Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#932
of 909177 performers
Top 1%
Angourie Rice works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Angourie Rice appears in 13 films in the Nutevio catalogue, and none of them would work the same way without Angourie. Spider-Man: No Way Home is the clearest case: a film rated 8.3 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, comedy, action. It is a style built on what is withheld as much as what is played.
Working with Alicia MacDonald, Alex Hardcastle, Oran Zegman and others, Angourie Rice helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Spider-Man: No Way Home (2021) as Betty Brant · Spider-Man: Far From Home (2019) as Betty Brant · Spider-Man: Homecoming (2017) as Betty
Career snapshot
Ranked #932 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
13
2013–2026
Career length
13 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.3
Spider-Man: No Way Home
Average Nutevio score
6.9
Across catalogue work
Highest IMDb rating
7.9
Spider-Man: No Way Home
Most frequent director
Jon Watts
3 films together
Longest collaboration
3×
With Jon Watts
Most common genre
Comedy
7 titles
Average runtime
1h 50m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.9 average MV
The 2010s are where the work and the material meet. Spider-Man: Far From Home, Ladies in Black, Every Day — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.9
Across 7 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.8
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Spider-Man: Far From Home, Ladies in Black, Every Day.
Most productive era
2010s
7 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.32 films | — |
| Action | 7.53 films | 8.31 film |
| Comedy | 6.92 films | 6.55 films |
| Crime | 7.11 film | — |
| Romance | 7.21 film | 6.91 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Jade.
Highest rated performance · Career peak
8.3 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Finding Emily
The current state of the argument, as Emily Raine.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
13 of 13 films
as Honor Rose
Directed by Oran Zegman
as Betty Brant
Directed by Jon Watts
as Rhiannon / A
Directed by Michael Sucsy
as Betty Brant
Directed by Jon Watts
as Holly March
Directed by Shane Black
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Honor Rose
Honor Society (2022)
Performance score8.0
The performance the rest of the career is read through. Honor Rose gives Angourie Rice a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Betty Brant
Spider-Man: No Way Home (2021)
Performance score8.0
Spider-Man: No Way Home asks for something the previous films did not, and gets it. Betty Brant is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Rhiannon / A
Every Day (2018)
Performance score7.8
Every Day asks for something the previous films did not, and gets it. Rhiannon / A is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Betty Brant
Spider-Man: Far From Home (2019)
Performance score7.5
Spider-Man: Far From Home asks for something the previous films did not, and gets it. Betty Brant is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Honor Rose
Start here. Honor Society is the clearest statement of what Angourie Rice does — accessible, 98 minutes, and rated 7.4 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Angourie at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Nice Guys (2016)
Keeps the comedy register of Honor Society but asks for a colder reading of it.
Every Day (2018)
A deliberate change of key after The Nice Guys — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Spider-Man: Far From Home (2019)
A deliberate change of key after Every Day — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Spider-Man: No Way Home (2021)
Same director as Spider-Man: Far From Home, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Jon Watts
Director
3 films together
Notably Spider-Man: No Way Home
Barry Cook
Director
1 film together
Notably Walking with Dinosaurs
Shane Black
Director
1 film together
Notably The Nice Guys
Sofia Coppola
Director
1 film together
Notably The Beguiled
Michael Sucsy
Director
1 film together
Notably Every Day
Bruce Beresford
Director
1 film together
Notably Ladies in Black
Oran Zegman
Director
1 film together
Notably Honor Society
Alex Hardcastle
Director
1 film together
Notably Senior Year
Alicia MacDonald
Director
1 film together
Notably Finding Emily
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Jon Watts
Director
3 films together · 7.9 avg MV
A working relationship rather than a booking — 3 films, and the register shifts each time.
Best film together
Spider-Man: No Way HomeOran Zegman
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Honor SocietyMichael Sucsy
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Every DayShane Black
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Nice GuysAlicia MacDonald
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Finding EmilyBruce Beresford
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Ladies in BlackBarry Cook
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Walking with DinosaursAlex Hardcastle
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Senior YearSofia Coppola
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The BeguiledSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Spider-Man: No Way Home
as Betty Brant
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Every Day
as Rhiannon / A
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Spider-Man: No Way Home
as Betty Brant
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Spider-Man: Homecoming
as Betty
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Honor Society
as Honor Rose
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Angourie Rice has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
7 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Spider-Man: No Way Home
as Betty Brant
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Spider-Man: No Way Home
as Betty Brant
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Every Day
as Rhiannon / A
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Every Day
as Rhiannon / A
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Spider-Man: No Way Home
as Betty Brant
Images that would survive with the sound switched off.
Best action sequence
Spider-Man: No Way Home
as Betty Brant
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Ladies in Black
as Lisa
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Spider-Man: No Way Home
as Betty Brant
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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