Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#1513
of 909177 performers
Top 1%
Ami Koshimizu works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Ami Koshimizu appears in 14 films in the Nutevio catalogue, and none of them would work the same way without Ami. Pretty Cure All Stars F is the clearest case: a film rated 8.3 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, drama. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for science fiction, animation, action. It is a style built on what is withheld as much as what is played.
Working with Shoji Kawamori, Kozo Kaiho, Katsuya Shigehara and others, Ami Koshimizu helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Pretty Cure All Stars F (2023) as Hibiki Hojo / Cure Melody (voice) · Pretty Guardian Sailor Moon Eternal the Movie Part 2 (2021) as Makoto Kino / Eternal Sailor Jupiter (voice) · Pretty Guardian Sailor Moon Cosmos the Movie Part 2 (2023) as Makoto Kino / Sailor Jupiter (voice)
Career snapshot
Ranked #1513 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
14
2017–2026
Career length
9 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.3
Pretty Cure All Stars F
Average Nutevio score
6.8
Across catalogue work
Highest IMDb rating
8.3
Pretty Cure All Stars F
Most frequent director
Shoji Kawamori
2 films together
Longest collaboration
2×
With Shoji Kawamori
Most common genre
Animation
14 titles
Average runtime
1h 30m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.0
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
7.2 average MV
The 2010s are where the work and the material meet. Promare, Code Geass: Lelouch of the Re;surrection, Night Is Short, Walk On Girl — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
7.2
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
7.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Promare, Code Geass: Lelouch of the Re;surrection, Night Is Short, Walk On Girl.
Most productive era
2020s
10 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | — | 7.23 films |
| Action | 7.02 films | 6.58 films |
| Comedy | 7.41 film | 8.31 film |
| Crime | 7.21 film | 7.21 film |
| Romance | 7.41 film | 7.24 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2017Night Is Short, Walk On Girl
Where our catalogue meets this career, as Naoko (voice).
Career peak
2021Pretty Guardian Sailor Moon Eternal the Movie Part 2
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Highest rated performance
8.3 on the Nutevio scale, the top of the catalogue for this performer.
Most recent film
The current state of the argument, as Saki Hirata (voice).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
14 of 14 films
as Makoto Kino / Eternal Sailor Jupiter (voice)
Directed by Chiaki Kon
as Makoto Kino / Sailor Jupiter (voice)
Directed by Tomoya Takahashi
as Hibiki Hojo / Cure Melody (voice)
Directed by Yuta Tanaka
as Makoto Kino / Super Sailor Jupiter (voice)
Directed by Chiaki Kon
as Naoko (voice)
Directed by Masaaki Yuasa
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Makoto Kino / Eternal Sailor Jupiter (voice)
Pretty Guardian Sailor Moon Eternal the Movie Part 2 (2021)
Performance score8.2
The performance the rest of the career is read through. Makoto Kino / Eternal Sailor Jupiter (voice) gives Ami Koshimizu a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Makoto Kino / Sailor Jupiter (voice)
Pretty Guardian Sailor Moon Cosmos the Movie Part 2 (2023)
Performance score8.0
Pretty Guardian Sailor Moon Cosmos the Movie Part 2 asks for something the previous films did not, and gets it. Makoto Kino / Sailor Jupiter (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Hibiki Hojo / Cure Melody (voice)
Pretty Cure All Stars F (2023)
Performance score8.0
Pretty Cure All Stars F asks for something the previous films did not, and gets it. Hibiki Hojo / Cure Melody (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Makoto Kino / Super Sailor Jupiter (voice)
Pretty Guardian Sailor Moon Eternal the Movie Part 1 (2021)
Performance score7.9
Pretty Guardian Sailor Moon Eternal the Movie Part 1 asks for something the previous films did not, and gets it. Makoto Kino / Super Sailor Jupiter (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Makoto Kino / Eternal Sailor Jupiter (voice)
Start here. Pretty Guardian Sailor Moon Eternal the Movie Part 2 is the clearest statement of what Ami Koshimizu does — accessible, 80 minutes, and rated 8.2 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Ami at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Night Is Short, Walk On Girl (2017)
Keeps the fantasy register of Pretty Guardian Sailor Moon Eternal the Movie Part 2 but asks for a colder reading of it.
Pretty Guardian Sailor Moon Eternal the Movie Part 1 (2021)
Keeps the fantasy register of Night Is Short, Walk On Girl but asks for a colder reading of it.
Pretty Guardian Sailor Moon Cosmos the Movie Part 2 (2023)
Keeps the fantasy register of Pretty Guardian Sailor Moon Eternal the Movie Part 1 but asks for a colder reading of it.
Pretty Cure All Stars F (2023)
Keeps the fantasy register of Pretty Guardian Sailor Moon Cosmos the Movie Part 2 but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Chiaki Kon
Director
2 films together
Notably Pretty Guardian Sailor Moon Eternal the Movie Part 2
Tomoya Takahashi
Director
2 films together
Notably Pretty Guardian Sailor Moon Cosmos the Movie Part 2
Shoji Kawamori
Director
2 films together
Notably Macross Delta: Zettai Live!!!!!!
Junji Shimizu
Director
1 film together
Notably Mazinger Z: Infinity
Masaaki Yuasa
Director
1 film together
Notably Night Is Short, Walk On Girl
Hiroyuki Imaishi
Director
1 film together
Notably Promare
Hisatoshi Shimizu
Director
1 film together
Notably Eureka: Eureka Seven Hi-Evolution
Yuta Tanaka
Director
1 film together
Notably Pretty Cure All Stars F
Katsuya Shigehara
Director
1 film together
Notably Detective Conan: One-Eyed Flashback
Kozo Kaiho
Director
1 film together
Notably Patlabor EZY: File 1
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Chiaki Kon
Director
2 films together · 8.1 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Pretty Guardian Sailor Moon Eternal the Movie Part 2Tomoya Takahashi
Director
2 films together · 7.7 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Pretty Guardian Sailor Moon Cosmos the Movie Part 2Shoji Kawamori
Director
2 films together · 6.7 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Macross Delta: Zettai Live!!!!!!Yuta Tanaka
Director
1 film together · 8.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Pretty Cure All Stars FMasaaki Yuasa
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Night Is Short, Walk On GirlKatsuya Shigehara
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Detective Conan: One-Eyed FlashbackHiroyuki Imaishi
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
PromareJunji Shimizu
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Mazinger Z: InfinityHisatoshi Shimizu
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Eureka: Eureka Seven Hi-EvolutionKozo Kaiho
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Patlabor EZY: File 1Six degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Pretty Guardian Sailor Moon Eternal the Movie Part 2
as Makoto Kino / Eternal Sailor Jupiter (voice)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Pretty Guardian Sailor Moon Cosmos the Movie Part 2
as Makoto Kino / Sailor Jupiter (voice)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Pretty Cure All Stars F
as Hibiki Hojo / Cure Melody (voice)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Pretty Cure All Stars F
as Hibiki Hojo / Cure Melody (voice)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Pretty Guardian Sailor Moon Eternal the Movie Part 2
as Makoto Kino / Eternal Sailor Jupiter (voice)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Ami Koshimizu has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Animation Legend
Awarded
14 catalogue titles in animation, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Pretty Guardian Sailor Moon Eternal the Movie Part 2
as Makoto Kino / Eternal Sailor Jupiter (voice)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Pretty Cure All Stars F
as Hibiki Hojo / Cure Melody (voice)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Pretty Guardian Sailor Moon Cosmos the Movie Part 2
as Makoto Kino / Sailor Jupiter (voice)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Detective Conan: One-Eyed Flashback
as Yui Uehara (voice)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Pretty Cure All Stars F
as Hibiki Hojo / Cure Melody (voice)
Images that would survive with the sound switched off.
Best action sequence
Pretty Cure All Stars F
as Hibiki Hojo / Cure Melody (voice)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Pretty Cure All Stars F
as Hibiki Hojo / Cure Melody (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Promare
as Heris Ardebit (voice)
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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