Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#150868
of 909177 performers
Top 25%
Daniel Ades works on drama rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Daniel Ades appears in 4 films in the Nutevio catalogue, and none of them would work the same way without Daniel. Aguirre, the Wrath of God is the clearest case: a film rated 7.2 by our editors, where the performance carries weight the script only implies.
The recognisable elements are drama, quiet performance, versatility. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, crime, thriller. It is a style built on what is withheld as much as what is played.
Working with Robert Towne, Arthur Penn, Werner Herzog and others, Daniel Ades helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Aguirre, the Wrath of God (1972) as Perucho · Targets (1968) as Chauffeur · The Missouri Breaks (1976) as John Quinn (as Dan Ades)
Career snapshot
Ranked #150868 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
4
1968–1988
Career length
20 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.2
Aguirre, the Wrath of God
Average Nutevio score
6.7
Across catalogue work
Highest IMDb rating
7.4
Aguirre, the Wrath of God
Most frequent director
Robert Towne
1 film together
Longest collaboration
1×
With Robert Towne
Most common genre
Drama
3 titles
Average runtime
1h 47m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1970s
6.8 average MV
The 1970s are where the work and the material meet. The Missouri Breaks, Aguirre, the Wrath of God — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1970s
6.8
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1960s
7.1
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1960s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Targets.
Most productive era
1970s
2 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1960s | 1970s | 1980s |
|---|---|---|---|
| Drama | 6.81 film | 6.82 films | — |
| Thriller | 6.81 film | — | 6.11 film |
| Crime | 6.81 film | — | 6.11 film |
| Romance | — | — | 6.11 film |
| Horror | 6.81 film | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1968Targets
Where our catalogue meets this career, as Chauffeur.
Highest rated performance · Career peak
7.2 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
1988Tequila Sunrise
The current state of the argument, as Pepe.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
4 of 4 films
as Perucho
Directed by Werner Herzog
as Chauffeur
Directed by Peter Bogdanovich
as Pepe
Directed by Robert Towne
as John Quinn (as Dan Ades)
Directed by Arthur Penn
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Perucho
Aguirre, the Wrath of God (1972)
Performance score7.1
The performance the rest of the career is read through. Perucho gives Daniel Ades a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Chauffeur
Targets (1968)
Performance score6.7
Targets asks for something the previous films did not, and gets it. Chauffeur is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Pepe
Tequila Sunrise (1988)
Performance score6.5
Tequila Sunrise asks for something the previous films did not, and gets it. Pepe is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
John Quinn (as Dan Ades)
The Missouri Breaks (1976)
Performance score6.5
The Missouri Breaks asks for something the previous films did not, and gets it. John Quinn (as Dan Ades) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Perucho
Start here. Aguirre, the Wrath of God is the clearest statement of what Daniel Ades does — accessible, 95 minutes, and rated 7.2 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Daniel at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Targets (1968)
Keeps the drama register of Aguirre, the Wrath of God but asks for a colder reading of it.
The Missouri Breaks (1976)
Keeps the drama register of Targets but asks for a colder reading of it.
Tequila Sunrise (1988)
A deliberate change of key after The Missouri Breaks — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Peter Bogdanovich
Director
1 film together
Notably Targets
Werner Herzog
Director
1 film together
Notably Aguirre, the Wrath of God
Arthur Penn
Director
1 film together
Notably The Missouri Breaks
Robert Towne
Director
1 film together
Notably Tequila Sunrise
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Werner Herzog
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Aguirre, the Wrath of GodPeter Bogdanovich
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
TargetsArthur Penn
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Missouri BreaksRobert Towne
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Tequila SunriseSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Aguirre, the Wrath of God
as Perucho
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Aguirre, the Wrath of God
as Perucho
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Aguirre, the Wrath of God
as Perucho
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Tequila Sunrise
as Pepe
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Aguirre, the Wrath of God
as Perucho
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Daniel Ades has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
20 years of relevant work — not merely a long career, but a long career of choices.
Drama Legend
Awarded
3 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Aguirre, the Wrath of God
as Perucho
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Targets
as Chauffeur
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Aguirre, the Wrath of God
as Perucho
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Targets
as Chauffeur
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Aguirre, the Wrath of God
as Perucho
Images that would survive with the sound switched off.
Best action sequence
Aguirre, the Wrath of God
as Perucho
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Missouri Breaks
as John Quinn (as Dan Ades)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Tequila Sunrise
as Pepe
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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