Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#6377
of 909177 performers
Top 1%
Audrie Neenan represents the rare performer whose career became more ambitious with every decade — 35 years in, and Audrie is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Audrie Neenan appears in 5 films in the Nutevio catalogue, and none of them would work the same way without Audrie. The Departed is the clearest case: a film rated 8.4 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, screen presence, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for drama, crime, thriller. It is a style built on what is withheld as much as what is played.
Working with Marc Turtletaub, John Patrick Shanley, Martin Scorsese and others, Audrie Neenan helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Departed (2006) as Woman at Bar #2 · Doubt (2008) as Sister Raymond · See No Evil, Hear No Evil (1989) as Policewoman and Marilyn
Career snapshot
Ranked #6377 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
5
1983–2018
Career length
35 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.4
The Departed
Average Nutevio score
7.1
Across catalogue work
Highest IMDb rating
8.2
The Departed
Most frequent director
Marc Turtletaub
1 film together
Longest collaboration
1×
With Marc Turtletaub
Most common genre
Drama
3 titles
Average runtime
1h 55m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.0
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.9
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
7.8 average MV
The 2000s are where the work and the material meet. Doubt, The Departed — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
7.8
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
7.7
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1980s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. See No Evil, Hear No Evil, Sudden Impact.
Most productive era
1980s
2 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1980s | 2000s | 2010s |
|---|---|---|---|
| Drama | — | 7.82 films | 6.51 film |
| Action | 6.61 film | — | — |
| Thriller | 6.61 film | 8.41 film | — |
| Comedy | 6.71 film | — | — |
| Crime | 6.72 films | 8.41 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1983Sudden Impact
Where our catalogue meets this career, as Ray Parkins.
Highest rated performance · Career peak
2006The Departed
8.4 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2018Puzzle
The current state of the argument, as Aunt Emily.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
5 of 5 films
as Woman at Bar #2
Directed by Martin Scorsese
as Sister Raymond
Directed by John Patrick Shanley
as Ray Parkins
Directed by Clint Eastwood
as Policewoman and Marilyn
Directed by Arthur Hiller
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Woman at Bar #2
The Departed (2006)
Performance score8.1
The performance the rest of the career is read through. Woman at Bar #2 gives Audrie Neenan a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Sister Raymond
Doubt (2008)
Performance score7.3
Doubt asks for something the previous films did not, and gets it. Sister Raymond is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Ray Parkins
Sudden Impact (1983)
Performance score6.8
Sudden Impact asks for something the previous films did not, and gets it. Ray Parkins is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Policewoman and Marilyn
See No Evil, Hear No Evil (1989)
Performance score6.6
See No Evil, Hear No Evil asks for something the previous films did not, and gets it. Policewoman and Marilyn is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Woman at Bar #2
Start here. The Departed is the clearest statement of what Audrie Neenan does — accessible, 151 minutes, and rated 8.4 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Audrie at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Sudden Impact (1983)
Keeps the crime register of The Departed but asks for a colder reading of it.
See No Evil, Hear No Evil (1989)
Keeps the crime register of Sudden Impact but asks for a colder reading of it.
Doubt (2008)
A deliberate change of key after See No Evil, Hear No Evil — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Puzzle (2018)
Keeps the drama register of Doubt but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Clint Eastwood
Director
1 film together
Notably Sudden Impact
Arthur Hiller
Director
1 film together
Notably See No Evil, Hear No Evil
Martin Scorsese
Director
1 film together
Notably The Departed
John Patrick Shanley
Director
1 film together
Notably Doubt
Marc Turtletaub
Director
1 film together
Notably Puzzle
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Martin Scorsese
Director
1 film together · 8.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The DepartedJohn Patrick Shanley
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
DoubtArthur Hiller
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
See No Evil, Hear No EvilClint Eastwood
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Sudden ImpactMarc Turtletaub
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
PuzzleSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Departed
as Woman at Bar #2
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Doubt
as Sister Raymond
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Departed
as Woman at Bar #2
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
The Departed
as Woman at Bar #2
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Departed
as Woman at Bar #2
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Audrie Neenan has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
35 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
3 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Departed
as Woman at Bar #2
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Departed
as Woman at Bar #2
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Doubt
as Sister Raymond
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Departed
as Woman at Bar #2
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Departed
as Woman at Bar #2
Images that would survive with the sound switched off.
Best action sequence
Sudden Impact
as Ray Parkins
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Departed
as Woman at Bar #2
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Departed
as Woman at Bar #2
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Works with the same directors — Martin Scorsese
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Works with the same directors — Martin Scorsese
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Built a career in the same territory: drama and thriller
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Have your say
Community
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Reference
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