Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#60691
of 909177 performers
Top 10%
Bobby Di Cicco represents the rare performer whose career became more ambitious with every decade — 39 years in, and Bobby is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Bobby Di Cicco appears in 5 films in the Nutevio catalogue, and none of them would work the same way without Bobby. An Interview with God is the clearest case: a film rated 7.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, transformation, versatility. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for mystery, drama, romance. It is a style built on what is withheld as much as what is played.
Working with Perry Lang, Ron Howard, Samuel Fuller and others, Bobby Di Cicco helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
An Interview with God (2018) as Bobby the Super · The Big Red One (1980) as Vinci · Splash (1984) as Jerry
Career snapshot
Ranked #60691 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
5
1979–2018
Career length
39 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.0
An Interview with God
Average Nutevio score
6.4
Across catalogue work
Highest IMDb rating
7.0
An Interview with God
Most frequent director
Ron Howard
2 films together
Longest collaboration
2×
With Ron Howard
Most common genre
Comedy
3 titles
Average runtime
1h 49m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.7
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
7.0 average MV
The 2010s are where the work and the material meet. An Interview with God — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
7.0
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
7.0
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1970s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. 1941.
Most productive era
1980s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1970s | 1980s | 2010s |
|---|---|---|---|
| Drama | — | 6.61 film | 7.01 film |
| Action | 6.11 film | — | — |
| Comedy | 6.11 film | 6.32 films | — |
| Romance | — | 6.41 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
19791941
Where our catalogue meets this career, as Wally Stephens.
Highest rated performance · Career peak · Most recent film
7.0 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Bobby the Super.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
5 of 5 films
as Vinci
Directed by Samuel Fuller
as Jerry
Directed by Ron Howard
as Wally Stephens
Directed by Steven Spielberg
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Bobby the Super
An Interview with God (2018)
Performance score7.1
The performance the rest of the career is read through. Bobby the Super gives Bobby Di Cicco a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Vinci
The Big Red One (1980)
Performance score6.8
The Big Red One asks for something the previous films did not, and gets it. Vinci is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Jerry
Splash (1984)
Performance score6.5
Splash asks for something the previous films did not, and gets it. Jerry is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Leonard
Night Shift (1982)
Performance score6.5
Night Shift asks for something the previous films did not, and gets it. Leonard is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Bobby the Super
Start here. An Interview with God is the clearest statement of what Bobby Di Cicco does — accessible, 97 minutes, and rated 7.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Bobby at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
1941 (1979)
A deliberate change of key after An Interview with God — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Big Red One (1980)
Keeps the war register of 1941 but asks for a colder reading of it.
Night Shift (1982)
A deliberate change of key after The Big Red One — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Splash (1984)
Same director as Night Shift, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Ron Howard
Director
2 films together · 6.3 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
SplashPerry Lang
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
An Interview with GodSamuel Fuller
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Big Red One
Steven Spielberg
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
1941Six degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
An Interview with God
as Bobby the Super
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Splash
as Jerry
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
An Interview with God
as Bobby the Super
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
1941
as Wally Stephens
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
An Interview with God
as Bobby the Super
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Bobby Di Cicco has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
39 years of relevant work — not merely a long career, but a long career of choices.
Comedy Legend
Awarded
3 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
An Interview with God
as Bobby the Super
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
An Interview with God
as Bobby the Super
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Splash
as Jerry
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
An Interview with God
as Bobby the Super
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
An Interview with God
as Bobby the Super
Images that would survive with the sound switched off.
Best action sequence
1941
as Wally Stephens
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Big Red One
as Vinci
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
1941
as Wally Stephens
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Morgan Freeman
Built a career in the same territory: action and drama
Jamie Harris
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Mark Ruffalo
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Have your say
Community
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Reference
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