Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#34688
of 909177 performers
Top 5%
Amir Wilson works on emotional range rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Amir Wilson appears in 4 films in the Nutevio catalogue, and none of them would work the same way without Amir. The Return is the clearest case: a film rated 6.6 by our editors, where the performance carries weight the script only implies.
The recognisable elements are emotional range, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for adventure, drama, history. It is a style built on what is withheld as much as what is played.
Working with Uberto Pasolini, Marc Munden, Joe Cornish, Amir Wilson helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Return (2024) as Philetus (Filezio) · The Magic Flute (2022) as Anton Milanesi · The Secret Garden (2020) as Dickon
Career snapshot
Ranked #34688 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
4
2019–2024
Career length
5 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.6
The Return
Average Nutevio score
6.4
Across catalogue work
Highest IMDb rating
6.5
The Return
Most frequent director
Uberto Pasolini
1 film together
Longest collaboration
1×
With Uberto Pasolini
Most common genre
Adventure
3 titles
Average runtime
1h 55m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
6.4 average MV
The 2020s are where the work and the material meet. The Return, The Magic Flute, The Secret Garden — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
6.4
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
6.4
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Kid Who Would Be King.
Most productive era
2020s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | — | 6.42 films |
| Action | 6.21 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Boy (uncredited).
Career peak
2022The Magic Flute
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Highest rated performance · Most recent film
2024The Return
6.6 on the Nutevio scale, the top of the catalogue for this performer. The current state of the argument, as Philetus (Filezio).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
4 of 4 films
as Philetus (Filezio)
Directed by Uberto Pasolini
as Anton Milanesi
Directed by Unknown
as Boy (uncredited)
Directed by Joe Cornish
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Philetus (Filezio)
The Return (2024)
Performance score6.6
The performance the rest of the career is read through. Philetus (Filezio) gives Amir Wilson a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Anton Milanesi
The Magic Flute (2022)
Performance score6.6
The Magic Flute asks for something the previous films did not, and gets it. Anton Milanesi is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Dickon
The Secret Garden (2020)
Performance score6.5
The Secret Garden asks for something the previous films did not, and gets it. Dickon is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Boy (uncredited)
The Kid Who Would Be King (2019)
Performance score6.5
The Kid Who Would Be King asks for something the previous films did not, and gets it. Boy (uncredited) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Philetus (Filezio)
Start here. The Return is the clearest statement of what Amir Wilson does — accessible, 116 minutes, and rated 6.6 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Amir at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Kid Who Would Be King (2019)
Keeps the adventure register of The Return but asks for a colder reading of it.
The Secret Garden (2020)
Keeps the fantasy register of The Kid Who Would Be King but asks for a colder reading of it.
The Magic Flute (2022)
Keeps the fantasy register of The Secret Garden but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Uberto Pasolini
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The ReturnMarc Munden
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Secret GardenJoe Cornish
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Kid Who Would Be KingSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Return
as Philetus (Filezio)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Return
as Philetus (Filezio)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Return
as Philetus (Filezio)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
The Kid Who Would Be King
as Boy (uncredited)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Return
as Philetus (Filezio)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Amir Wilson has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Adventure Legend
Awarded
3 catalogue titles in adventure, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Magic Flute
as Anton Milanesi
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Kid Who Would Be King
as Boy (uncredited)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Return
as Philetus (Filezio)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Magic Flute
as Anton Milanesi
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Kid Who Would Be King
as Boy (uncredited)
Images that would survive with the sound switched off.
Best action sequence
The Kid Who Would Be King
as Boy (uncredited)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Magic Flute
as Anton Milanesi
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Return
as Philetus (Filezio)
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Matt Damon
Built a career in the same territory: adventure and drama
David Krumholtz
Built a career in the same territory: action and adventure
Elliot Page
Built a career in the same territory: adventure and drama
Michael Caine
Built a career in the same territory: adventure and drama
Catherine Lagaʻaia
Built a career in the same territory: adventure and family
Dwayne Johnson
Built a career in the same territory: adventure and family
Have your say
Community
Which Amir Wilson performance holds up best?
Our readers argue about this one. Make your case, or read the ranked debate already in progress.
Join the conversation
Reference
Continue exploring
Trending performers
Directors they work with
Collections to read next
