Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#37446
of 909177 performers
Top 5%
Toshie Negishi represents the rare performer whose career became more ambitious with every decade — 34 years in, and Toshie is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Toshie Negishi appears in 11 films in the Nutevio catalogue, and none of them would work the same way without Toshie. When Marnie Was There is the clearest case: a film rated 7.7 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for mystery, thriller, horror. It is a style built on what is withheld as much as what is played.
Working with Junichi Ishikawa, Koji Shiraishi, Rikiya Imaizumi and others, Toshie Negishi helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
When Marnie Was There (2014) as Setsu Oiwa (voice) · Dreams (1990) as Mother carrying child · Call Me Chihiro (2023) as Nagai
Career snapshot
Ranked #37446 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
11
1990–2024
Career length
34 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.7
When Marnie Was There
Average Nutevio score
6.6
Across catalogue work
Highest IMDb rating
7.9
When Marnie Was There
Most frequent director
Rikiya Imaizumi
2 films together
Longest collaboration
2×
With Rikiya Imaizumi
Most common genre
Drama
7 titles
Average runtime
2h 0m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.9
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.7
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1990s
7.3 average MV
The 1990s are where the work and the material meet. Dreams — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1990s
7.3
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1990s
7.7
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Dreams.
Most productive era
2020s
6 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2010s | 2020s |
|---|---|---|---|
| Drama | 7.31 film | 6.83 films | 6.63 films |
| Action | — | 5.91 film | — |
| Thriller | — | — | 6.31 film |
| Comedy | — | 5.91 film | — |
| Crime | — | 6.21 film | — |
| Romance | — | — | 6.61 film |
| Horror | — | 5.91 film | 6.41 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1990Dreams
Where our catalogue meets this career, as Mother carrying child.
Highest rated performance · Career peak
7.7 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2024House of Sayuri
The current state of the argument, as Harue Kamiki.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
11 of 11 films
as Setsu Oiwa (voice)
Directed by Hiromasa Yonebayashi
as Mother carrying child
Directed by Akira Kurosawa
as Nagai
Directed by Rikiya Imaizumi
as Fusako Yoshimura
Directed by Rikiya Imaizumi
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Setsu Oiwa (voice)
When Marnie Was There (2014)
Performance score7.7
The performance the rest of the career is read through. Setsu Oiwa (voice) gives Toshie Negishi a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Mother carrying child
Dreams (1990)
Performance score7.6
Dreams asks for something the previous films did not, and gets it. Mother carrying child is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Nagai
Call Me Chihiro (2023)
Performance score6.7
Call Me Chihiro asks for something the previous films did not, and gets it. Nagai is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Fusako Yoshimura
His (2020)
Performance score6.6
His asks for something the previous films did not, and gets it. Fusako Yoshimura is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Setsu Oiwa (voice)
Start here. When Marnie Was There is the clearest statement of what Toshie Negishi does — accessible, 103 minutes, and rated 7.7 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Toshie at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Dreams (1990)
Keeps the drama register of When Marnie Was There but asks for a colder reading of it.
Family of Strangers (2019)
Keeps the drama register of Dreams but asks for a colder reading of it.
His (2020)
Keeps the drama register of Family of Strangers but asks for a colder reading of it.
Call Me Chihiro (2023)
Same director as His, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Rikiya Imaizumi
Director
2 films together
Notably Call Me Chihiro
Akira Kurosawa
Director
1 film together
Notably Dreams
Hiromasa Yonebayashi
Director
1 film together
Notably When Marnie Was There
Takahisa Zeze
Director
1 film together
Notably The Promised Land
Hideyuki Hirayama
Director
1 film together
Notably Family of Strangers
Nobuhiko Obayashi
Director
1 film together
Notably Labyrinth of Cinema
Eiji Uchida
Director
1 film together
Notably Midnight Swan
Koji Shiraishi
Director
1 film together
Notably House of Sayuri
Junichi Ishikawa
Director
1 film together
Notably A Strange House
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Rikiya Imaizumi
Director
2 films together · 6.7 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Call Me ChihiroHiromasa Yonebayashi
Director
1 film together · 7.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
When Marnie Was ThereAkira Kurosawa
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
DreamsHideyuki Hirayama
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Family of StrangersEiji Uchida
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Midnight SwanNobuhiko Obayashi
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Labyrinth of CinemaKoji Shiraishi
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
House of SayuriJunichi Ishikawa
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A Strange HouseTakahisa Zeze
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Promised LandSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
When Marnie Was There
as Setsu Oiwa (voice)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
When Marnie Was There
as Setsu Oiwa (voice)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
When Marnie Was There
as Setsu Oiwa (voice)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Labyrinth of Cinema
as Season
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
When Marnie Was There
as Setsu Oiwa (voice)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Toshie Negishi has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
34 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
7 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Dreams
as Mother carrying child
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
A Strange House
as Katabuchi Fumino
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
His
as Fusako Yoshimura
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
A Strange House
as Katabuchi Fumino
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
When Marnie Was There
as Setsu Oiwa (voice)
Images that would survive with the sound switched off.
Best action sequence
Rise of the Machine Girls
as Daruma Aoyama
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
When Marnie Was There
as Setsu Oiwa (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Rise of the Machine Girls
as Daruma Aoyama
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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