Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#9110
of 909177 performers
Top 5%
Todd Susman works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Todd Susman appears in 5 films in the Nutevio catalogue, and none of them would work the same way without Todd. You Don't Know Jack is the clearest case: a film rated 7.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for tv movie, drama, history. It is a style built on what is withheld as much as what is played.
Working with Barry Levinson, Tony Scott, Hugh Wilson and others, Todd Susman helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
You Don't Know Jack (2010) as Stan Levy · Blast from the Past (1999) as Butcher · Beverly Hills Cop II (1987) as Foreman
Career snapshot
Ranked #9110 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
5
1987–2010
Career length
23 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.0
You Don't Know Jack
Average Nutevio score
6.5
Across catalogue work
Highest IMDb rating
7.0
You Don't Know Jack
Most frequent director
Tony Scott
2 films together
Longest collaboration
2×
With Tony Scott
Most common genre
Crime
3 titles
Average runtime
1h 55m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
7.0 average MV
The 2010s are where the work and the material meet. You Don't Know Jack — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
7.0
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
7.0
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1980s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Beverly Hills Cop II.
Most productive era
1990s
2 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1980s | 1990s | 2000s | 2010s |
|---|---|---|---|---|
| Drama | — | 6.81 film | — | 7.01 film |
| Action | 6.61 film | — | 6.41 film | — |
| Thriller | — | 5.71 film | 6.41 film | — |
| Comedy | 6.61 film | 6.81 film | — | — |
| Crime | 6.61 film | 5.71 film | 6.41 film | — |
| Romance | — | 6.81 film | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Foreman.
Highest rated performance · Career peak · Most recent film
7.0 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Stan Levy.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
5 of 5 films
as Stan Levy
Directed by Barry Levinson
as Butcher
Directed by Hugh Wilson
as Supervisor
Directed by Tony Scott
as Bozeman
Directed by Brian Gibson
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Stan Levy
You Don't Know Jack (2010)
Performance score6.9
The performance the rest of the career is read through. Stan Levy gives Todd Susman a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Butcher
Blast from the Past (1999)
Performance score6.7
Blast from the Past asks for something the previous films did not, and gets it. Butcher is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Foreman
Beverly Hills Cop II (1987)
Performance score6.6
Beverly Hills Cop II asks for something the previous films did not, and gets it. Foreman is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Supervisor
The Taking of Pelham 1 2 3 (2009)
Performance score6.5
The Taking of Pelham 1 2 3 asks for something the previous films did not, and gets it. Supervisor is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Stan Levy
Start here. You Don't Know Jack is the clearest statement of what Todd Susman does — accessible, 134 minutes, and rated 7.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Todd at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Beverly Hills Cop II (1987)
A deliberate change of key after You Don't Know Jack — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Juror (1996)
Keeps the crime register of Beverly Hills Cop II but asks for a colder reading of it.
Blast from the Past (1999)
A deliberate change of key after The Juror — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Taking of Pelham 1 2 3 (2009)
A deliberate change of key after Blast from the Past — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Tony Scott
Director
2 films together
Notably Beverly Hills Cop II
Brian Gibson
Director
1 film together
Notably The Juror
Hugh Wilson
Director
1 film together
Notably Blast from the Past
Barry Levinson
Director
1 film together
Notably You Don't Know Jack
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Tony Scott
Director
2 films together · 6.5 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Beverly Hills Cop IIBarry Levinson
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
You Don't Know JackHugh Wilson
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Blast from the PastBrian Gibson
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The JurorSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
You Don't Know Jack
as Stan Levy
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Blast from the Past
as Butcher
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
You Don't Know Jack
as Stan Levy
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Blast from the Past
as Butcher
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
You Don't Know Jack
as Stan Levy
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Todd Susman has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
23 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Crime Legend
Awarded
3 catalogue titles in crime, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
You Don't Know Jack
as Stan Levy
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Taking of Pelham 1 2 3
as Supervisor
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Blast from the Past
as Butcher
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Juror
as Bozeman
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Beverly Hills Cop II
as Foreman
Images that would survive with the sound switched off.
Best action sequence
The Taking of Pelham 1 2 3
as Supervisor
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Blast from the Past
as Butcher
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Beverly Hills Cop II
as Foreman
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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