Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#26749
of 909177 performers
Top 5%
Amy Hohn works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Amy Hohn appears in 5 films in the Nutevio catalogue, and none of them would work the same way without Amy. Meet the Parents is the clearest case: a film rated 6.7 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, crime, thriller. It is a style built on what is withheld as much as what is played.
Working with David Koepp, Steven Spielberg, Andy Tennant and others, Amy Hohn helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Meet the Parents (2000) as Ticket Agent · War of the Worlds (2005) as Panicky Woman · Hitch (2005) as Marla
Career snapshot
Ranked #26749 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
5
2000–2012
Career length
12 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.7
Meet the Parents
Average Nutevio score
6.5
Across catalogue work
Highest IMDb rating
6.7
Meet the Parents
Most frequent director
David Koepp
1 film together
Longest collaboration
1×
With David Koepp
Most common genre
Romance
3 titles
Average runtime
1h 45m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
6.5 average MV
The 2000s are where the work and the material meet. War of the Worlds, Hitch, Along Came Polly — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
6.5
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
6.5
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. War of the Worlds, Hitch, Along Came Polly.
Most productive era
2000s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s |
|---|---|---|
| Drama | 6.61 film | — |
| Action | — | 6.41 film |
| Thriller | 6.61 film | 6.41 film |
| Comedy | 6.43 films | — |
| Crime | — | 6.41 film |
| Romance | 6.43 films | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
2000Meet the Parents
Where our catalogue meets this career, as Ticket Agent. 6.7 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2012Premium Rush
The current state of the argument, as Upper West Side Lady.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
5 of 5 films
as Panicky Woman
Directed by Steven Spielberg
as Marla
Directed by Andy Tennant
as Ticket Agent
Directed by Jay Roach
as Upper West Side Lady
Directed by David Koepp
as Cheryl
Directed by John Hamburg
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Panicky Woman
War of the Worlds (2005)
Performance score6.6
The performance the rest of the career is read through. Panicky Woman gives Amy Hohn a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Marla
Hitch (2005)
Performance score6.6
Hitch asks for something the previous films did not, and gets it. Marla is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Ticket Agent
Meet the Parents (2000)
Performance score6.6
Meet the Parents asks for something the previous films did not, and gets it. Ticket Agent is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Upper West Side Lady
Premium Rush (2012)
Performance score6.5
Premium Rush asks for something the previous films did not, and gets it. Upper West Side Lady is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Panicky Woman
Start here. War of the Worlds is the clearest statement of what Amy Hohn does — accessible, 117 minutes, and rated 6.6 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Amy at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Meet the Parents (2000)
A deliberate change of key after War of the Worlds — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Along Came Polly (2004)
Keeps the romance register of Meet the Parents but asks for a colder reading of it.
Hitch (2005)
Keeps the romance register of Along Came Polly but asks for a colder reading of it.
Premium Rush (2012)
A deliberate change of key after Hitch — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Jay Roach
Director
1 film together
Notably Meet the Parents
John Hamburg
Director
1 film together
Notably Along Came Polly
Andy Tennant
Director
1 film together
Notably Hitch
Steven Spielberg
Director
1 film together
Notably War of the Worlds
David Koepp
Director
1 film together
Notably Premium Rush
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Jay Roach
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Meet the ParentsSteven Spielberg
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
War of the WorldsAndy Tennant
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
HitchDavid Koepp
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Premium RushJohn Hamburg
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Along Came PollySix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Hitch
as Marla
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Hitch
as Marla
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Meet the Parents
as Ticket Agent
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
War of the Worlds
as Panicky Woman
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
War of the Worlds
as Panicky Woman
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Amy Hohn has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Romance Legend
Awarded
3 catalogue titles in romance, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Meet the Parents
as Ticket Agent
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Premium Rush
as Upper West Side Lady
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Hitch
as Marla
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Premium Rush
as Upper West Side Lady
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Premium Rush
as Upper West Side Lady
Images that would survive with the sound switched off.
Best action sequence
Premium Rush
as Upper West Side Lady
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Hitch
as Marla
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Premium Rush
as Upper West Side Lady
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Cillian Murphy
Built a career in the same territory: drama and thriller
Morgan Freeman
Built a career in the same territory: action and crime
Edward Norton
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Reference
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