Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#21658
of 909177 performers
Top 5%
Ann Mahoney works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Ann Mahoney appears in 12 films in the Nutevio catalogue, and none of them would work the same way without Ann. The True Don Quixote is the clearest case: a film rated 7.1 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for horror, thriller, comedy. It is a style built on what is withheld as much as what is played.
Working with Joe Lynch, Sam Levinson, Jon Lucas and others, Ann Mahoney helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The True Don Quixote (2019) as Janelle · 99 Homes (2015) as Mrs. Tanner · Logan Lucky (2017) as Gleema Purdue
Career snapshot
Ranked #21658 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
12
2006–2025
Career length
19 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.1
The True Don Quixote
Average Nutevio score
6.4
Across catalogue work
Highest IMDb rating
7.1
The True Don Quixote
Most frequent director
Joe Lynch
1 film together
Longest collaboration
1×
With Joe Lynch
Most common genre
Comedy
7 titles
Average runtime
1h 36m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.6 average MV
The 2010s are where the work and the material meet. The True Don Quixote, Assassination Nation, Logan Lucky — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.6
Across 7 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.6
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Big Momma's House 2.
Most productive era
2010s
7 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | — | 6.64 films | — |
| Action | — | 6.71 film | — |
| Thriller | — | 6.31 film | 5.93 films |
| Comedy | 5.81 film | 6.75 films | 6.41 film |
| Crime | 5.81 film | 6.82 films | — |
| Romance | — | 6.71 film | — |
| Horror | — | 6.31 film | 6.13 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Coach Lisa.
Highest rated performance · Career peak
7.1 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Margaret.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
12 of 12 films
as Mrs. Tanner
Directed by Ramin Bahrani
as Gleema Purdue
Directed by Unknown
as Rita Walachowski
Directed by Andrew Fleming
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Janelle
The True Don Quixote (2019)
Performance score7.2
The performance the rest of the career is read through. Janelle gives Ann Mahoney a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Mrs. Tanner
99 Homes (2015)
Performance score6.7
99 Homes asks for something the previous films did not, and gets it. Mrs. Tanner is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Margaret
Five Nights at Freddy's 2 (2025)
Performance score6.6
Five Nights at Freddy's 2 asks for something the previous films did not, and gets it. Margaret is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Gleema Purdue
Logan Lucky (2017)
Performance score6.6
Logan Lucky asks for something the previous films did not, and gets it. Gleema Purdue is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Janelle
Start here. The True Don Quixote is the clearest statement of what Ann Mahoney does — accessible, 84 minutes, and rated 7.1 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Ann at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Barefoot (2014)
Keeps the comedy register of The True Don Quixote but asks for a colder reading of it.
99 Homes (2015)
Keeps the drama register of Barefoot but asks for a colder reading of it.
Logan Lucky (2017)
Keeps the crime register of 99 Homes but asks for a colder reading of it.
Five Nights at Freddy's 2 (2025)
Same director as Logan Lucky, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
John Whitesell
Director
1 film together
Notably Big Momma's House 2
Andrew Fleming
Director
1 film together
Notably Barefoot
Ramin Bahrani
Director
1 film together
Notably 99 Homes
Jon Lucas
Director
1 film together
Notably Bad Moms
Sam Levinson
Director
1 film together
Notably Assassination Nation
Joe Lynch
Director
1 film together
Notably Suitable Flesh
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Ramin Bahrani
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
99 HomesAndrew Fleming
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
BarefootJon Lucas
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Bad MomsSam Levinson
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Assassination NationJohn Whitesell
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Big Momma's House 2Joe Lynch
Director
1 film together · 5.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Suitable FleshSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Logan Lucky
as Gleema Purdue
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Barefoot
as Rita Walachowski
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The True Don Quixote
as Janelle
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Assassination Nation
as Mom in Supermarket
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The True Don Quixote
as Janelle
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Ann Mahoney has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
7 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The True Don Quixote
as Janelle
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Five Nights at Freddy's 2
as Margaret
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Barefoot
as Rita Walachowski
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
99 Homes
as Mrs. Tanner
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Logan Lucky
as Gleema Purdue
Images that would survive with the sound switched off.
Best action sequence
Logan Lucky
as Gleema Purdue
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Logan Lucky
as Gleema Purdue
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Assassination Nation
as Mom in Supermarket
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Reference
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