Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#25605
of 909177 performers
Top 5%
Clare Grant works on quiet performance rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Clare Grant appears in 4 films in the Nutevio catalogue, and none of them would work the same way without Clare. Walk the Line is the clearest case: a film rated 7.5 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, transformation, versatility. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, drama, action. It is a style built on what is withheld as much as what is played.
Working with Seth Green, Michael Dougherty, James Mangold and others, Clare Grant helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Walk the Line (2005) as Lissome Girl · Godzilla: King of the Monsters (2019) as Fighter Pilot (uncredited) · Changeland (2019) as Dory
Career snapshot
Ranked #25605 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
4
1996–2019
Career length
23 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.5
Walk the Line
Average Nutevio score
6.2
Across catalogue work
Highest IMDb rating
7.5
Walk the Line
Most frequent director
Seth Green
1 film together
Longest collaboration
1×
With Seth Green
Most common genre
Drama
2 titles
Average runtime
1h 53m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
7.5 average MV
The 2000s are where the work and the material meet. Walk the Line — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
7.5
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
7.5
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Island of Dr. Moreau.
Most productive era
2010s
2 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2000s | 2010s |
|---|---|---|---|
| Drama | — | 7.51 film | 5.61 film |
| Action | — | — | 6.71 film |
| Comedy | — | — | 5.61 film |
| Romance | — | 7.51 film | — |
| Horror | 4.91 film | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Fox Lady.
Highest rated performance · Career peak
2005Walk the Line
7.5 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2019Godzilla: King of the Monsters
The current state of the argument, as Fighter Pilot (uncredited).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
4 of 4 films
as Lissome Girl
Directed by James Mangold
as Fighter Pilot (uncredited)
Directed by Michael Dougherty
as Dory
Directed by Seth Green
as Fox Lady
Directed by John Frankenheimer
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Lissome Girl
Walk the Line (2005)
Performance score7.3
The performance the rest of the career is read through. Lissome Girl gives Clare Grant a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Fighter Pilot (uncredited)
Godzilla: King of the Monsters (2019)
Performance score6.6
Godzilla: King of the Monsters asks for something the previous films did not, and gets it. Fighter Pilot (uncredited) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Dory
Changeland (2019)
Performance score6.5
Changeland asks for something the previous films did not, and gets it. Dory is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Fox Lady
The Island of Dr. Moreau (1996)
Performance score6.5
The Island of Dr. Moreau asks for something the previous films did not, and gets it. Fox Lady is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Lissome Girl
Start here. Walk the Line is the clearest statement of what Clare Grant does — accessible, 136 minutes, and rated 7.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Clare at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Island of Dr. Moreau (1996)
A deliberate change of key after Walk the Line — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Godzilla: King of the Monsters (2019)
Keeps the science fiction register of The Island of Dr. Moreau but asks for a colder reading of it.
Changeland (2019)
A deliberate change of key after Godzilla: King of the Monsters — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
John Frankenheimer
Director
1 film together
Notably The Island of Dr. Moreau
James Mangold
Director
1 film together
Notably Walk the Line
Michael Dougherty
Director
1 film together
Notably Godzilla: King of the Monsters
Seth Green
Director
1 film together
Notably Changeland
Behind the camera
Who casts this performer, how often, and what the pairing produces.
James Mangold
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Walk the LineMichael Dougherty
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Godzilla: King of the MonstersSeth Green
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ChangelandJohn Frankenheimer
Director
1 film together · 4.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Island of Dr. MoreauSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Walk the Line
as Lissome Girl
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Walk the Line
as Lissome Girl
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Walk the Line
as Lissome Girl
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Godzilla: King of the Monsters
as Fighter Pilot (uncredited)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Walk the Line
as Lissome Girl
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Clare Grant has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
23 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
2 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Walk the Line
as Lissome Girl
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Walk the Line
as Lissome Girl
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Walk the Line
as Lissome Girl
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Godzilla: King of the Monsters
as Fighter Pilot (uncredited)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Godzilla: King of the Monsters
as Fighter Pilot (uncredited)
Images that would survive with the sound switched off.
Best action sequence
Godzilla: King of the Monsters
as Fighter Pilot (uncredited)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Walk the Line
as Lissome Girl
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Godzilla: King of the Monsters
as Fighter Pilot (uncredited)
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Tom Wilkinson
Built a career in the same territory: comedy and drama
Michael Caine
Built a career in the same territory: drama and action
David Krumholtz
Built a career in the same territory: action and drama
Tom Hanks
Built a career in the same territory: comedy and drama
Bonnie Hunt
Built a career in the same territory: comedy and drama
Cillian Murphy
Built a career in the same territory: drama and action
Have your say
Community
Which Clare Grant performance holds up best?
Our readers argue about this one. Make your case, or read the ranked debate already in progress.
Join the conversation
Reference
Continue exploring
Trending performers
Directors they work with
Collections to read next
