Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#5463
of 909177 performers
Top 1%
Adèle Exarchopoulos works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Adèle Exarchopoulos appears in 24 films in the Nutevio catalogue, and none of them would work the same way without Adèle. Inside Out 2 is the clearest case: a film rated 7.6 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for drama, comedy, action. It is a style built on what is withheld as much as what is played.
Working with Jeanne Herry, Cédric Jimenez, Gilles Lellouche and others, Adèle Exarchopoulos helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Inside Out 2 (2024) as Ennui (voice) · The Round Up (2010) as Anna Traube · All Your Faces (2023) as Chloé Delarme
Career snapshot
Ranked #5463 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
24
2010–2026
Career length
16 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.6
Inside Out 2
Average Nutevio score
5.6
Across catalogue work
Highest IMDb rating
7.9
All Your Faces
Most frequent director
Jeanne Herry
2 films together
Longest collaboration
2×
With Jeanne Herry
Most common genre
Drama
16 titles
Average runtime
1h 43m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.3 average MV
The 2010s are where the work and the material meet. Sibyl, The White Crow, The Last Face — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.3
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Sibyl, The White Crow, The Last Face.
Most productive era
2020s
20 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.34 films | 4.912 films |
| Action | — | 6.53 films |
| Thriller | — | 6.82 films |
| Comedy | — | 5.111 films |
| Crime | — | 7.32 films |
| Romance | — | 6.54 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2010The Round Up
Where our catalogue meets this career, as Anna Traube.
Highest rated performance
2024Inside Out 2
7.6 on the Nutevio scale, the top of the catalogue for this performer.
Career peak
2024Beating Hearts
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Claudie.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
24 of 24 films
as Jackie
Directed by Gilles Lellouche
as Nora
Directed by Cédric Jimenez
as Ennui (voice)
Directed by Unknown
as Julia
Directed by Unknown
as Joanne Soler
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Jackie
Beating Hearts (2024)
Performance score7.8
The performance the rest of the career is read through. Jackie gives Adèle Exarchopoulos a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Nora
The Stronghold (2021)
Performance score7.5
The Stronghold asks for something the previous films did not, and gets it. Nora is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Ennui (voice)
Inside Out 2 (2024)
Performance score7.4
Inside Out 2 asks for something the previous films did not, and gets it. Ennui (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Julia
The Animal Kingdom (2023)
Performance score7.4
The Animal Kingdom asks for something the previous films did not, and gets it. Julia is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Jackie
Start here. Beating Hearts is the clearest statement of what Adèle Exarchopoulos does — accessible, 160 minutes, and rated 7.2 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Adèle at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Stronghold (2021)
Keeps the crime register of Beating Hearts but asks for a colder reading of it.
The Five Devils (2022)
A deliberate change of key after The Stronghold — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Animal Kingdom (2023)
Same director as The Five Devils, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Inside Out 2 (2024)
Same director as The Animal Kingdom, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Cédric Jimenez
Director
2 films together
Notably The Stronghold
Jeanne Herry
Director
2 films together
Notably All Your Faces
Roselyne Bosch
Director
1 film together
Notably The Round Up
Sean Penn
Director
1 film together
Notably The Last Face
Ralph Fiennes
Director
1 film together
Notably The White Crow
Jessica Palud
Director
1 film together
Notably Back Home
Mélanie Laurent
Director
1 film together
Notably Wingwomen
Gilles Lellouche
Director
1 film together
Notably Beating Hearts
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Cédric Jimenez
Director
2 films together · 6.8 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
The StrongholdJeanne Herry
Director
2 films together · 3.7 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
All Your FacesRoselyne Bosch
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Round UpGilles Lellouche
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Beating HeartsRalph Fiennes
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The White CrowMélanie Laurent
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
WingwomenJessica Palud
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Back HomeSean Penn
Director
1 film together · 5.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Last FaceSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Round Up
as Anna Traube
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Five Devils
as Joanne Soler
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Round Up
as Anna Traube
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
The Round Up
as Anna Traube
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Beating Hearts
as Jackie
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Adèle Exarchopoulos has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
16 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Inside Out 2
as Ennui (voice)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Stronghold
as Nora
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Passages
as Agathe
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Stronghold
as Nora
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Stronghold
as Nora
Images that would survive with the sound switched off.
Best action sequence
The Stronghold
as Nora
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Round Up
as Anna Traube
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Piano Accident
as Magalie Moreau
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Reference
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