Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#5848
of 909177 performers
Top 1%
Anders Holm works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Anders Holm appears in 11 films in the Nutevio catalogue, and none of them would work the same way without Anders. The Intern is the clearest case: a film rated 7.2 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, romance, adventure. It is a style built on what is withheld as much as what is played.
Working with Laura Terruso, Raja Gosnell, Kyle Newacheck and others, Anders Holm helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Intern (2015) as Matt Ostin · Inherent Vice (2014) as LAPD Officer #2 · How to Be Single (2016) as Tom
Career snapshot
Ranked #5848 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
11
2014–2023
Career length
9 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.2
The Intern
Average Nutevio score
6.2
Across catalogue work
Highest IMDb rating
7.2
The Intern
Most frequent director
Laura Terruso
1 film together
Longest collaboration
1×
With Laura Terruso
Most common genre
Comedy
11 titles
Average runtime
1h 46m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.2 average MV
The 2010s are where the work and the material meet. Show Dogs, Game Over, Man!, Sausage Party — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.2
Across 9 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Show Dogs, Game Over, Man!, Sausage Party.
Most productive era
2010s
9 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.32 films | — |
| Action | 5.82 films | — |
| Comedy | 6.29 films | 6.02 films |
| Crime | 5.91 film | — |
| Romance | 6.22 films | 6.01 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2014Neighbors
Where our catalogue meets this career, as Beer Pong Guy #3.
Highest rated performance · Career peak
2015The Intern
7.2 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2023At Midnight
The current state of the argument, as Adam Clark.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
11 of 11 films
as William 'Lucky' Collins XIII
Directed by Laura Terruso
as Adam Clark
Directed by Unknown
as Pigeon (voice)
Directed by Raja Gosnell
as Darren
Directed by Kyle Newacheck
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Matt Ostin
The Intern (2015)
Performance score7.3
The performance the rest of the career is read through. Matt Ostin gives Anders Holm a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
William 'Lucky' Collins XIII
About My Father (2023)
Performance score6.5
About My Father asks for something the previous films did not, and gets it. William 'Lucky' Collins XIII is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Adam Clark
At Midnight (2023)
Performance score6.5
At Midnight asks for something the previous films did not, and gets it. Adam Clark is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Pigeon (voice)
Show Dogs (2018)
Performance score6.5
Show Dogs asks for something the previous films did not, and gets it. Pigeon (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Matt Ostin
Start here. The Intern is the clearest statement of what Anders Holm does — accessible, 121 minutes, and rated 7.2 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Anders at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Show Dogs (2018)
Keeps the comedy register of The Intern but asks for a colder reading of it.
Game Over, Man! (2018)
Keeps the comedy register of Show Dogs but asks for a colder reading of it.
About My Father (2023)
Keeps the comedy register of Game Over, Man! but asks for a colder reading of it.
At Midnight (2023)
Keeps the comedy register of About My Father but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Chris Rock
Director
1 film together
Notably Top Five
Paul Thomas Anderson
Director
1 film together
Notably Inherent Vice
Evan Goldberg
Director
1 film together
Notably The Interview
Nicholas Stoller
Director
1 film together
Notably Neighbors
Nancy Meyers
Director
1 film together
Notably The Intern
Christian Ditter
Director
1 film together
Notably How to Be Single
Conrad Vernon
Director
1 film together
Notably Sausage Party
Kyle Newacheck
Director
1 film together
Notably Game Over, Man!
Raja Gosnell
Director
1 film together
Notably Show Dogs
Laura Terruso
Director
1 film together
Notably About My Father
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Nancy Meyers
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The InternPaul Thomas Anderson
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Inherent ViceChristian Ditter
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
How to Be SingleNicholas Stoller
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
NeighborsEvan Goldberg
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The InterviewChris Rock
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Top FiveLaura Terruso
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
About My FatherRaja Gosnell
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Show DogsConrad Vernon
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Sausage PartyKyle Newacheck
Director
1 film together · 5.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Game Over, Man!Six degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Intern
as Matt Ostin
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Top Five
as Brad
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Intern
as Matt Ostin
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Inherent Vice
as LAPD Officer #2
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Intern
as Matt Ostin
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Anders Holm has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
11 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Intern
as Matt Ostin
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Inherent Vice
as LAPD Officer #2
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Top Five
as Brad
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Inherent Vice
as LAPD Officer #2
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Intern
as Matt Ostin
Images that would survive with the sound switched off.
Best action sequence
Game Over, Man!
as Darren
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Sausage Party
as Troy (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Sausage Party
as Troy (voice)
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
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Reference
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