Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#10762
of 909177 performers
Top 5%
Ashley Scott works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Ashley Scott appears in 10 films in the Nutevio catalogue, and none of them would work the same way without Ashley. A.I. Artificial Intelligence is the clearest case: a film rated 7.1 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, fantasy, adventure. It is a style built on what is withheld as much as what is played.
Working with Jake Kasdan, Renny Harlin, Fred Wolf and others, Ashley Scott helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
A.I. Artificial Intelligence (2001) as Gigolo Jane · Jumanji: The Next Level (2019) as Ashley (uncredited) · The Kingdom (2007) as Janine Ripon
Career snapshot
Ranked #10762 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
10
2001–2019
Career length
18 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.1
A.I. Artificial Intelligence
Average Nutevio score
6.2
Across catalogue work
Highest IMDb rating
7.1
A.I. Artificial Intelligence
Most frequent director
Jake Kasdan
1 film together
Longest collaboration
1×
With Jake Kasdan
Most common genre
Thriller
6 titles
Average runtime
1h 48m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.2 average MV
The 2010s are where the work and the material meet. Jumanji: The Next Level, Secret Obsession — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.2
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. 12 Rounds, Strange Wilderness, The Kingdom.
Most productive era
2000s
8 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s |
|---|---|---|
| Drama | 6.73 films | 5.51 film |
| Action | 6.25 films | — |
| Thriller | 6.25 films | 5.51 film |
| Comedy | 5.62 films | 6.91 film |
| Crime | 6.03 films | — |
| Romance | 6.21 film | — |
| Horror | — | 5.51 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
2001A.I. Artificial Intelligence
Where our catalogue meets this career, as Gigolo Jane. 7.1 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2019Secret Obsession
The current state of the argument, as Nurse Masters.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
10 of 10 films
as Gigolo Jane
Directed by Steven Spielberg
as Ashley (uncredited)
Directed by Jake Kasdan
as Janine Ripon
Directed by Peter Berg
as Nurse Masters
Directed by Unknown
as Molly Porter
Directed by Renny Harlin
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Gigolo Jane
A.I. Artificial Intelligence (2001)
Performance score7.0
The performance the rest of the career is read through. Gigolo Jane gives Ashley Scott a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Ashley (uncredited)
Jumanji: The Next Level (2019)
Performance score6.8
Jumanji: The Next Level asks for something the previous films did not, and gets it. Ashley (uncredited) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Janine Ripon
The Kingdom (2007)
Performance score6.7
The Kingdom asks for something the previous films did not, and gets it. Janine Ripon is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Nurse Masters
Secret Obsession (2019)
Performance score6.5
Secret Obsession asks for something the previous films did not, and gets it. Nurse Masters is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Gigolo Jane
Start here. A.I. Artificial Intelligence is the clearest statement of what Ashley Scott does — accessible, 146 minutes, and rated 7.1 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Ashley at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Kingdom (2007)
Keeps the drama register of A.I. Artificial Intelligence but asks for a colder reading of it.
12 Rounds (2009)
Keeps the action register of The Kingdom but asks for a colder reading of it.
Jumanji: The Next Level (2019)
A deliberate change of key after 12 Rounds — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Secret Obsession (2019)
A deliberate change of key after Jumanji: The Next Level — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Steven Spielberg
Director
1 film together
Notably A.I. Artificial Intelligence
Clark Johnson
Director
1 film together
Notably S.W.A.T.
Kevin Bray
Director
1 film together
Notably Walking Tall
John Stockwell
Director
1 film together
Notably Into the Blue
Roger Kumble
Director
1 film together
Notably Just Friends
Peter Berg
Director
1 film together
Notably The Kingdom
Fred Wolf
Director
1 film together
Notably Strange Wilderness
Renny Harlin
Director
1 film together
Notably 12 Rounds
Jake Kasdan
Director
1 film together
Notably Jumanji: The Next Level
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Steven Spielberg
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A.I. Artificial IntelligenceJake Kasdan
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Jumanji: The Next LevelPeter Berg
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The KingdomKevin Bray
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Walking TallRoger Kumble
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Just FriendsClark Johnson
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
S.W.A.T.Renny Harlin
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
12 RoundsJohn Stockwell
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Into the BlueFred Wolf
Director
1 film together · 4.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Strange WildernessSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
A.I. Artificial Intelligence
as Gigolo Jane
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Just Friends
as Janice
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
A.I. Artificial Intelligence
as Gigolo Jane
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
A.I. Artificial Intelligence
as Gigolo Jane
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
A.I. Artificial Intelligence
as Gigolo Jane
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Ashley Scott has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Thriller Legend
Awarded
6 catalogue titles in thriller, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Jumanji: The Next Level
as Ashley (uncredited)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Kingdom
as Janine Ripon
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Just Friends
as Janice
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
S.W.A.T.
as Lara
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Kingdom
as Janine Ripon
Images that would survive with the sound switched off.
Best action sequence
Into the Blue
as Amanda
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Walking Tall
as Deni
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Kingdom
as Janine Ripon
The public vote sits below ours on this one, and the direction is the reason for the gap.
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David Krumholtz
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Tom Hanks
Built a career in the same territory: comedy and drama
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Have your say
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Reference
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