Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#10648
of 909177 performers
Top 5%
Whitney Cummings works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Whitney Cummings appears in 10 films in the Nutevio catalogue, and none of them would work the same way without Whitney. VOMO: Vote or Miss Out is the clearest case: a film rated 10.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, comedy, horror. It is a style built on what is withheld as much as what is played.
Working with Mod Sun, Zoe Lister-Jones, Jay Karas and others, Whitney Cummings helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
VOMO: Vote or Miss Out (2020) as Self · The Wedding Ringer (2015) as Holly Munk · Made of Honor (2008) as Stephanie
Career snapshot
Ranked #10648 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
10
2008–2023
Career length
15 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
10.0
VOMO: Vote or Miss Out
Average Nutevio score
6.1
Across catalogue work
Highest IMDb rating
10.0
VOMO: Vote or Miss Out
Most frequent director
Mod Sun
1 film together
Longest collaboration
1×
With Mod Sun
Most common genre
Comedy
10 titles
Average runtime
1h 36m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
6.5 average MV
The 2000s are where the work and the material meet. Made of Honor — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
6.5
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
6.5
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Made of Honor.
Most productive era
2020s
7 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | — | — | 4.81 film |
| Action | — | 5.21 film | — |
| Comedy | 6.51 film | 5.82 films | 6.17 films |
| Romance | 6.51 film | — | 5.32 films |
| Horror | — | — | 5.91 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2008Made of Honor
Where our catalogue meets this career, as Stephanie.
First Nutevio masterpiece · Highest rated performance · Career peak
The first film here to clear 9.0 on our scale — a threshold fewer than one film in ten reaches. 10.0 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2023At Midnight
The current state of the argument, as Margot Cohen.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
10 of 10 films
as Self
Directed by Unknown
as Margot Cohen
Directed by Unknown
as Samantha
Directed by Unknown
as Maxine
Directed by Mod Sun
as Mandy
Directed by Zoe Lister-Jones
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Self
VOMO: Vote or Miss Out (2020)
Performance score9.7
The performance the rest of the career is read through. Self gives Whitney Cummings a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Margot Cohen
At Midnight (2023)
Performance score6.5
At Midnight asks for something the previous films did not, and gets it. Margot Cohen is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Samantha
Studio 666 (2022)
Performance score6.5
Studio 666 asks for something the previous films did not, and gets it. Samantha is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Maxine
Good Mourning (2022)
Performance score6.5
Good Mourning asks for something the previous films did not, and gets it. Maxine is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Self
Start here. VOMO: Vote or Miss Out is the clearest statement of what Whitney Cummings does — accessible, 45 minutes, and rated 10.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Whitney at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
How It Ends (2021)
Keeps the comedy register of VOMO: Vote or Miss Out but asks for a colder reading of it.
Studio 666 (2022)
Keeps the comedy register of How It Ends but asks for a colder reading of it.
Good Mourning (2022)
Keeps the comedy register of Studio 666 but asks for a colder reading of it.
At Midnight (2023)
Keeps the romance register of Good Mourning but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Paul Weiland
Director
1 film together
Notably Made of Honor
Frank Coraci
Director
1 film together
Notably The Ridiculous 6
Jeremy Garelick
Director
1 film together
Notably The Wedding Ringer
Steve Byrne
Director
1 film together
Notably The Opening Act
Jay Karas
Director
1 film together
Notably Feeding America Comedy Festival
Zoe Lister-Jones
Director
1 film together
Notably How It Ends
Mod Sun
Director
1 film together
Notably Good Mourning
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Jeremy Garelick
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Wedding RingerPaul Weiland
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Made of HonorJay Karas
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Feeding America Comedy FestivalSteve Byrne
Director
1 film together · 5.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Opening ActFrank Coraci
Director
1 film together · 5.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Ridiculous 6Zoe Lister-Jones
Director
1 film together · 4.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
How It EndsMod Sun
Director
1 film together · 4.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Good MourningSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
VOMO: Vote or Miss Out
as Self
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Made of Honor
as Stephanie
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
VOMO: Vote or Miss Out
as Self
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Feeding America Comedy Festival
as Self
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
VOMO: Vote or Miss Out
as Self
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Whitney Cummings has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
10 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
VOMO: Vote or Miss Out
as Self
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
VOMO: Vote or Miss Out
as Self
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Good Mourning
as Maxine
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
VOMO: Vote or Miss Out
as Self
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
VOMO: Vote or Miss Out
as Self
Images that would survive with the sound switched off.
Best action sequence
The Ridiculous 6
as Susannah
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
How It Ends
as Mandy
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Good Mourning
as Maxine
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Reference
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