Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#24546
of 909177 performers
Top 5%
Alix Angelis works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Alix Angelis appears in 7 films in the Nutevio catalogue, and none of them would work the same way without Alix. Alice in Wonderland is the clearest case: a film rated 6.6 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for mystery, horror, music. It is a style built on what is withheld as much as what is played.
Working with Jeff Wadlow, Dave Meyers, Antoine Fuqua and others, Alix Angelis helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Alice in Wonderland (2010) as Tea Party Guest (uncredited) · The Magnificent Seven (2016) as Clara Winthrop · The Cleansing Hour (2019) as Lane
Career snapshot
Ranked #24546 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
7
2010–2024
Career length
14 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.6
Alice in Wonderland
Average Nutevio score
5.4
Across catalogue work
Highest IMDb rating
6.6
Alice in Wonderland
Most frequent director
Jeff Wadlow
1 film together
Longest collaboration
1×
With Jeff Wadlow
Most common genre
Horror
3 titles
Average runtime
1h 39m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.3 average MV
The 2010s are where the work and the material meet. The Cleansing Hour, The Magnificent Seven, Alice in Wonderland — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.3
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Cleansing Hour, The Magnificent Seven, Alice in Wonderland.
Most productive era
2010s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | — | 5.41 film |
| Action | 6.51 film | — |
| Thriller | — | 1.01 film |
| Comedy | 5.91 film | — |
| Romance | 5.91 film | — |
| Horror | 6.31 film | 3.52 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance
Where our catalogue meets this career, as Tea Party Guest (uncredited). 6.6 on the Nutevio scale, the top of the catalogue for this performer.
Career peak
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2024This Is Me…Now
The current state of the argument, as The Quiet One.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
7 of 7 films
as Tea Party Guest (uncredited)
Directed by Tim Burton
as Samantha
Directed by Jeff Wadlow
as The Quiet One
Directed by Dave Meyers
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Lane
The Cleansing Hour (2019)
Performance score6.8
The performance the rest of the career is read through. Lane gives Alix Angelis a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Tea Party Guest (uncredited)
Alice in Wonderland (2010)
Performance score6.6
Alice in Wonderland asks for something the previous films did not, and gets it. Tea Party Guest (uncredited) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Samantha
Imaginary (2024)
Performance score6.5
Imaginary asks for something the previous films did not, and gets it. Samantha is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
The Quiet One
This Is Me…Now (2024)
Performance score6.5
This Is Me…Now asks for something the previous films did not, and gets it. The Quiet One is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Lane
Start here. The Cleansing Hour is the clearest statement of what Alix Angelis does — accessible, 91 minutes, and rated 6.3 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Alix at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Alice in Wonderland (2010)
A deliberate change of key after The Cleansing Hour — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Forgotten (2022)
A deliberate change of key after Alice in Wonderland — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Imaginary (2024)
Keeps the mystery register of Forgotten but asks for a colder reading of it.
This Is Me…Now (2024)
A deliberate change of key after Imaginary — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Gil Junger
Director
1 film together
Notably Beauty & the Briefcase
Tim Burton
Director
1 film together
Notably Alice in Wonderland
Antoine Fuqua
Director
1 film together
Notably The Magnificent Seven
Dave Meyers
Director
1 film together
Notably This Is Me…Now
Jeff Wadlow
Director
1 film together
Notably Imaginary
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Tim Burton
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Alice in WonderlandAntoine Fuqua
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Magnificent SevenJeff Wadlow
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ImaginaryGil Junger
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Beauty & the BriefcaseDave Meyers
Director
1 film together · 5.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
This Is Me…NowSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Magnificent Seven
as Clara Winthrop
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
This Is Me…Now
as The Quiet One
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Alice in Wonderland
as Tea Party Guest (uncredited)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Alice in Wonderland
as Tea Party Guest (uncredited)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Cleansing Hour
as Lane
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Alix Angelis has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Horror Legend
Awarded
3 catalogue titles in horror, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Alice in Wonderland
as Tea Party Guest (uncredited)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Imaginary
as Samantha
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
This Is Me…Now
as The Quiet One
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Imaginary
as Samantha
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Magnificent Seven
as Clara Winthrop
Images that would survive with the sound switched off.
Best action sequence
The Magnificent Seven
as Clara Winthrop
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
This Is Me…Now
as The Quiet One
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Imaginary
as Samantha
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Tom Hanks
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Have your say
Community
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Reference
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