Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#73887
of 909177 performers
Top 10%
Conor Mullen works on quiet performance rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Conor Mullen appears in 4 films in the Nutevio catalogue, and none of them would work the same way without Conor. Ordinary Decent Criminal is the clearest case: a film rated 6.2 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, transformation, versatility. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, comedy, crime. It is a style built on what is withheld as much as what is played.
Working with Simon West, Ali Liebert, Thaddeus O'Sullivan, Conor Mullen helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Ordinary Decent Criminal (2000) as McHale · Christmas in Notting Hill (2023) as Michael Bright · Old Guy (2024) as Barbierri
Career snapshot
Ranked #73887 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
4
2000–2024
Career length
24 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.2
Ordinary Decent Criminal
Average Nutevio score
5.8
Across catalogue work
Highest IMDb rating
6.2
Ordinary Decent Criminal
Most frequent director
Simon West
1 film together
Longest collaboration
1×
With Simon West
Most common genre
Comedy
4 titles
Average runtime
1h 31m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
6.2 average MV
The 2000s are where the work and the material meet. Ordinary Decent Criminal — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
6.2
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
6.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Ordinary Decent Criminal.
Most productive era
2020s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2020s |
|---|---|---|
| Action | — | 5.62 films |
| Thriller | 6.21 film | 5.61 film |
| Comedy | 6.21 film | 5.73 films |
| Crime | — | 5.62 films |
| Romance | — | 5.91 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
Where our catalogue meets this career, as McHale. 6.2 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Officer James.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
4 of 4 films
as Barbierri
Directed by Simon West
as Officer James
Directed by Unknown
as Michael Bright
Directed by Ali Liebert
as McHale
Directed by Thaddeus O'Sullivan
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Barbierri
Old Guy (2024)
Performance score6.5
The performance the rest of the career is read through. Barbierri gives Conor Mullen a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Officer James
The Clean Up Crew (2024)
Performance score6.5
The Clean Up Crew asks for something the previous films did not, and gets it. Officer James is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Michael Bright
Christmas in Notting Hill (2023)
Performance score6.5
Christmas in Notting Hill asks for something the previous films did not, and gets it. Michael Bright is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
McHale
Ordinary Decent Criminal (2000)
Performance score6.5
Ordinary Decent Criminal asks for something the previous films did not, and gets it. McHale is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Barbierri
Start here. Old Guy is the clearest statement of what Conor Mullen does — accessible, 93 minutes, and rated 5.6 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Conor at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Ordinary Decent Criminal (2000)
Keeps the comedy register of Old Guy but asks for a colder reading of it.
Christmas in Notting Hill (2023)
Keeps the comedy register of Ordinary Decent Criminal but asks for a colder reading of it.
The Clean Up Crew (2024)
Keeps the comedy register of Christmas in Notting Hill but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Thaddeus O'Sullivan
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Ordinary Decent CriminalAli Liebert
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Christmas in Notting HillSimon West
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Old GuySix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Ordinary Decent Criminal
as McHale
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Christmas in Notting Hill
as Michael Bright
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Ordinary Decent Criminal
as McHale
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Ordinary Decent Criminal
as McHale
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Old Guy
as Barbierri
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Conor Mullen has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
24 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
4 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Ordinary Decent Criminal
as McHale
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Clean Up Crew
as Officer James
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Christmas in Notting Hill
as Michael Bright
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Ordinary Decent Criminal
as McHale
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Old Guy
as Barbierri
Images that would survive with the sound switched off.
Best action sequence
Old Guy
as Barbierri
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Christmas in Notting Hill
as Michael Bright
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Old Guy
as Barbierri
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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