Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#62542
of 909177 performers
Top 10%
Arash Marandi works on quiet performance rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Arash Marandi appears in 5 films in the Nutevio catalogue, and none of them would work the same way without Arash. Furioso is the clearest case: a film rated 9.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, emotional range, screen presence. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, drama, romance. It is a style built on what is withheld as much as what is played.
Working with Shirel Peleg, Ana Lily Amirpour, Arash Marandi helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Furioso (2026) as Camil, der Zauberer · Reading Lolita in Tehran (2024) as Bijan Nafisi · Mamanam (2020) as Daryoush
Career snapshot
Ranked #62542 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
5
2014–2026
Career length
12 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
9.0
Furioso
Average Nutevio score
7.1
Across catalogue work
Highest IMDb rating
9.0
Furioso
Most frequent director
Shirel Peleg
1 film together
Longest collaboration
1×
With Shirel Peleg
Most common genre
Drama
4 titles
Average runtime
1h 5m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.7
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
7.2 average MV
The 2020s are where the work and the material meet. Furioso, Reading Lolita in Tehran, The Heartbreak Agency — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
7.2
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
7.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. A Girl Walks Home Alone at Night.
Most productive era
2020s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | — | 7.24 films |
| Comedy | — | 7.32 films |
| Romance | 6.81 film | 5.51 film |
| Horror | 6.81 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2014A Girl Walks Home Alone at Night
Where our catalogue meets this career, as Arash.
First Nutevio masterpiece · Highest rated performance · Career peak · Most recent film
2026Furioso
The first film here to clear 9.0 on our scale — a threshold fewer than one film in ten reaches. 9.0 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Camil, der Zauberer.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
5 of 5 films
Directed by Shirel Peleg
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Camil, der Zauberer
Furioso (2026)
Performance score9.1
The performance the rest of the career is read through. Camil, der Zauberer gives Arash Marandi a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Daryoush
Mamanam (2020)
Performance score7.4
Mamanam asks for something the previous films did not, and gets it. Daryoush is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Bijan Nafisi
Reading Lolita in Tehran (2024)
Performance score7.2
Reading Lolita in Tehran asks for something the previous films did not, and gets it. Bijan Nafisi is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Arash
A Girl Walks Home Alone at Night (2014)
Performance score7.2
A Girl Walks Home Alone at Night asks for something the previous films did not, and gets it. Arash is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Camil, der Zauberer
Start here. Furioso is the clearest statement of what Arash Marandi does — accessible, 0 minutes, and rated 9.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Arash at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
A Girl Walks Home Alone at Night (2014)
A deliberate change of key after Furioso — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Mamanam (2020)
A deliberate change of key after A Girl Walks Home Alone at Night — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Reading Lolita in Tehran (2024)
Same director as Mamanam, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
The Heartbreak Agency (2024)
Keeps the drama register of Reading Lolita in Tehran but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Ana Lily Amirpour
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A Girl Walks Home Alone at NightShirel Peleg
Director
1 film together · 5.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Heartbreak AgencySix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Furioso
as Camil, der Zauberer
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Heartbreak Agency
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Furioso
as Camil, der Zauberer
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Reading Lolita in Tehran
as Bijan Nafisi
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Furioso
as Camil, der Zauberer
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Arash Marandi has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
4 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Furioso
as Camil, der Zauberer
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Furioso
as Camil, der Zauberer
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Heartbreak Agency
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Furioso
as Camil, der Zauberer
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Furioso
as Camil, der Zauberer
Images that would survive with the sound switched off.
Best action sequence
Furioso
as Camil, der Zauberer
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Furioso
as Camil, der Zauberer
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Furioso
as Camil, der Zauberer
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
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Reference
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