Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#23594
of 909177 performers
Top 5%
Bastien Bouillon works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Bastien Bouillon appears in 19 films in the Nutevio catalogue, and none of them would work the same way without Bastien. The Count of Monte Cristo is the clearest case: a film rated 7.7 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for crime, drama, history. It is a style built on what is withheld as much as what is played.
Working with Jean-Paul Salomé, Alexandre de La Patellière, Olivier Dahan and others, Bastien Bouillon helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Count of Monte Cristo (2024) as Fernand de Morcerf · Simone: Woman of the Century (2022) as Pierre Jampolsky · Monsieur Aznavour (2024) as Pierre Roche
Career snapshot
Ranked #23594 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
19
2019–2026
Career length
7 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.7
The Count of Monte Cristo
Average Nutevio score
5.1
Across catalogue work
Highest IMDb rating
7.9
The Count of Monte Cristo
Most frequent director
Jean-Paul Salomé
1 film together
Longest collaboration
1×
With Jean-Paul Salomé
Most common genre
Drama
17 titles
Average runtime
1h 25m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.6 average MV
The 2010s are where the work and the material meet. The Mystery of Henri Pick, Only the Animals — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.6
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.6
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Mystery of Henri Pick, Only the Animals.
Most productive era
2020s
17 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.62 films | 5.115 films |
| Action | — | 7.71 film |
| Thriller | — | 0.01 film |
| Comedy | 6.51 film | 6.02 films |
| Crime | 6.71 film | 7.02 films |
| Romance | — | 5.71 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Fred Koskas.
Highest rated performance · Career peak
7.7 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Thomas Bergogne.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
19 of 19 films
as Fernand de Morcerf
Directed by Alexandre de La Patellière
as Pierre Roche
Directed by Unknown
as André Mattéi
Directed by Jean-Paul Salomé
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Fernand de Morcerf
The Count of Monte Cristo (2024)
Performance score8.0
The performance the rest of the career is read through. Fernand de Morcerf gives Bastien Bouillon a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Pierre Roche
Monsieur Aznavour (2024)
Performance score7.6
Monsieur Aznavour asks for something the previous films did not, and gets it. Pierre Roche is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
André Mattéi
The Money Maker (2026)
Performance score7.5
The Money Maker asks for something the previous films did not, and gets it. André Mattéi is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Yohan Vivès
The Night of the 12th (2022)
Performance score7.5
The Night of the 12th asks for something the previous films did not, and gets it. Yohan Vivès is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Fernand de Morcerf
Start here. The Count of Monte Cristo is the clearest statement of what Bastien Bouillon does — accessible, 178 minutes, and rated 7.7 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Bastien at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
People (2021)
Keeps the drama register of The Count of Monte Cristo but asks for a colder reading of it.
The Night of the 12th (2022)
Same director as People, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Monsieur Aznavour (2024)
Same director as The Night of the 12th, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
The Money Maker (2026)
Keeps the drama register of Monsieur Aznavour but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Zoé Wittock
Director
1 film together
Notably Jumbo
Olivier Dahan
Director
1 film together
Notably Simone: Woman of the Century
Alexandre de La Patellière
Director
1 film together
Notably The Count of Monte Cristo
Jean-Paul Salomé
Director
1 film together
Notably The Money Maker
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Alexandre de La Patellière
Director
1 film together · 7.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Count of Monte CristoOlivier Dahan
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Simone: Woman of the CenturyJean-Paul Salomé
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Money MakerZoé Wittock
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
JumboSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Simone: Woman of the Century
as Pierre Jampolsky
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Simone: Woman of the Century
as Pierre Jampolsky
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Count of Monte Cristo
as Fernand de Morcerf
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Simone: Woman of the Century
as Pierre Jampolsky
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Count of Monte Cristo
as Fernand de Morcerf
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Bastien Bouillon has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
17 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Night of the 12th
as Yohan Vivès
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Night of the 12th
as Yohan Vivès
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Monsieur Aznavour
as Pierre Roche
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Night of the 12th
as Yohan Vivès
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Count of Monte Cristo
as Fernand de Morcerf
Images that would survive with the sound switched off.
Best action sequence
The Count of Monte Cristo
as Fernand de Morcerf
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Leave One Day
as Raphaël
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Umami
as Jean
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Matt Damon
Built a career in the same territory: adventure and drama
Michael Caine
Built a career in the same territory: adventure and drama
David Krumholtz
Built a career in the same territory: action and adventure
Cillian Murphy
Built a career in the same territory: drama and history
Morgan Freeman
Built a career in the same territory: action and crime
Robert Downey Jr.
Built a career in the same territory: drama and history
Have your say
Community
Which Bastien Bouillon performance holds up best?
Our readers argue about this one. Make your case, or read the ranked debate already in progress.
Join the conversation
Reference
Continue exploring
Trending performers
Directors they work with
Collections to read next
