Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#12550
of 909177 performers
Top 5%
Angus Barnett works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Angus Barnett appears in 12 films in the Nutevio catalogue, and none of them would work the same way without Angus. Pirates of the Caribbean: The Curse of the Black Pearl is the clearest case: a film rated 8.1 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, fantasy, adventure. It is a style built on what is withheld as much as what is played.
Working with Espen Sandberg, Bryan Singer, Martin Scorsese and others, Angus Barnett helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Pirates of the Caribbean: The Curse of the Black Pearl (2003) as Mullroy · Pirates of the Caribbean: At World's End (2007) as Mullroy · Finding Neverland (2004) as Nana/Mr. Reilly
Career snapshot
Ranked #12550 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
12
1999–2017
Career length
18 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.1
Pirates of the Caribbean: The Curse of the Black Pearl
Average Nutevio score
6.6
Across catalogue work
Highest IMDb rating
7.8
Pirates of the Caribbean: The Curse of the Black Pearl
Most frequent director
Nigel Cole
2 films together
Longest collaboration
2×
With Nigel Cole
Most common genre
Drama
7 titles
Average runtime
2h 2m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
6.7 average MV
The 2000s are where the work and the material meet. St Trinian's 2: The Legend of Fritton's Gold, Pirates of the Caribbean: At World's End, Flood — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
6.7
Across 7 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
6.6
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Alice in Wonderland.
Most productive era
2000s
7 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2000s | 2010s |
|---|---|---|---|
| Drama | — | 6.44 films | 6.63 films |
| Action | — | 7.03 films | 6.32 films |
| Thriller | — | 5.31 film | — |
| Comedy | — | 6.02 films | 6.71 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Four Of Hearts.
Highest rated performance · Career peak
2003Pirates of the Caribbean: The Curse of the Black Pearl
8.1 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2017Pirates of the Caribbean: Dead Men Tell No Tales
The current state of the argument, as Mullroy.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
12 of 12 films
as Mullroy
Directed by Gore Verbinski
as Mullroy
Directed by Gore Verbinski
as Nana/Mr. Reilly
Directed by Marc Forster
as Theatre Manager
Directed by Martin Scorsese
as Mullroy
Directed by Espen Sandberg
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Mullroy
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Performance score7.8
The performance the rest of the career is read through. Mullroy gives Angus Barnett a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Mullroy
Pirates of the Caribbean: At World's End (2007)
Performance score7.3
Pirates of the Caribbean: At World's End asks for something the previous films did not, and gets it. Mullroy is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Nana/Mr. Reilly
Finding Neverland (2004)
Performance score7.2
Finding Neverland asks for something the previous films did not, and gets it. Nana/Mr. Reilly is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Theatre Manager
Hugo (2011)
Performance score7.1
Hugo asks for something the previous films did not, and gets it. Theatre Manager is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Mullroy
Start here. Pirates of the Caribbean: The Curse of the Black Pearl is the clearest statement of what Angus Barnett does — accessible, 143 minutes, and rated 8.1 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Angus at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Finding Neverland (2004)
Keeps the fantasy register of Pirates of the Caribbean: The Curse of the Black Pearl but asks for a colder reading of it.
Pirates of the Caribbean: At World's End (2007)
Keeps the fantasy register of Finding Neverland but asks for a colder reading of it.
Hugo (2011)
Keeps the adventure register of Pirates of the Caribbean: At World's End but asks for a colder reading of it.
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Keeps the adventure register of Hugo but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Gore Verbinski
Director
2 films together
Notably Pirates of the Caribbean: The Curse of the Black Pearl
Nigel Cole
Director
2 films together
Notably Made in Dagenham
Nick Willing
Director
1 film together
Notably Alice in Wonderland
Marc Forster
Director
1 film together
Notably Finding Neverland
Agnieszka Holland
Director
1 film together
Notably Copying Beethoven
Tony Mitchell
Director
1 film together
Notably Flood
Oliver Parker
Director
1 film together
Notably St Trinian's 2: The Legend of Fritton's Gold
Martin Scorsese
Director
1 film together
Notably Hugo
Bryan Singer
Director
1 film together
Notably Jack the Giant Slayer
Espen Sandberg
Director
1 film together
Notably Pirates of the Caribbean: Dead Men Tell No Tales
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Gore Verbinski
Director
2 films together · 7.8 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Pirates of the Caribbean: The Curse of the Black PearlNigel Cole
Director
2 films together · 6.6 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Made in DagenhamMarc Forster
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Finding NeverlandMartin Scorsese
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
HugoEspen Sandberg
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Pirates of the Caribbean: Dead Men Tell No TalesAgnieszka Holland
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Copying BeethovenNick Willing
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Alice in WonderlandBryan Singer
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Jack the Giant SlayerOliver Parker
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
St Trinian's 2: The Legend of Fritton's GoldTony Mitchell
Director
1 film together · 5.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
FloodSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Pirates of the Caribbean: The Curse of the Black Pearl
as Mullroy
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Hugo
as Theatre Manager
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Pirates of the Caribbean: The Curse of the Black Pearl
as Mullroy
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Alice in Wonderland
as Four Of Hearts
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Pirates of the Caribbean: The Curse of the Black Pearl
as Mullroy
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Angus Barnett has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
7 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Pirates of the Caribbean: The Curse of the Black Pearl
as Mullroy
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Pirates of the Caribbean: The Curse of the Black Pearl
as Mullroy
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Hugo
as Theatre Manager
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Finding Neverland
as Nana/Mr. Reilly
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Pirates of the Caribbean: The Curse of the Black Pearl
as Mullroy
Images that would survive with the sound switched off.
Best action sequence
Jack the Giant Slayer
as Foe
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Made in Dagenham
as Passing Van Driver
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Pirates of the Caribbean: The Curse of the Black Pearl
as Mullroy
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Works with the same directors — Martin Scorsese
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Built a career in the same territory: action and adventure
Leonardo DiCaprio
Works with the same directors — Martin Scorsese
Robert De Niro
Works with the same directors — Martin Scorsese
Elliot Page
Built a career in the same territory: adventure and drama
Michael Caine
Built a career in the same territory: adventure and drama
Have your say
Community
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Reference
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