Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#6808
of 909177 performers
Top 1%
Brooke Bloom works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Brooke Bloom appears in 9 films in the Nutevio catalogue, and none of them would work the same way without Brooke. Marriage Story is the clearest case: a film rated 7.7 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for thriller, comedy, drama. It is a style built on what is withheld as much as what is played.
Working with Santino Fontana, Noah Baumbach, Stephen Daldry and others, Brooke Bloom helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Marriage Story (2019) as Mary Ann · Extremely Loud & Incredibly Close (2011) as Astrid Black · He's Just Not That Into You (2009) as Paige Murphy
Career snapshot
Ranked #6808 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
9
2007–2024
Career length
17 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.7
Marriage Story
Average Nutevio score
5.4
Across catalogue work
Highest IMDb rating
7.7
Marriage Story
Most frequent director
Noah Baumbach
2 films together
Longest collaboration
2×
With Noah Baumbach
Most common genre
Drama
5 titles
Average runtime
1h 44m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
7.3 average MV
The 2010s are where the work and the material meet. Marriage Story, Extremely Loud & Incredibly Close — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
7.3
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
7.4
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. He's Just Not That Into You, Over Her Dead Body, Battle for Terra.
Most productive era
2000s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.61 film | 7.32 films | 5.42 films |
| Action | 6.11 film | — | — |
| Thriller | — | — | 0.01 film |
| Comedy | 5.73 films | — | 5.61 film |
| Romance | 6.61 film | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2007Battle for Terra
Where our catalogue meets this career, as Technician Quinn (voice).
Highest rated performance · Career peak
2019Marriage Story
7.7 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2024Death Wish
The current state of the argument, as Victim 9.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
9 of 9 films
as Mary Ann
Directed by Noah Baumbach
as Paige Murphy
Directed by Ken Kwapis
as Victim 9
Directed by Santino Fontana
as Evacuee with Theory
Directed by Noah Baumbach
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Mary Ann
Marriage Story (2019)
Performance score7.5
The performance the rest of the career is read through. Mary Ann gives Brooke Bloom a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Astrid Black
Extremely Loud & Incredibly Close (2011)
Performance score6.9
Extremely Loud & Incredibly Close asks for something the previous films did not, and gets it. Astrid Black is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Paige Murphy
He's Just Not That Into You (2009)
Performance score6.6
He's Just Not That Into You asks for something the previous films did not, and gets it. Paige Murphy is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Victim 9
Death Wish (2024)
Performance score6.5
Death Wish asks for something the previous films did not, and gets it. Victim 9 is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Mary Ann
Start here. Marriage Story is the clearest statement of what Brooke Bloom does — accessible, 137 minutes, and rated 7.7 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Brooke at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
He's Just Not That Into You (2009)
Keeps the drama register of Marriage Story but asks for a colder reading of it.
Extremely Loud & Incredibly Close (2011)
Keeps the drama register of He's Just Not That Into You but asks for a colder reading of it.
White Noise (2022)
Keeps the drama register of Extremely Loud & Incredibly Close but asks for a colder reading of it.
Death Wish (2024)
A deliberate change of key after White Noise — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Noah Baumbach
Director
2 films together
Notably Marriage Story
Bob Odenkirk
Director
1 film together
Notably The Brothers Solomon
Jeff Lowell
Director
1 film together
Notably Over Her Dead Body
Ken Kwapis
Director
1 film together
Notably He's Just Not That Into You
Stephen Daldry
Director
1 film together
Notably Extremely Loud & Incredibly Close
Santino Fontana
Director
1 film together
Notably Death Wish
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Noah Baumbach
Director
2 films together · 6.7 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Marriage StoryStephen Daldry
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Extremely Loud & Incredibly CloseKen Kwapis
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
He's Just Not That Into YouJeff Lowell
Director
1 film together · 5.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Over Her Dead BodyBob Odenkirk
Director
1 film together · 5.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Brothers SolomonSantino Fontana
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Death WishSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Marriage Story
as Mary Ann
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
He's Just Not That Into You
as Paige Murphy
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Marriage Story
as Mary Ann
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
White Noise
as Evacuee with Theory
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Marriage Story
as Mary Ann
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Brooke Bloom has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
5 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Marriage Story
as Mary Ann
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Marriage Story
as Mary Ann
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
He's Just Not That Into You
as Paige Murphy
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Marriage Story
as Mary Ann
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Marriage Story
as Mary Ann
Images that would survive with the sound switched off.
Best action sequence
Battle for Terra
as Technician Quinn (voice)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
He's Just Not That Into You
as Paige Murphy
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
White Noise
as Evacuee with Theory
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
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Reference
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