Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#2928
of 909177 performers
Top 1%
Angela Moore works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Angela Moore appears in 11 films in the Nutevio catalogue, and none of them would work the same way without Angela. The Unforgivable is the clearest case: a film rated 7.4 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for tv movie, crime, drama. It is a style built on what is withheld as much as what is played.
Working with Elisabeth Röhm, Chad Hartigan, Michael Robison and others, Angela Moore helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Unforgivable (2021) as Corrections Officer #1 · Little Fish (2021) as New Driver - Annie · Mystery 101: An Education in Murder (2020) as Camilla Hines-Carter
Career snapshot
Ranked #2928 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
11
2002–2024
Career length
22 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.4
The Unforgivable
Average Nutevio score
6.2
Across catalogue work
Highest IMDb rating
7.4
The Unforgivable
Most frequent director
Elisabeth Röhm
1 film together
Longest collaboration
1×
With Elisabeth Röhm
Most common genre
Drama
6 titles
Average runtime
1h 38m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
7.0 average MV
The 2020s are where the work and the material meet. Husband Father Killer: The Alyssa Pladl Story, Little Fish, The Unforgivable — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
7.0
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
7.0
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Man About Town, I, Robot, Life or Something Like It.
Most productive era
2010s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 5.52 films | 4.81 film | 7.03 films |
| Action | 7.11 film | — | — |
| Comedy | 5.52 films | 5.64 films | — |
| Crime | — | — | 7.02 films |
| Romance | 5.71 film | 5.41 film | 7.11 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Airport Guard.
Highest rated performance · Career peak
2021The Unforgivable
7.4 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2024Husband Father Killer: The Alyssa Pladl Story
The current state of the argument, as Detective Delia St. James.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
11 of 11 films
as Corrections Officer #1
Directed by Unknown
as New Driver - Annie
Directed by Chad Hartigan
as Camilla Hines-Carter
Directed by Michael Robison
as Wife
Directed by Alex Proyas
as Convenience Store Customer #3
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Corrections Officer #1
The Unforgivable (2021)
Performance score7.2
The performance the rest of the career is read through. Corrections Officer #1 gives Angela Moore a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
New Driver - Annie
Little Fish (2021)
Performance score7.0
Little Fish asks for something the previous films did not, and gets it. New Driver - Annie is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Camilla Hines-Carter
Mystery 101: An Education in Murder (2020)
Performance score7.0
Mystery 101: An Education in Murder asks for something the previous films did not, and gets it. Camilla Hines-Carter is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Wife
I, Robot (2004)
Performance score7.0
I, Robot asks for something the previous films did not, and gets it. Wife is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Corrections Officer #1
Start here. The Unforgivable is the clearest statement of what Angela Moore does — accessible, 112 minutes, and rated 7.4 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Angela at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
I, Robot (2004)
A deliberate change of key after The Unforgivable — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Diary of a Wimpy Kid: Rodrick Rules (2011)
A deliberate change of key after I, Robot — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Mystery 101: An Education in Murder (2020)
A deliberate change of key after Diary of a Wimpy Kid: Rodrick Rules — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Little Fish (2021)
A deliberate change of key after Mystery 101: An Education in Murder — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Stephen Herek
Director
1 film together
Notably Life or Something Like It
Alex Proyas
Director
1 film together
Notably I, Robot
Mike Binder
Director
1 film together
Notably Man About Town
William H. Macy
Director
1 film together
Notably The Layover
Kevin Tent
Director
1 film together
Notably Crash Pad
Greg Kinnear
Director
1 film together
Notably Phil
Michael Robison
Director
1 film together
Notably Mystery 101: An Education in Murder
Chad Hartigan
Director
1 film together
Notably Little Fish
Elisabeth Röhm
Director
1 film together
Notably Husband Father Killer: The Alyssa Pladl Story
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Chad Hartigan
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Little FishMichael Robison
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Mystery 101: An Education in MurderAlex Proyas
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
I, RobotElisabeth Röhm
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Husband Father Killer: The Alyssa Pladl StoryStephen Herek
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Life or Something Like ItKevin Tent
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Crash PadWilliam H. Macy
Director
1 film together · 5.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The LayoverMike Binder
Director
1 film together · 5.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Man About TownGreg Kinnear
Director
1 film together · 4.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
PhilSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Unforgivable
as Corrections Officer #1
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Little Fish
as New Driver - Annie
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Unforgivable
as Corrections Officer #1
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Diary of a Wimpy Kid: Rodrick Rules
as Convenience Store Customer #3
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Unforgivable
as Corrections Officer #1
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Angela Moore has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
22 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
6 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Mystery 101: An Education in Murder
as Camilla Hines-Carter
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Unforgivable
as Corrections Officer #1
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Little Fish
as New Driver - Annie
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Mystery 101: An Education in Murder
as Camilla Hines-Carter
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
I, Robot
as Wife
Images that would survive with the sound switched off.
Best action sequence
I, Robot
as Wife
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Life or Something Like It
as Airport Guard
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
I, Robot
as Wife
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Michael Caine
Built a career in the same territory: drama and action
Tom Hanks
Built a career in the same territory: family and comedy
Bonnie Hunt
Built a career in the same territory: family and comedy
Morgan Freeman
Built a career in the same territory: action and crime
Mark Ruffalo
Built a career in the same territory: crime and mystery
Christian Bale
Built a career in the same territory: action and crime
Have your say
Community
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Reference
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