Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#33848
of 909177 performers
Top 5%
Yuki Furukawa works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Yuki Furukawa appears in 5 films in the Nutevio catalogue, and none of them would work the same way without Yuki. Love Me, Love Me Not is the clearest case: a film rated 7.1 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, science fiction, fantasy. It is a style built on what is withheld as much as what is played.
Working with Kazuya Kamihoriuchi, Takahiro Miki, Masaki Nishiura, Yuki Furukawa helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Love Me, Love Me Not (2020) as Inui Sota · Harassment Game Akitsu VS Katoku Woman (2020) · Eiga Kamen Raidā Zettsu Sayonara no Misshon (2026) as Kensei Odaka / Kamen Rider NOX
Career snapshot
Ranked #33848 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
5
2020–2026
Career length
6 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.1
Love Me, Love Me Not
Average Nutevio score
2.8
Across catalogue work
Highest IMDb rating
7.1
Love Me, Love Me Not
Most frequent director
Kazuya Kamihoriuchi
1 film together
Longest collaboration
1×
With Kazuya Kamihoriuchi
Most common genre
Action
3 titles
Average runtime
1h 27m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
2.8 average MV
The 2020s are where the work and the material meet. Eiga Kamen Raidā Zettsu Sayonara no Misshon, Kamen Rider ZEZTZ: Into the Dream, Kamen Rider NOX: Transformation Classroom — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
2.8
Across 5 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
2.8
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2020s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Eiga Kamen Raidā Zettsu Sayonara no Misshon, Kamen Rider ZEZTZ: Into the Dream, Kamen Rider NOX: Transformation Classroom.
Most productive era
2020s
5 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2020s |
|---|---|
| Drama | 7.11 film |
| Action | 0.03 films |
| Romance | 7.11 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance
Where our catalogue meets this career, as Inui Sota. 7.1 on the Nutevio scale, the top of the catalogue for this performer.
Career peak
2020Harassment Game Akitsu VS Katoku Woman
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Kamen Rider NOX: Transformation Classroom
The current state of the argument, as NOX / Kamen Rider NOX.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
5 of 5 films
Directed by Masaki Nishiura
as Kensei Odaka / Kamen Rider NOX
Directed by Kazuya Kamihoriuchi
as NOX / Kamen Rider NOX (Day 2)
Directed by Unknown
as NOX / Kamen Rider NOX
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Harassment Game Akitsu VS Katoku Woman
Harassment Game Akitsu VS Katoku Woman (2020)
Performance score7.4
The performance the rest of the career is read through. The role gives Yuki Furukawa a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Inui Sota
Love Me, Love Me Not (2020)
Performance score7.2
Love Me, Love Me Not asks for something the previous films did not, and gets it. Inui Sota is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Kensei Odaka / Kamen Rider NOX
Eiga Kamen Raidā Zettsu Sayonara no Misshon (2026)
Performance score6.5
Eiga Kamen Raidā Zettsu Sayonara no Misshon asks for something the previous films did not, and gets it. Kensei Odaka / Kamen Rider NOX is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
NOX / Kamen Rider NOX (Day 2)
Kamen Rider ZEZTZ: Into the Dream (2026)
Performance score6.5
Kamen Rider ZEZTZ: Into the Dream asks for something the previous films did not, and gets it. NOX / Kamen Rider NOX (Day 2) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
Start here. Harassment Game Akitsu VS Katoku Woman is the clearest statement of what Yuki Furukawa does — accessible, 87 minutes, and rated 7.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Yuki at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Love Me, Love Me Not (2020)
A deliberate change of key after Harassment Game Akitsu VS Katoku Woman — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Eiga Kamen Raidā Zettsu Sayonara no Misshon (2026)
A deliberate change of key after Love Me, Love Me Not — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Kamen Rider ZEZTZ: Into the Dream (2026)
Keeps the action register of Eiga Kamen Raidā Zettsu Sayonara no Misshon but asks for a colder reading of it.
Kamen Rider NOX: Transformation Classroom (2026)
Same director as Kamen Rider ZEZTZ: Into the Dream, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Takahiro Miki
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Love Me, Love Me NotMasaki Nishiura
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Harassment Game Akitsu VS Katoku WomanKazuya Kamihoriuchi
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Eiga Kamen Raidā Zettsu Sayonara no MisshonSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Love Me, Love Me Not
as Inui Sota
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Love Me, Love Me Not
as Inui Sota
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Love Me, Love Me Not
as Inui Sota
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Love Me, Love Me Not
as Inui Sota
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Harassment Game Akitsu VS Katoku Woman
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Yuki Furukawa has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Action Legend
Awarded
3 catalogue titles in action, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Love Me, Love Me Not
as Inui Sota
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Harassment Game Akitsu VS Katoku Woman
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Love Me, Love Me Not
as Inui Sota
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Harassment Game Akitsu VS Katoku Woman
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Love Me, Love Me Not
as Inui Sota
Images that would survive with the sound switched off.
Best action sequence
Kamen Rider NOX: Transformation Classroom
as NOX / Kamen Rider NOX
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Love Me, Love Me Not
as Inui Sota
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Eiga Kamen Raidā Zettsu Sayonara no Misshon
as Kensei Odaka / Kamen Rider NOX
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
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Reference
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