Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#858
of 909177 performers
Top 1%
Yu Kobayashi works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Yu Kobayashi appears in 8 films in the Nutevio catalogue, and none of them would work the same way without Yu. Gintama: The Very Final is the clearest case: a film rated 8.2 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, adventure, family. It is a style built on what is withheld as much as what is played.
Working with Shinobu Sasaki, Ayataka Tanemura, Shun Enokido and others, Yu Kobayashi helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Gintama: The Very Final (2021) as Ayame Sarutobi (voice) · Black Clover: Sword of the Wizard King (2023) as Charlotte Roselei (voice) · Fate/strange Fake -Whispers of Dawn- (2023) as Lancer (voice)
Career snapshot
Ranked #858 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
8
2019–2024
Career length
5 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.2
Gintama: The Very Final
Average Nutevio score
6.7
Across catalogue work
Highest IMDb rating
8.2
Gintama: The Very Final
Most frequent director
Shinobu Sasaki
1 film together
Longest collaboration
1×
With Shinobu Sasaki
Most common genre
Animation
8 titles
Average runtime
1h 33m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
7.5 average MV
The 2010s are where the work and the material meet. KONOSUBA – God's blessing on this wonderful world! Legend of Crimson — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
7.5
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
8.0
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. KONOSUBA – God's blessing on this wonderful world! Legend of Crimson.
Most productive era
2020s
7 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | — | 5.82 films |
| Action | — | 6.85 films |
| Comedy | 7.51 film | 5.92 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2019KONOSUBA – God's blessing on this wonderful world! Legend of Crimson
Where our catalogue meets this career, as Female Orc (voice).
Highest rated performance · Career peak
8.2 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2024Crayon Shin-chan the Movie: Our Dinosaur Diary
The current state of the argument, as San (voice).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
8 of 8 films
as Ayame Sarutobi (voice)
Directed by Chizuru Miyawaki
as Lancer (voice)
Directed by Shun Enokido
as Charlotte Roselei (voice)
Directed by Ayataka Tanemura
as Female Orc (voice)
Directed by Takaomi Kanasaki
as Enkidu (voice)
Directed by Toshifumi Akai
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Ayame Sarutobi (voice)
Gintama: The Very Final (2021)
Performance score7.9
The performance the rest of the career is read through. Ayame Sarutobi (voice) gives Yu Kobayashi a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Lancer (voice)
Fate/strange Fake -Whispers of Dawn- (2023)
Performance score7.6
Fate/strange Fake -Whispers of Dawn- asks for something the previous films did not, and gets it. Lancer (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Charlotte Roselei (voice)
Black Clover: Sword of the Wizard King (2023)
Performance score7.3
Black Clover: Sword of the Wizard King asks for something the previous films did not, and gets it. Charlotte Roselei (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Female Orc (voice)
KONOSUBA – God's blessing on this wonderful world! Legend of Crimson (2019)
Performance score7.3
KONOSUBA – God's blessing on this wonderful world! Legend of Crimson asks for something the previous films did not, and gets it. Female Orc (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Ayame Sarutobi (voice)
Start here. Gintama: The Very Final is the clearest statement of what Yu Kobayashi does — accessible, 104 minutes, and rated 8.2 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Yu at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
KONOSUBA – God's blessing on this wonderful world! Legend of Crimson (2019)
Keeps the animation register of Gintama: The Very Final but asks for a colder reading of it.
Fate/Grand Order Final Singularity – Grand Temple of Time: Solomon (2021)
Keeps the fantasy register of KONOSUBA – God's blessing on this wonderful world! Legend of Crimson but asks for a colder reading of it.
Fate/strange Fake -Whispers of Dawn- (2023)
Keeps the action register of Fate/Grand Order Final Singularity – Grand Temple of Time: Solomon but asks for a colder reading of it.
Black Clover: Sword of the Wizard King (2023)
Keeps the action register of Fate/strange Fake -Whispers of Dawn- but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Takaomi Kanasaki
Director
1 film together
Notably KONOSUBA – God's blessing on this wonderful world! Legend of Crimson
Jun Nakagawa
Director
1 film together
Notably High School Fleet Movie
Hiromitsu Kanazawa
Director
1 film together
Notably Seitokai Yakuindomo the Movie 2
Toshifumi Akai
Director
1 film together
Notably Fate/Grand Order Final Singularity – Grand Temple of Time: Solomon
Chizuru Miyawaki
Director
1 film together
Notably Gintama: The Very Final
Shun Enokido
Director
1 film together
Notably Fate/strange Fake -Whispers of Dawn-
Ayataka Tanemura
Director
1 film together
Notably Black Clover: Sword of the Wizard King
Shinobu Sasaki
Director
1 film together
Notably Crayon Shin-chan the Movie: Our Dinosaur Diary
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Chizuru Miyawaki
Director
1 film together · 8.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Gintama: The Very FinalAyataka Tanemura
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Black Clover: Sword of the Wizard KingShun Enokido
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Fate/strange Fake -Whispers of Dawn-Takaomi Kanasaki
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
KONOSUBA – God's blessing on this wonderful world! Legend of CrimsonToshifumi Akai
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Fate/Grand Order Final Singularity – Grand Temple of Time: SolomonHiromitsu Kanazawa
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Seitokai Yakuindomo the Movie 2Shinobu Sasaki
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Crayon Shin-chan the Movie: Our Dinosaur DiaryJun Nakagawa
Director
1 film together · 4.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
High School Fleet MovieSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Gintama: The Very Final
as Ayame Sarutobi (voice)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Fate/strange Fake -Whispers of Dawn-
as Lancer (voice)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Gintama: The Very Final
as Ayame Sarutobi (voice)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Gintama: The Very Final
as Ayame Sarutobi (voice)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Gintama: The Very Final
as Ayame Sarutobi (voice)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Yu Kobayashi has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Animation Legend
Awarded
8 catalogue titles in animation, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Gintama: The Very Final
as Ayame Sarutobi (voice)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Gintama: The Very Final
as Ayame Sarutobi (voice)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Fate/strange Fake -Whispers of Dawn-
as Lancer (voice)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Fate/strange Fake -Whispers of Dawn-
as Lancer (voice)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Gintama: The Very Final
as Ayame Sarutobi (voice)
Images that would survive with the sound switched off.
Best action sequence
Black Clover: Sword of the Wizard King
as Charlotte Roselei (voice)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Fate/strange Fake -Whispers of Dawn-
as Lancer (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Crayon Shin-chan the Movie: Our Dinosaur Diary
as San (voice)
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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