Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#42810
of 909177 performers
Top 5%
Cyril Gueï works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Cyril Gueï appears in 12 films in the Nutevio catalogue, and none of them would work the same way without Cyril. Compostelle is the clearest case: a film rated 7.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, drama, action. It is a style built on what is withheld as much as what is played.
Working with Bérangère McNeese, Simon Astier, Jérôme Cornuau and others, Cyril Gueï helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Compostelle (2026) · The Girls From Above (2026) as Dr. Rosier · Full Time (2022) as Vincent
Career snapshot
Ranked #42810 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
12
2007–2026
Career length
19 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.0
Compostelle
Average Nutevio score
5.1
Across catalogue work
Highest IMDb rating
7.0
Full Time
Most frequent director
Bérangère McNeese
1 film together
Longest collaboration
1×
With Bérangère McNeese
Most common genre
Drama
9 titles
Average runtime
1h 25m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
6.2 average MV
The 2000s are where the work and the material meet. Hitman — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
6.2
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
6.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Hitman.
Most productive era
2020s
9 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.21 film | 5.91 film | 5.47 films |
| Action | 6.21 film | — | 5.62 films |
| Thriller | 6.21 film | 5.91 film | 6.11 film |
| Comedy | — | 0.01 film | 6.13 films |
| Crime | — | 3.02 films | — |
| Horror | — | 0.01 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2007Hitman
Where our catalogue meets this career, as Old SUV Leader.
Highest rated performance · Career peak
2022Full Time
7.0 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Dr. Rosier.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
12 of 12 films
as Prêtre
Directed by Simon Astier
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Compostelle
Compostelle (2026)
Performance score7.1
The performance the rest of the career is read through. The role gives Cyril Gueï a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Vincent
Full Time (2022)
Performance score7.1
Full Time asks for something the previous films did not, and gets it. Vincent is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Dr. Rosier
The Girls From Above (2026)
Performance score6.9
The Girls From Above asks for something the previous films did not, and gets it. Dr. Rosier is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Prêtre
McWalter (2025)
Performance score6.5
McWalter asks for something the previous films did not, and gets it. Prêtre is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
Start here. Compostelle is the clearest statement of what Cyril Gueï does — accessible, 113 minutes, and rated 7.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Cyril at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Full Time (2022)
Same director as Compostelle, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Meeting with Pol Pot (2024)
Same director as Full Time, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
McWalter (2025)
A deliberate change of key after Meeting with Pol Pot — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Girls From Above (2026)
A deliberate change of key after McWalter — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Xavier Gens
Director
1 film together
Notably Hitman
Garth Jennings
Director
1 film together
Notably Madame
Jérôme Cornuau
Director
1 film together
Notably Above the Sky
Simon Astier
Director
1 film together
Notably McWalter
Bérangère McNeese
Director
1 film together
Notably The Girls From Above
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Bérangère McNeese
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Girls From AboveXavier Gens
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
HitmanJérôme Cornuau
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Above the SkySimon Astier
Director
1 film together · 5.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
McWalterGarth Jennings
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
MadameSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Compostelle
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Meeting with Pol Pot
as Paul Thomas
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Full Time
as Vincent
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Hitman
as Old SUV Leader
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Compostelle
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Cyril Gueï has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
9 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Girls From Above
as Dr. Rosier
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Murder In Arcachon
as Adrien Ronsart
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Meeting with Pol Pot
as Paul Thomas
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Murder In Arcachon
as Adrien Ronsart
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
How I Became a Superhero
as Guillot
Images that would survive with the sound switched off.
Best action sequence
How I Became a Superhero
as Guillot
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Meeting with Pol Pot
as Paul Thomas
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Like an Actress
as Etienne, the agent
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Matt Damon
Built a career in the same territory: adventure and drama
Michael Caine
Built a career in the same territory: adventure and drama
David Krumholtz
Built a career in the same territory: action and adventure
Cillian Murphy
Built a career in the same territory: drama and history
Morgan Freeman
Built a career in the same territory: action and crime
Robert Downey Jr.
Built a career in the same territory: drama and history
Have your say
Community
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Reference
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