Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#15627
of 909177 performers
Top 5%
Trezzo Mahoro works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Trezzo Mahoro appears in 11 films in the Nutevio catalogue, and none of them would work the same way without Trezzo. The Dating App Killer: The Monica White Story is the clearest case: a film rated 8.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for tv movie, thriller, horror. It is a style built on what is withheld as much as what is played.
Working with Elisabeth Röhm, Michael Fimognari, Martin Wood and others, Trezzo Mahoro helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Dating App Killer: The Monica White Story (2026) as Isaiah White · To All the Boys I've Loved Before (2018) as Lucas James · To All the Boys: Always and Forever (2021) as Lucas James
Career snapshot
Ranked #15627 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
11
2018–2026
Career length
8 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.0
The Dating App Killer: The Monica White Story
Average Nutevio score
6.8
Across catalogue work
Highest IMDb rating
8.0
The Dating App Killer: The Monica White Story
Most frequent director
Michael Fimognari
2 films together
Longest collaboration
2×
With Michael Fimognari
Most common genre
TV Movie
5 titles
Average runtime
1h 31m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
7.0 average MV
The 2010s are where the work and the material meet. Love on the Menu, Dragged Across Concrete, Picture Perfect Mysteries: Newlywed and Dead — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
7.0
Across 5 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
7.0
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Love on the Menu, Dragged Across Concrete, Picture Perfect Mysteries: Newlywed and Dead.
Most productive era
2020s
6 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.51 film | 7.51 film |
| Action | 6.61 film | — |
| Thriller | 6.52 films | 6.33 films |
| Comedy | 7.61 film | 6.93 films |
| Crime | 6.83 films | — |
| Romance | 7.22 films | 6.93 films |
| Horror | — | 5.42 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2018To All the Boys I've Loved Before
Where our catalogue meets this career, as Lucas James.
Highest rated performance · Career peak · Most recent film
2026The Dating App Killer: The Monica White Story
8.0 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Isaiah White.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
11 of 11 films
as Isaiah White
Directed by Elisabeth Röhm
as Lucas James
Directed by Michael Fimognari
as Lucas James
Directed by Michael Fimognari
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Isaiah White
The Dating App Killer: The Monica White Story (2026)
Performance score7.8
The performance the rest of the career is read through. Isaiah White gives Trezzo Mahoro a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Noah
Picture Perfect Mysteries: Newlywed and Dead (2019)
Performance score7.6
Picture Perfect Mysteries: Newlywed and Dead asks for something the previous films did not, and gets it. Noah is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Lucas James
To All the Boys I've Loved Before (2018)
Performance score7.4
To All the Boys I've Loved Before asks for something the previous films did not, and gets it. Lucas James is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Lucas James
To All the Boys: Always and Forever (2021)
Performance score7.3
To All the Boys: Always and Forever asks for something the previous films did not, and gets it. Lucas James is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Isaiah White
Start here. The Dating App Killer: The Monica White Story is the clearest statement of what Trezzo Mahoro does — accessible, 86 minutes, and rated 8.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Trezzo at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
To All the Boys I've Loved Before (2018)
A deliberate change of key after The Dating App Killer: The Monica White Story — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Picture Perfect Mysteries: Newlywed and Dead (2019)
A deliberate change of key after To All the Boys I've Loved Before — same instrument, unfamiliar tuning, and the reason range gets mentioned.
To All the Boys: P.S. I Still Love You (2020)
A deliberate change of key after Picture Perfect Mysteries: Newlywed and Dead — same instrument, unfamiliar tuning, and the reason range gets mentioned.
To All the Boys: Always and Forever (2021)
Same director as To All the Boys: P.S. I Still Love You, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Michael Fimognari
Director
2 films together
Notably To All the Boys: Always and Forever
Gail Harvey
Director
1 film together
Notably No One Would Tell
Ron Oliver
Director
1 film together
Notably Picture Perfect Mysteries: Newlywed and Dead
Ellie Kanner
Director
1 film together
Notably Love on the Menu
Martin Wood
Director
1 film together
Notably Operation Christmas Drop
Elisabeth Röhm
Director
1 film together
Notably The Dating App Killer: The Monica White Story
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Michael Fimognari
Director
2 films together · 7.2 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
To All the Boys: Always and ForeverElisabeth Röhm
Director
1 film together · 8.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Dating App Killer: The Monica White StoryRon Oliver
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Picture Perfect Mysteries: Newlywed and DeadEllie Kanner
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Love on the MenuGail Harvey
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
No One Would TellMartin Wood
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Operation Christmas DropSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Dating App Killer: The Monica White Story
as Isaiah White
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
To All the Boys: Always and Forever
as Lucas James
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Dating App Killer: The Monica White Story
as Isaiah White
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Dragged Across Concrete
as Skinny Black Teenager
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Dating App Killer: The Monica White Story
as Isaiah White
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Trezzo Mahoro has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
TV Movie Legend
Awarded
5 catalogue titles in tv movie, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Picture Perfect Mysteries: Newlywed and Dead
as Noah
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Picture Perfect Mysteries: Newlywed and Dead
as Noah
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
To All the Boys: Always and Forever
as Lucas James
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
No One Would Tell
as Zack
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Dating App Killer: The Monica White Story
as Isaiah White
Images that would survive with the sound switched off.
Best action sequence
Dragged Across Concrete
as Skinny Black Teenager
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
To All the Boys: Always and Forever
as Lucas James
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Disquiet
as Carter
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Built a career in the same territory: drama and thriller
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Built a career in the same territory: action and crime
Christian Bale
Built a career in the same territory: action and crime
Tom Hanks
Built a career in the same territory: family and comedy
Bonnie Hunt
Built a career in the same territory: family and comedy
Cillian Murphy
Built a career in the same territory: drama and thriller
Have your say
Community
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Reference
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