Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#25597
of 909177 performers
Top 5%
Daniel Raymont represents the rare performer whose career became more ambitious with every decade — 29 years in, and Daniel is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Daniel Raymont appears in 11 films in the Nutevio catalogue, and none of them would work the same way without Daniel. ¡Que viva México! is the clearest case: a film rated 7.3 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, drama, romance. It is a style built on what is withheld as much as what is played.
Working with Gerardo Naranjo, Luis Estrada, Lucia Aniello and others, Daniel Raymont helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
¡Que viva México! (2023) as Gringo 2 · Freaky Friday (2003) as Makeup Artist · Alien Resurrection (1997) as Soldier
Career snapshot
Ranked #25597 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
11
1997–2026
Career length
29 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.3
¡Que viva México!
Average Nutevio score
5.6
Across catalogue work
Highest IMDb rating
7.3
¡Que viva México!
Most frequent director
Gerardo Naranjo
1 film together
Longest collaboration
1×
With Gerardo Naranjo
Most common genre
Comedy
9 titles
Average runtime
1h 37m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1990s
6.4 average MV
The 1990s are where the work and the material meet. Alien Resurrection — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1990s
6.4
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
6.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Alien Resurrection.
Most productive era
2000s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2000s | 2010s | 2020s |
|---|---|---|---|---|
| Drama | — | 5.61 film | 5.72 films | 6.52 films |
| Action | 6.41 film | — | — | — |
| Comedy | — | 6.24 films | 5.72 films | 6.53 films |
| Romance | — | 6.03 films | — | — |
| Horror | 6.41 film | — | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Soldier.
Highest rated performance · Career peak
7.3 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Son-in-Law
The current state of the argument, as Thomas Grayson.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
11 of 11 films
as Paul Kitchener
Directed by Unknown
as Makeup Artist
Directed by Mark Waters
as Thomas Grayson
Directed by Gerardo Naranjo
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Gringo 2
¡Que viva México! (2023)
Performance score7.2
The performance the rest of the career is read through. Gringo 2 gives Daniel Raymont a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Paul Kitchener
The Biggest Fan (2025)
Performance score6.8
The Biggest Fan asks for something the previous films did not, and gets it. Paul Kitchener is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Makeup Artist
Freaky Friday (2003)
Performance score6.6
Freaky Friday asks for something the previous films did not, and gets it. Makeup Artist is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Thomas Grayson
Son-in-Law (2026)
Performance score6.5
Son-in-Law asks for something the previous films did not, and gets it. Thomas Grayson is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Gringo 2
Start here. ¡Que viva México! is the clearest statement of what Daniel Raymont does — accessible, 192 minutes, and rated 7.3 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Daniel at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Freaky Friday (2003)
Keeps the comedy register of ¡Que viva México! but asks for a colder reading of it.
The Biggest Fan (2025)
Keeps the comedy register of Freaky Friday but asks for a colder reading of it.
The Sentry (2025)
Same director as The Biggest Fan, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Son-in-Law (2026)
A deliberate change of key after The Sentry — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Jean-Pierre Jeunet
Director
1 film together
Notably Alien Resurrection
Mark Waters
Director
1 film together
Notably Freaky Friday
Phil Alden Robinson
Director
1 film together
Notably The Angriest Man in Brooklyn
Lucia Aniello
Director
1 film together
Notably Rough Night
Luis Estrada
Director
1 film together
Notably ¡Que viva México!
Gerardo Naranjo
Director
1 film together
Notably Son-in-Law
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Luis Estrada
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
¡Que viva México!Mark Waters
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Freaky FridayJean-Pierre Jeunet
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Alien ResurrectionGerardo Naranjo
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Son-in-LawLucia Aniello
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Rough NightPhil Alden Robinson
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Angriest Man in BrooklynSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
¡Que viva México!
as Gringo 2
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
View from the Top
as British Man
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
¡Que viva México!
as Gringo 2
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
¡Que viva México!
as Gringo 2
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
¡Que viva México!
as Gringo 2
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Daniel Raymont has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
29 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
9 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
¡Que viva México!
as Gringo 2
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Alien Resurrection
as Soldier
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
View from the Top
as British Man
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Freaky Friday
as Makeup Artist
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Alien Resurrection
as Soldier
Images that would survive with the sound switched off.
Best action sequence
Alien Resurrection
as Soldier
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
¡Que viva México!
as Gringo 2
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Alien Resurrection
as Soldier
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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