Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Carole Franck appears in 8 films in the Nutevio catalogue, and none of them would work the same way without Carole. See You Up There is the clearest case: a film rated 7.5 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, versatility, drama. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, comedy, drama. It is a style built on what is withheld as much as what is played.
Working with Lena Dana, Andréa Bescond, Albert Dupontel, Carole Franck helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
See You Up There (2017) as Sister Hortense · Little Tickles (2018) as La psy · The Sting (2025) as Sandrine
Career snapshot
A Nutevio catalogue profile for Carole Franck.
Films in Nutevio
8
2005–2026
Career length
21 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.5
See You Up There
Average Nutevio score
6.5
Across catalogue work
Highest IMDb rating
10.0
The Sting
Most frequent director
Lena Dana
1 film together
Longest collaboration
1×
With Lena Dana
Most common genre
Drama
7 titles
Average runtime
1h 9m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.9 average MV
The 2010s are where the work and the material meet. My Mum, Cancer and Me, Little Tickles, See You Up There — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.9
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.9
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Russian Dolls.
Most productive era
2020s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.61 film | 6.93 films | 6.23 films |
| Comedy | 6.61 film | 6.52 films | 6.42 films |
| Crime | — | 7.51 film | — |
| Romance | 6.61 film | 6.11 film | 6.02 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2005Russian Dolls
Where our catalogue meets this career, as Productrice TV.
Highest rated performance · Career peak
2017See You Up There
7.5 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
8 of 8 films
as Sister Hortense
Directed by Albert Dupontel
as La psy
Directed by Andréa Bescond
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Sister Hortense
See You Up There (2017)
Performance score7.3
The performance the rest of the career is read through. Sister Hortense gives Carole Franck a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
La psy
Little Tickles (2018)
Performance score7.1
Little Tickles asks for something the previous films did not, and gets it. La psy is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Sandrine
The Sting (2025)
Performance score7.0
The Sting asks for something the previous films did not, and gets it. Sandrine is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Narrator (voice)
La Valise (2023)
Performance score7.0
La Valise asks for something the previous films did not, and gets it. Narrator (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Sister Hortense
Start here. See You Up There is the clearest statement of what Carole Franck does — accessible, 113 minutes, and rated 7.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Carole at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Little Tickles (2018)
Keeps the drama register of See You Up There but asks for a colder reading of it.
La Valise (2023)
Keeps the drama register of Little Tickles but asks for a colder reading of it.
The Sting (2025)
Keeps the drama register of La Valise but asks for a colder reading of it.
Chick Seeking Giraffe (2026)
Keeps the comedy register of The Sting but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Albert Dupontel
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
See You Up ThereAndréa Bescond
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Little TicklesLena Dana
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The StingSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
See You Up There
as Sister Hortense
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
La Valise
as Narrator (voice)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
See You Up There
as Sister Hortense
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Russian Dolls
as Productrice TV
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
See You Up There
as Sister Hortense
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Carole Franck has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
21 years of relevant work — not merely a long career, but a long career of choices.
Drama Legend
Awarded
7 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
See You Up There
as Sister Hortense
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
See You Up There
as Sister Hortense
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Gold for Dogs
as Mother Superior
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
See You Up There
as Sister Hortense
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
See You Up There
as Sister Hortense
Images that would survive with the sound switched off.
Best action sequence
See You Up There
as Sister Hortense
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
La Valise
as Narrator (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Gold for Dogs
as Mother Superior
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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