Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#347
of 909177 performers
Top 1%
Tyler Perry works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Tyler Perry appears in 19 films in the Nutevio catalogue, and none of them would work the same way without Tyler. Gone Girl is the clearest case: a film rated 8.1 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, romance, drama. It is a style built on what is withheld as much as what is played.
Working with Tyler Perry, Adam McKay, Taylor Sheridan and others, Tyler Perry helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Gone Girl (2014) as Tanner Bolt · Adele One Night Only (2021) as Self · Star Trek (2009) as Admiral Richard Barnett
Career snapshot
Ranked #347 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
19
2007–2026
Career length
19 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.1
Gone Girl
Average Nutevio score
6.4
Across catalogue work
Highest IMDb rating
7.9
Gone Girl
Most frequent director
Tyler Perry
9 films together
Longest collaboration
9×
With Tyler Perry
Most common genre
Comedy
12 titles
Average runtime
1h 51m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
7.0 average MV
The 2000s are where the work and the material meet. Star Trek, Why Did I Get Married? — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
7.0
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
7.0
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Star Trek, Why Did I Get Married?.
Most productive era
2020s
9 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.51 film | 7.24 films | 5.45 films |
| Action | 7.61 film | 5.62 films | 6.92 films |
| Thriller | — | 6.62 films | 6.82 films |
| Comedy | 6.51 film | 6.45 films | 5.56 films |
| Crime | — | 5.11 film | — |
| Romance | — | 6.51 film | 0.01 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Terry.
Highest rated performance · Career peak
2014Gone Girl
8.1 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Why Did I Get Married Again?
The current state of the argument.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
19 of 19 films
as Tanner Bolt
Directed by David Fincher
as Self
Directed by Paul Dugdale
as Madea / Uncle Joe
Directed by Tyler Perry
as Admiral Richard Barnett
Directed by J.J. Abrams
as Gus (voice)
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Tanner Bolt
Gone Girl (2014)
Performance score8.1
The performance the rest of the career is read through. Tanner Bolt gives Tyler Perry a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Self
Adele One Night Only (2021)
Performance score7.6
Adele One Night Only asks for something the previous films did not, and gets it. Self is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Madea / Uncle Joe
Tyler Perry's A Madea Homecoming (2022)
Performance score7.4
Tyler Perry's A Madea Homecoming asks for something the previous films did not, and gets it. Madea / Uncle Joe is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Admiral Richard Barnett
Star Trek (2009)
Performance score7.4
Star Trek asks for something the previous films did not, and gets it. Admiral Richard Barnett is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Tanner Bolt
Start here. Gone Girl is the clearest statement of what Tyler Perry does — accessible, 149 minutes, and rated 8.1 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Tyler at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Star Trek (2009)
A deliberate change of key after Gone Girl — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Adele One Night Only (2021)
A deliberate change of key after Star Trek — same instrument, unfamiliar tuning, and the reason range gets mentioned.
PAW Patrol: The Movie (2021)
A deliberate change of key after Adele One Night Only — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Tyler Perry's A Madea Homecoming (2022)
Keeps the comedy register of PAW Patrol: The Movie but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Tyler Perry
Director
9 films together
Notably A Fall from Grace
Adam McKay
Director
2 films together
Notably Don't Look Up
J.J. Abrams
Director
1 film together
Notably Star Trek
Rob Cohen
Director
1 film together
Notably Alex Cross
David Fincher
Director
1 film together
Notably Gone Girl
Paul Dugdale
Director
1 film together
Notably Adele One Night Only
Taylor Sheridan
Director
1 film together
Notably Those Who Wish Me Dead
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Tyler Perry
Director
9 films together · 5.7 avg MV
A working relationship rather than a booking — 9 films, and the register shifts each time.
Best film together
A Fall from GraceAdam McKay
Director
2 films together · 7.0 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Don't Look UpDavid Fincher
Director
1 film together · 8.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Gone GirlPaul Dugdale
Director
1 film together · 7.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Adele One Night OnlyJ.J. Abrams
Director
1 film together · 7.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Star TrekTaylor Sheridan
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Those Who Wish Me DeadRob Cohen
Director
1 film together · 5.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Alex CrossSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Gone Girl
as Tanner Bolt
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Why Did I Get Married Too?
as Terry
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Gone Girl
as Tanner Bolt
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Star Trek
as Admiral Richard Barnett
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Gone Girl
as Tanner Bolt
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Tyler Perry has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
12 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Gone Girl
as Tanner Bolt
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Gone Girl
as Tanner Bolt
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Why Did I Get Married Again?
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Gone Girl
as Tanner Bolt
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Star Trek
as Admiral Richard Barnett
Images that would survive with the sound switched off.
Best action sequence
Star Trek
as Admiral Richard Barnett
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
PAW Patrol: The Movie
as Gus (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Gone Girl
as Tanner Bolt
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Works with the same directors — David Fincher
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Works with the same directors — David Fincher
Have your say
Community
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Reference
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