Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#79650
of 909177 performers
Top 10%
Daniel Richter has never appeared in a film our editors rate as ordinary, which is either extraordinary judgement or extraordinary luck. We have stopped believing in the luck.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Daniel Richter appears in 2 films in the Nutevio catalogue, and none of them would work the same way without Daniel. 2001: A Space Odyssey is the clearest case: a film rated 9.3 by our editors, where the performance carries weight the script only implies.
The recognisable elements are screen presence, charisma, rewatchability. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for sci-fi, adventure, mystery. It is a style built on what is withheld as much as what is played.
Working with Stanley Kubrick, Daniel Richter helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
2001: A Space Odyssey (1968) as Moonwatcher · 2001: A Space Odyssey (1968) as Moonwatcher
Career snapshot
Ranked #79650 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
2
1968–1968
Career length
1 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
9.3
2001: A Space Odyssey
Average Nutevio score
8.8
Across catalogue work
Highest IMDb rating
8.3
2001: A Space Odyssey
Most frequent director
Stanley Kubrick
2 films together
Longest collaboration
2×
With Stanley Kubrick
Most common genre
Adventure
2 titles
Average runtime
2h 29m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.9
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
7.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1960s
8.8 average MV
The 1960s are where the work and the material meet. 2001: A Space Odyssey, 2001: A Space Odyssey — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1960s
8.8
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1960s
8.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1960s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. 2001: A Space Odyssey, 2001: A Space Odyssey.
Most productive era
1960s
2 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1960s |
|---|---|
| Sci-Fi | 9.31 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · First Nutevio masterpiece · Highest rated performance · Career peak
Where our catalogue meets this career, as Moonwatcher. The first film here to clear 9.0 on our scale — a threshold fewer than one film in ten reaches. 9.3 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Moonwatcher.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
2 of 2 films
as Moonwatcher
Directed by Stanley Kubrick
as Moonwatcher
Directed by Stanley Kubrick
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Showing 1 of 1 title · 1 total credit · active 1968–1968
The defining work
#1
Moonwatcher
2001: A Space Odyssey (1968)
Performance score9.1
The performance the rest of the career is read through. Moonwatcher gives Daniel Richter a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Moonwatcher
2001: A Space Odyssey (1968)
Performance score8.2
2001: A Space Odyssey asks for something the previous films did not, and gets it. Moonwatcher is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Moonwatcher
Start here. 2001: A Space Odyssey is the clearest statement of what Daniel Richter does — accessible, 149 minutes, and rated 9.3 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Daniel at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
2001: A Space Odyssey (1968)
Same director as 2001: A Space Odyssey, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Stanley Kubrick
Director
2 films together
Notably 2001: A Space Odyssey
Keir Dullea
Actor
1 film together
Notably 2001: A Space Odyssey
Gary Lockwood
Actor
1 film together
Notably 2001: A Space Odyssey
William Sylvester
Actor
1 film together
Notably 2001: A Space Odyssey
Douglas Rain
Actor
1 film together
Notably 2001: A Space Odyssey
Leonard Rossiter
Actor
1 film together
Notably 2001: A Space Odyssey
Margaret Tyzack
Actor
1 film together
Notably 2001: A Space Odyssey
Robert Beatty
Actor
1 film together
Notably 2001: A Space Odyssey
Sean Sullivan
Actor
1 film together
Notably 2001: A Space Odyssey
Frank W. Miller
Actor
1 film together
Notably 2001: A Space Odyssey
Bill Weston
Actor
1 film together
Notably 2001: A Space Odyssey
Ed Bishop
Actor
1 film together
Notably 2001: A Space Odyssey
Glenn Beck
Actor
1 film together
Notably 2001: A Space Odyssey
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Stanley Kubrick
Director
2 films together · 8.8 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
2001: A Space OdysseySix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
2001: A Space Odyssey
as Moonwatcher
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
2001: A Space Odyssey
as Moonwatcher
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
2001: A Space Odyssey
as Moonwatcher
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
2001: A Space Odyssey
as Moonwatcher
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
2001: A Space Odyssey
as Moonwatcher
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Daniel Richter has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
| Nutevio Performer Score | 8.2 | 8.9 |
|---|---|---|
| Career ranking | #198 of 681 | #2 of 681 |
| Awards on file | Unknown | 4 recorded |
| Oscar wins | Unknown | 2 |
| Oscar nominations | Unknown | 6 |
| Average Nutevio score | 9.3 | 9.3 |
| Genres | Sci-Fi, Adventure | Sci-Fi, Adventure, Drama, Thriller |
| Directors | Stanley Kubrick | Christopher Nolan |
| Performance DNA | Screen presence, Physical performance, Charisma | Transformation, Screen presence, Rewatchability |
| Career timeline | 1968–1968 | 2006–2014 |
| Most iconic role | Moonwatcher — 2001: A Space Odyssey | Professor Brand — Interstellar |
| Most rewatchable film | 2001: A Space Odyssey | The Dark Knight |
| Filmography | 1 catalogue film | 4 catalogue films |
Films together
Nothing in common in the library yet.
Shared directors
Nothing in common in the library yet.
Shared collections
Best Space Movies, Adventure Movies, Sci-Fi Movies, Top 250 Movies of All Time, Top 100 Mind-Bending Movies
Michael Caine edges ahead here — a higher floor across a comparable body of work.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Editor's Icon
Awarded
Named by our desk for a body of work we return to when we need to explain what screen acting is for.
Greatest Screen Presence
Awarded
The rare quality that makes an edit reluctant to cut away. Our DNA reading puts this near the top of the catalogue.
Most Influential Career
Awarded
Recognised for changing what casting directors thought a leading performance could look like.
Adventure Legend
Awarded
2 catalogue titles in adventure, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
2001: A Space Odyssey
as Moonwatcher
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
2001: A Space Odyssey
as Moonwatcher
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
2001: A Space Odyssey
as Moonwatcher
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
2001: A Space Odyssey
as Moonwatcher
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
2001: A Space Odyssey
as Moonwatcher
Images that would survive with the sound switched off.
Best action sequence
2001: A Space Odyssey
as Moonwatcher
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
2001: A Space Odyssey
as Moonwatcher
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
2001: A Space Odyssey
as Moonwatcher
The public vote sits below ours on this one, and the direction is the reason for the gap.
Across the library
Every Nutevio collection this name turns up in, and how high they rank there.
Collection footprint
Appears in 7 Nutevio collections
Keep reading
theme
Best Space Movies
Features 2001: A Space Odyssey at #1
Read the collectiontheme
Movies Like Interstellar
Features 2001: A Space Odyssey at #2
Read the collectiongenre
Adventure Movies
Features 2001: A Space Odyssey at #2
Read the collectiontheme
Best Philosophical Movies
Features 2001: A Space Odyssey at #3
Read the collectiongenre
Sci-Fi Movies
Features 2001: A Space Odyssey at #3
Read the collectionranking
Top 250 Movies of All Time
Features 2001: A Space Odyssey
Read the collectionFrom the magazine
If you like this performer
Michael Caine
Built a career in the same territory: sci-fi and adventure
Matt Damon
Built a career in the same territory: adventure and sci-fi
Dave Bautista
Built a career in the same territory: sci-fi and adventure
Keir Dullea
Works with the same directors — shared collaborators
Gary Lockwood
Works with the same directors — shared collaborators
William Sylvester
Works with the same directors — shared collaborators
Have your say
Community
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