Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#599
of 909177 performers
Top 1%
Danny Mann represents the rare performer whose career became more ambitious with every decade — 55 years in, and Danny is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Danny Mann appears in 34 films in the Nutevio catalogue, and none of them would work the same way without Danny. Up is the clearest case: a film rated 8.2 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, comedy. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, fantasy, adventure. It is a style built on what is withheld as much as what is played.
Working with Pierre Coffin, Cinco Paul, Garth Jennings and others, Danny Mann helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Up (2009) as Construction Worker Steve (voice) · Toy Story 3 (2010) as Additional Voices (voice) · Finding Nemo (2003) as Additional Voices (voice)
Career snapshot
Ranked #599 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
34
1971–2026
Career length
55 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.2
Up
Average Nutevio score
6.8
Across catalogue work
Highest IMDb rating
8.0
Up
Most frequent director
Chris Renaud
3 films together
Longest collaboration
3×
With Chris Renaud
Most common genre
Family
33 titles
Average runtime
1h 33m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.1
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
7.0
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1970s
7.3 average MV
The 1970s are where the work and the material meet. Fiddler on the Roof — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1970s
7.3
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1970s
7.7
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1970s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Fiddler on the Roof.
Most productive era
2000s
14 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1970s | 1990s | 2000s | 2010s | 2020s |
|---|---|---|---|---|---|
| Drama | 7.31 film | 6.43 films | — | — | — |
| Action | — | — | 6.02 films | 6.51 film | — |
| Comedy | — | 6.13 films | 6.813 films | 6.79 films | 7.23 films |
| Romance | 7.31 film | 7.01 film | — | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as One of Rabbi's students (uncredited).
Highest rated performance · Career peak
2009Up
8.2 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Additional Voices (voice).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
34 of 34 films
as Construction Worker Steve (voice)
Directed by Pete Docter
as Additional Voices (voice)
Directed by Lee Unkrich
as Additional Voices (voice)
Directed by Andrew Stanton
as Additional Voices (voice)
Directed by Pete Docter
as Additional Voices (voice)
Directed by Garth Jennings
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Construction Worker Steve (voice)
Up (2009)
Performance score7.9
The performance the rest of the career is read through. Construction Worker Steve (voice) gives Danny Mann a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Additional Voices (voice)
Toy Story 3 (2010)
Performance score7.8
Toy Story 3 asks for something the previous films did not, and gets it. Additional Voices (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Additional Voices (voice)
Finding Nemo (2003)
Performance score7.8
Finding Nemo asks for something the previous films did not, and gets it. Additional Voices (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Additional Voices (voice)
Monsters, Inc. (2001)
Performance score7.8
Monsters, Inc. asks for something the previous films did not, and gets it. Additional Voices (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Construction Worker Steve (voice)
Start here. Up is the clearest statement of what Danny Mann does — accessible, 96 minutes, and rated 8.2 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Danny at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Monsters, Inc. (2001)
Same director as Up, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Finding Nemo (2003)
Keeps the family register of Monsters, Inc. but asks for a colder reading of it.
Toy Story 3 (2010)
Keeps the family register of Finding Nemo but asks for a colder reading of it.
Sing 2 (2021)
Keeps the comedy register of Toy Story 3 but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
George Miller
Director
3 films together
Notably Happy Feet
Chris Renaud
Director
3 films together
Notably Despicable Me 2
Pete Docter
Director
2 films together
Notably Up
Kyle Balda
Director
2 films together
Notably Despicable Me 3
Norman Jewison
Director
1 film together
Notably Fiddler on the Roof
Chris Noonan
Director
1 film together
Notably Babe
Mike Gabriel
Director
1 film together
Notably Pocahontas
Simon Wells
Director
1 film together
Notably Balto
Gary Goldman
Director
1 film together
Notably Bartok the Magnificent
Kevin Lima
Director
1 film together
Notably Tarzan
Mark Dindal
Director
1 film together
Notably The Emperor's New Groove
Bobby Farrelly
Director
1 film together
Notably Osmosis Jones
Joe Dante
Director
1 film together
Notably Looney Tunes: Back in Action
Andrew Stanton
Director
1 film together
Notably Finding Nemo
Roger Allers
Director
1 film together
Notably Open Season
Carlos Saldanha
Director
1 film together
Notably Ice Age: The Meltdown
John Lasseter
Director
1 film together
Notably Cars
Matthew O'Callaghan
Director
1 film together
Notably Open Season 2
Phil Lord
Director
1 film together
Notably Cloudy with a Chance of Meatballs
Lee Unkrich
Director
1 film together
Notably Toy Story 3
Bobs Gannaway
Director
1 film together
Notably Planes: Fire & Rescue
Scott Mosier
Director
1 film together
Notably The Grinch
Garth Jennings
Director
1 film together
Notably Sing 2
Cinco Paul
Director
1 film together
Notably Minions & More Volume 1
Pierre Coffin
Director
1 film together
Notably Minions & Monsters
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Chris Renaud
Director
3 films together · 6.6 avg MV
A working relationship rather than a booking — 3 films, and the register shifts each time.
Best film together
Despicable Me 2George Miller
Director
3 films together · 6.1 avg MV
A working relationship rather than a booking — 3 films, and the register shifts each time.
Best film together
Happy FeetPete Docter
Director
2 films together · 8.1 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
UpKyle Balda
Director
2 films together · 6.5 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Despicable Me 3Lee Unkrich
Director
1 film together · 8.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Toy Story 3Andrew Stanton
Director
1 film together · 8.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Finding NemoGarth Jennings
Director
1 film together · 7.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Sing 2Mark Dindal
Director
1 film together · 7.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Emperor's New GrooveKevin Lima
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
TarzanNorman Jewison
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Fiddler on the RoofJohn Lasseter
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
CarsSimon Wells
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
BaltoCinco Paul
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Minions & More Volume 1Mike Gabriel
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
PocahontasScott Mosier
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The GrinchCarlos Saldanha
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Ice Age: The MeltdownPhil Lord
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Cloudy with a Chance of MeatballsPierre Coffin
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Minions & MonstersBobby Farrelly
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Osmosis JonesJoe Dante
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Looney Tunes: Back in ActionChris Noonan
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
BabeBobs Gannaway
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Planes: Fire & RescueRoger Allers
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Open SeasonGary Goldman
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Bartok the MagnificentMatthew O'Callaghan
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Open Season 2Six degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Toy Story 3
as Additional Voices (voice)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Tarzan
as Additional Voices (voice)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Up
as Construction Worker Steve (voice)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Cars
as Additional Voices (voice)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Up
as Construction Worker Steve (voice)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Danny Mann has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
55 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Family Legend
Awarded
33 catalogue titles in family, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Monsters, Inc.
as Additional Voices (voice)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Monsters, Inc.
as Additional Voices (voice)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Tarzan
as Additional Voices (voice)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Grinch
as Additional Voices (voice)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Finding Nemo
as Additional Voices (voice)
Images that would survive with the sound switched off.
Best action sequence
Osmosis Jones
as Musician Cell (voice)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Bartok the Magnificent
as Head Cossack (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Minions & Monsters
as Additional Voices (voice)
The public vote sits below ours on this one, and the direction is the reason for the gap.
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