Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#3454
of 909177 performers
Top 1%
André Sogliuzzo works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
André Sogliuzzo appears in 12 films in the Nutevio catalogue, and none of them would work the same way without André. Phineas and Ferb: Star Wars is the clearest case: a film rated 7.2 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, adventure, family. It is a style built on what is withheld as much as what is played.
Working with Chris Butler, Matt Peters, Sam Liu and others, André Sogliuzzo helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Phineas and Ferb: Star Wars (2014) as Additional Voices (voice) · Justice League: Gods and Monsters (2015) as Cop / Mr. Guerra (voice) · Missing Link (2019) as New Worlder (voice)
Career snapshot
Ranked #3454 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
12
1998–2022
Career length
24 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.2
Phineas and Ferb: Star Wars
Average Nutevio score
6.5
Across catalogue work
Highest IMDb rating
7.2
Phineas and Ferb: Star Wars
Most frequent director
Chris Butler
1 film together
Longest collaboration
1×
With Chris Butler
Most common genre
Adventure
9 titles
Average runtime
1h 33m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.9
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1990s
6.8 average MV
The 1990s are where the work and the material meet. You've Got Mail — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1990s
6.8
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1990s
6.7
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. You've Got Mail.
Most productive era
2010s
6 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2000s | 2010s | 2020s |
|---|---|---|---|---|
| Drama | — | — | 6.71 film | — |
| Action | — | 6.21 film | 6.65 films | — |
| Thriller | — | — | 6.71 film | — |
| Comedy | 6.81 film | 6.62 films | 6.54 films | 5.11 film |
| Romance | 6.81 film | — | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1998You've Got Mail
Where our catalogue meets this career, as Waiter at Lalo.
Highest rated performance · Career peak
2014Phineas and Ferb: Star Wars
7.2 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2022Marmaduke
The current state of the argument, as Additional Voices (voice).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
12 of 12 films
as Additional Voices (voice)
Directed by Robert Hughes
as Cop / Mr. Guerra (voice)
Directed by Sam Liu
as New Worlder (voice)
Directed by Chris Butler
as Various Characters (voice)
Directed by Pete Michels
as Smokey / Steamer (voice)
Directed by Robert Zemeckis
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Additional Voices (voice)
Phineas and Ferb: Star Wars (2014)
Performance score7.1
The performance the rest of the career is read through. Additional Voices (voice) gives André Sogliuzzo a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Cop / Mr. Guerra (voice)
Justice League: Gods and Monsters (2015)
Performance score7.0
Justice League: Gods and Monsters asks for something the previous films did not, and gets it. Cop / Mr. Guerra (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
New Worlder (voice)
Missing Link (2019)
Performance score6.8
Missing Link asks for something the previous films did not, and gets it. New Worlder (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Various Characters (voice)
Stewie Griffin: The Untold Story (2005)
Performance score6.8
Stewie Griffin: The Untold Story asks for something the previous films did not, and gets it. Various Characters (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Additional Voices (voice)
Start here. Phineas and Ferb: Star Wars is the clearest statement of what André Sogliuzzo does — accessible, 51 minutes, and rated 7.2 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet André at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Polar Express (2004)
Keeps the adventure register of Phineas and Ferb: Star Wars but asks for a colder reading of it.
Stewie Griffin: The Untold Story (2005)
Keeps the adventure register of The Polar Express but asks for a colder reading of it.
Justice League: Gods and Monsters (2015)
Keeps the adventure register of Stewie Griffin: The Untold Story but asks for a colder reading of it.
Missing Link (2019)
Keeps the action register of Justice League: Gods and Monsters but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Nora Ephron
Director
1 film together
Notably You've Got Mail
Robert Zemeckis
Director
1 film together
Notably The Polar Express
Pete Michels
Director
1 film together
Notably Stewie Griffin: The Untold Story
Roger Allers
Director
1 film together
Notably Open Season
Michael Bay
Director
1 film together
Notably Transformers: Revenge of the Fallen
Brad Peyton
Director
1 film together
Notably Cats & Dogs: The Revenge of Kitty Galore
Robert Hughes
Director
1 film together
Notably Phineas and Ferb: Star Wars
Edward Zwick
Director
1 film together
Notably Pawn Sacrifice
Sam Liu
Director
1 film together
Notably Justice League: Gods and Monsters
Matt Peters
Director
1 film together
Notably LEGO DC Batman: Family Matters
Chris Butler
Director
1 film together
Notably Missing Link
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Robert Hughes
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Phineas and Ferb: Star WarsSam Liu
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Justice League: Gods and MonstersChris Butler
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Missing LinkPete Michels
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Stewie Griffin: The Untold StoryRobert Zemeckis
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Polar ExpressNora Ephron
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
You've Got MailMatt Peters
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
LEGO DC Batman: Family MattersEdward Zwick
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Pawn SacrificeMichael Bay
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Transformers: Revenge of the FallenRoger Allers
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Open SeasonBrad Peyton
Director
1 film together · 5.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Cats & Dogs: The Revenge of Kitty GaloreSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
You've Got Mail
as Waiter at Lalo
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Polar Express
as Smokey / Steamer (voice)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Phineas and Ferb: Star Wars
as Additional Voices (voice)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Pawn Sacrifice
as Henry Kissinger (voice, uncredited)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Phineas and Ferb: Star Wars
as Additional Voices (voice)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. André Sogliuzzo has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
24 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Adventure Legend
Awarded
9 catalogue titles in adventure, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Polar Express
as Smokey / Steamer (voice)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Phineas and Ferb: Star Wars
as Additional Voices (voice)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Polar Express
as Smokey / Steamer (voice)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Polar Express
as Smokey / Steamer (voice)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Phineas and Ferb: Star Wars
as Additional Voices (voice)
Images that would survive with the sound switched off.
Best action sequence
Missing Link
as New Worlder (voice)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Missing Link
as New Worlder (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
You've Got Mail
as Waiter at Lalo
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Tom Hanks
Built a career in the same territory: animation and family
Bonnie Hunt
Built a career in the same territory: animation and family
Matt Damon
Built a career in the same territory: adventure and drama
Elliot Page
Built a career in the same territory: adventure and drama
Michael Caine
Built a career in the same territory: adventure and drama
David Krumholtz
Built a career in the same territory: action and adventure
Have your say
Community
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Reference
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