Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#20101
of 909177 performers
Top 5%
Yoshimasa Kondo represents the rare performer whose career became more ambitious with every decade — 35 years in, and Yoshimasa is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Yoshimasa Kondo appears in 9 films in the Nutevio catalogue, and none of them would work the same way without Yoshimasa. The Samurai and the Prisoner is the clearest case: a film rated 8.4 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for mystery, drama, history. It is a style built on what is withheld as much as what is played.
Working with Kiyoshi Kurosawa, Yusuke Taki, Junta Yamaguchi and others, Yoshimasa Kondo helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Samurai and the Prisoner (2026) as Nakanishi Shinpachiro · Princess Mononoke (1997) as Cattleman (voice) · Only Yesterday (1991) as Homeroom Teacher (voice)
Career snapshot
Ranked #20101 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
9
1991–2026
Career length
35 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.4
The Samurai and the Prisoner
Average Nutevio score
6.2
Across catalogue work
Highest IMDb rating
8.4
The Samurai and the Prisoner
Most frequent director
Kiyoshi Kurosawa
1 film together
Longest collaboration
1×
With Kiyoshi Kurosawa
Most common genre
Drama
5 titles
Average runtime
1h 56m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1990s
7.8 average MV
The 1990s are where the work and the material meet. Princess Mononoke, Only Yesterday — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1990s
7.8
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1990s
7.9
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Princess Mononoke, Only Yesterday.
Most productive era
2020s
6 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2010s | 2020s |
|---|---|---|---|
| Drama | 7.21 film | 6.01 film | 5.13 films |
| Action | — | — | 6.81 film |
| Thriller | — | 6.01 film | 5.71 film |
| Comedy | — | — | 6.43 films |
| Romance | 7.21 film | — | 5.71 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1991Only Yesterday
Where our catalogue meets this career, as Homeroom Teacher (voice).
Highest rated performance · Career peak
8.4 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026The Samurai and the Prisoner
The current state of the argument, as Nakanishi Shinpachiro.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
9 of 9 films
as Nakanishi Shinpachiro
Directed by Kiyoshi Kurosawa
as Cattleman (voice)
Directed by Hayao Miyazaki
as Homeroom Teacher (voice)
Directed by Isao Takahata
as Obata
Directed by Junta Yamaguchi
as Tabata Hidetoshi
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Nakanishi Shinpachiro
The Samurai and the Prisoner (2026)
Performance score8.1
The performance the rest of the career is read through. Nakanishi Shinpachiro gives Yoshimasa Kondo a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Cattleman (voice)
Princess Mononoke (1997)
Performance score8.1
Princess Mononoke asks for something the previous films did not, and gets it. Cattleman (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Homeroom Teacher (voice)
Only Yesterday (1991)
Performance score7.1
Only Yesterday asks for something the previous films did not, and gets it. Homeroom Teacher (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Obata
River (2023)
Performance score6.8
River asks for something the previous films did not, and gets it. Obata is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Nakanishi Shinpachiro
Start here. The Samurai and the Prisoner is the clearest statement of what Yoshimasa Kondo does — accessible, 147 minutes, and rated 8.4 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Yoshimasa at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Only Yesterday (1991)
Keeps the drama register of The Samurai and the Prisoner but asks for a colder reading of it.
Princess Mononoke (1997)
Keeps the animation register of Only Yesterday but asks for a colder reading of it.
River (2023)
Keeps the fantasy register of Princess Mononoke but asks for a colder reading of it.
Knuckle Girl (2023)
A deliberate change of key after River — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Isao Takahata
Director
1 film together
Notably Only Yesterday
Hayao Miyazaki
Director
1 film together
Notably Princess Mononoke
Junta Yamaguchi
Director
1 film together
Notably River
Yusuke Taki
Director
1 film together
Notably In Love and Deep Water
Kiyoshi Kurosawa
Director
1 film together
Notably The Samurai and the Prisoner
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Kiyoshi Kurosawa
Director
1 film together · 8.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Samurai and the PrisonerHayao Miyazaki
Director
1 film together · 8.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Princess MononokeIsao Takahata
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Only YesterdayJunta Yamaguchi
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
RiverYusuke Taki
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
In Love and Deep WaterSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Princess Mononoke
as Cattleman (voice)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Only Yesterday
as Homeroom Teacher (voice)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Princess Mononoke
as Cattleman (voice)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Princess Mononoke
as Cattleman (voice)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Samurai and the Prisoner
as Nakanishi Shinpachiro
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Yoshimasa Kondo has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
35 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
5 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Samurai and the Prisoner
as Nakanishi Shinpachiro
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Samurai and the Prisoner
as Nakanishi Shinpachiro
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Only Yesterday
as Homeroom Teacher (voice)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Samurai and the Prisoner
as Nakanishi Shinpachiro
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Princess Mononoke
as Cattleman (voice)
Images that would survive with the sound switched off.
Best action sequence
Knuckle Girl
as Tabata Hidetoshi
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Only Yesterday
as Homeroom Teacher (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Princess Mononoke
as Cattleman (voice)
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Matt Damon
Built a career in the same territory: adventure and drama
Michael Caine
Built a career in the same territory: adventure and drama
David Krumholtz
Built a career in the same territory: action and adventure
Jamie Harris
Built a career in the same territory: adventure and drama
Elliot Page
Built a career in the same territory: adventure and drama
Tom Hanks
Built a career in the same territory: animation and comedy
Have your say
Community
Which Yoshimasa Kondo performance holds up best?
Our readers argue about this one. Make your case, or read the ranked debate already in progress.
Join the conversation
Reference
Continue exploring
Trending performers
Directors they work with
Collections to read next
