Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#32233
of 909177 performers
Top 5%
Alma Sisneros works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Alma Sisneros appears in 8 films in the Nutevio catalogue, and none of them would work the same way without Alma. Hell or High Water is the clearest case: a film rated 7.3 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, thriller, comedy. It is a style built on what is withheld as much as what is played.
Working with Taylor Sheridan, David Mackenzie, Roland Emmerich and others, Alma Sisneros helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Hell or High Water (2016) as Clerk · The Space Between Us (2017) as Mars Inhabitant (uncredited) · Half Brothers (2020) as Sister Helen
Career snapshot
Ranked #32233 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
8
2011–2021
Career length
10 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.3
Hell or High Water
Average Nutevio score
6.5
Across catalogue work
Highest IMDb rating
7.3
Hell or High Water
Most frequent director
Taylor Sheridan
1 film together
Longest collaboration
1×
With Taylor Sheridan
Most common genre
Drama
4 titles
Average runtime
1h 46m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
6.8 average MV
The 2020s are where the work and the material meet. Those Who Wish Me Dead, Half Brothers — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
6.8
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
6.9
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Space Between Us, War on Everyone, Hell or High Water.
Most productive era
2010s
6 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.83 films | 6.91 film |
| Action | 5.82 films | 6.71 film |
| Thriller | 6.11 film | 6.71 film |
| Comedy | 6.22 films | 6.91 film |
| Crime | 7.31 film | — |
| Romance | 7.01 film | — |
| Horror | 6.41 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2011Fright Night
Where our catalogue meets this career, as Show Nymph #3.
Highest rated performance · Career peak
7.3 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Waitress (uncredited).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
8 of 8 films
as Clerk
Directed by David Mackenzie
as Sister Helen
Directed by Unknown
as Mars Inhabitant (uncredited)
Directed by Unknown
as Waitress (uncredited)
Directed by Taylor Sheridan
as Bartender
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Clerk
Hell or High Water (2016)
Performance score7.2
The performance the rest of the career is read through. Clerk gives Alma Sisneros a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Sister Helen
Half Brothers (2020)
Performance score7.1
Half Brothers asks for something the previous films did not, and gets it. Sister Helen is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Mars Inhabitant (uncredited)
The Space Between Us (2017)
Performance score6.9
The Space Between Us asks for something the previous films did not, and gets it. Mars Inhabitant (uncredited) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Waitress (uncredited)
Those Who Wish Me Dead (2021)
Performance score6.6
Those Who Wish Me Dead asks for something the previous films did not, and gets it. Waitress (uncredited) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Clerk
Start here. Hell or High Water is the clearest statement of what Alma Sisneros does — accessible, 102 minutes, and rated 7.3 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Alma at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
War on Everyone (2016)
A deliberate change of key after Hell or High Water — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Space Between Us (2017)
Same director as War on Everyone, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Half Brothers (2020)
Same director as The Space Between Us, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Those Who Wish Me Dead (2021)
A deliberate change of key after Half Brothers — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Craig Gillespie
Director
1 film together
Notably Fright Night
Andrew Niccol
Director
1 film together
Notably Good Kill
Roland Emmerich
Director
1 film together
Notably Independence Day: Resurgence
David Mackenzie
Director
1 film together
Notably Hell or High Water
Taylor Sheridan
Director
1 film together
Notably Those Who Wish Me Dead
Behind the camera
Who casts this performer, how often, and what the pairing produces.
David Mackenzie
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Hell or High WaterTaylor Sheridan
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Those Who Wish Me DeadCraig Gillespie
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Fright NightAndrew Niccol
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Good KillRoland Emmerich
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Independence Day: ResurgenceSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Hell or High Water
as Clerk
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Space Between Us
as Mars Inhabitant (uncredited)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Hell or High Water
as Clerk
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
The Space Between Us
as Mars Inhabitant (uncredited)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Hell or High Water
as Clerk
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Alma Sisneros has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
4 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Hell or High Water
as Clerk
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Those Who Wish Me Dead
as Waitress (uncredited)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Space Between Us
as Mars Inhabitant (uncredited)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
War on Everyone
as Bartender
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Hell or High Water
as Clerk
Images that would survive with the sound switched off.
Best action sequence
Independence Day: Resurgence
as Aide 2 (uncredited)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Hell or High Water
as Clerk
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
War on Everyone
as Bartender
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Built a career in the same territory: adventure and drama
David Krumholtz
Works with the same directors — shared collaborators
Morgan Freeman
Built a career in the same territory: action and crime
Matt Damon
Built a career in the same territory: adventure and drama
Christian Bale
Built a career in the same territory: action and crime
Milly Alcock
Works with the same directors — shared collaborators
Have your say
Community
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Reference
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