armies
Debra Granik
Director
1 film together
Notably Leave No Trace
David Michôd
Director
1 film together
Notably The King
Taika Waititi
Director
1 film together
Notably Jojo Rabbit
Jane Campion
Director
1 film together
Notably The Power of the Dog
M. Night Shyamalan
Director
1 film together
Notably Old
Edgar Wright
Director
1 film together
Notably Last Night in Soho
William Oldroyd
Director
1 film together
Notably Eileen
Ben Taylor
Director
1 film together
Notably Joy
Jim O'Hanlon
Director
1 film together
Notably Fackham Hall
Mona Fastvold
Director
1 film together
Notably The Testament of Ann Lee
Paul Greengrass
Director
1 film together
Notably The Uprising
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Taika Waititi
Director
1 film together · 8.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Jojo RabbitPeter Jackson
Director
1 film together · 7.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Hobbit: The Battle of the Five ArmiesEdgar Wright
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Last Night in SohoDavid Michôd
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The KingBen Taylor
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
JoyDebra Granik
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Leave No TraceJim O'Hanlon
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Fackham HallJane Campion
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Power of the DogMona Fastvold
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Testament of Ann LeeM. Night Shyamalan
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
OldWilliam Oldroyd
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
EileenPaul Greengrass
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The UprisingSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Jojo Rabbit
as Elsa
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Testament of Ann Lee
as Mary Partington / Narrator
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Jojo Rabbit
as Elsa
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
The Hobbit: The Battle of the Five Armies
as Astrid
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Jojo Rabbit
as Elsa
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Thomasin McKenzie has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
8 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Last Night in Soho
as Eloise Turner
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Last Night in Soho
as Eloise Turner
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Testament of Ann Lee
as Mary Partington / Narrator
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Last Night in Soho
as Eloise Turner
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Hobbit: The Battle of the Five Armies
as Astrid
Images that would survive with the sound switched off.
Best action sequence
The Hobbit: The Battle of the Five Armies
as Astrid
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Jojo Rabbit
as Elsa
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Hobbit: The Battle of the Five Armies
as Astrid
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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