Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#6475
of 909177 performers
Top 1%
Zoe Lister-Jones works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Zoe Lister-Jones appears in 9 films in the Nutevio catalogue, and none of them would work the same way without Zoe. A Good Person is the clearest case: a film rated 7.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, music, documentary. It is a style built on what is withheld as much as what is played.
Working with Alex Ross Perry, Ari Aster, Zach Braff and others, Zoe Lister-Jones helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
A Good Person (2023) as Simone · Confirmation (2016) as Carolyn Hart · Pavements (2025) as Ann
Career snapshot
Ranked #6475 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
9
2009–2025
Career length
16 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.0
A Good Person
Average Nutevio score
6.4
Across catalogue work
Highest IMDb rating
7.0
A Good Person
Most frequent director
Alex Ross Perry
1 film together
Longest collaboration
1×
With Alex Ross Perry
Most common genre
Comedy
5 titles
Average runtime
1h 58m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
6.8 average MV
The 2000s are where the work and the material meet. State of Play — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
6.8
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
6.8
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. State of Play.
Most productive era
2010s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | — | 6.91 film | 5.92 films |
| Action | — | 6.32 films | — |
| Thriller | 6.81 film | 6.32 films | — |
| Comedy | — | 6.31 film | 6.34 films |
| Crime | 6.81 film | — | — |
| Romance | — | 6.11 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2009State of Play
Where our catalogue meets this career, as Jessy.
Career peak
2016Confirmation
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Highest rated performance
2023A Good Person
7.0 on the Nutevio scale, the top of the catalogue for this performer.
Most recent film
2025Pavements
The current state of the argument, as Ann.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
9 of 9 films
as Simone
Directed by Zach Braff
as Carolyn Hart
Directed by Rick Famuyiwa
as Ann
Directed by Alex Ross Perry
as Jessy
Directed by Kevin Macdonald
as Young Mona
Directed by Ari Aster
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Simone
A Good Person (2023)
Performance score7.1
The performance the rest of the career is read through. Simone gives Zoe Lister-Jones a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Carolyn Hart
Confirmation (2016)
Performance score7.1
Confirmation asks for something the previous films did not, and gets it. Carolyn Hart is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Ann
Pavements (2025)
Performance score6.7
Pavements asks for something the previous films did not, and gets it. Ann is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Jessy
State of Play (2009)
Performance score6.7
State of Play asks for something the previous films did not, and gets it. Jessy is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Simone
Start here. A Good Person is the clearest statement of what Zoe Lister-Jones does — accessible, 128 minutes, and rated 7.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Zoe at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
State of Play (2009)
A deliberate change of key after A Good Person — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Confirmation (2016)
A deliberate change of key after State of Play — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Beau Is Afraid (2023)
A deliberate change of key after Confirmation — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Pavements (2025)
Keeps the comedy register of Beau Is Afraid but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Kevin Macdonald
Director
1 film together
Notably State of Play
Phillip Noyce
Director
1 film together
Notably Salt
Andrew Jarecki
Director
1 film together
Notably All Good Things
Adam McKay
Director
1 film together
Notably The Other Guys
Rick Famuyiwa
Director
1 film together
Notably Confirmation
Zoe Lister-Jones
Director
1 film together
Notably How It Ends
Zach Braff
Director
1 film together
Notably A Good Person
Ari Aster
Director
1 film together
Notably Beau Is Afraid
Alex Ross Perry
Director
1 film together
Notably Pavements
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Zach Braff
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A Good PersonRick Famuyiwa
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ConfirmationAlex Ross Perry
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
PavementsKevin Macdonald
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
State of PlayAri Aster
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Beau Is AfraidPhillip Noyce
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
SaltAdam McKay
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Other GuysAndrew Jarecki
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
All Good ThingsZoe Lister-Jones
Director
1 film together · 4.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
How It EndsSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
A Good Person
as Simone
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Confirmation
as Carolyn Hart
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
A Good Person
as Simone
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
All Good Things
as Press Conference Reporter
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
A Good Person
as Simone
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Zoe Lister-Jones has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
5 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
State of Play
as Jessy
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
State of Play
as Jessy
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Confirmation
as Carolyn Hart
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
State of Play
as Jessy
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Salt
as CIA Security Hub Tech
Images that would survive with the sound switched off.
Best action sequence
The Other Guys
as Therapist
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
A Good Person
as Simone
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
All Good Things
as Press Conference Reporter
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Reference
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