Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#466
of 909177 performers
Top 1%
David Tennant works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
David Tennant appears in 25 films in the Nutevio catalogue, and none of them would work the same way without David. The Big Night In is the clearest case: a film rated 9.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for mystery, comedy, crime. It is a style built on what is withheld as much as what is played.
Working with Chris Columbus, Michael Cusack, Akiva Schaffer and others, David Tennant helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Big Night In (2020) as Mr. Logan · Macbeth (2025) as Macbeth · An Audience with Adele (2021) as Self
Career snapshot
Ranked #466 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
25
2005–2025
Career length
20 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
9.0
The Big Night In
Average Nutevio score
7.0
Across catalogue work
Highest IMDb rating
9.0
The Big Night In
Most frequent director
Douglas Mackinnon
2 films together
Longest collaboration
2×
With Douglas Mackinnon
Most common genre
Comedy
14 titles
Average runtime
1h 32m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.1
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.9
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
7.1 average MV
The 2010s are where the work and the material meet. Mary Queen of Scots, Bad Samaritan, Ferdinand — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
7.1
Across 10 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
7.1
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. St Trinian's 2: The Legend of Fritton's Gold, Harry Potter and the Goblet of Fire.
Most productive era
2020s
13 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | — | 7.14 films | 8.81 film |
| Thriller | — | 6.71 film | 8.81 film |
| Comedy | 5.61 film | 6.95 films | 7.18 films |
| Crime | — | 6.71 film | 6.61 film |
| Horror | — | 6.52 films | 6.41 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2005Harry Potter and the Goblet of Fire
Where our catalogue meets this career, as Barty Crouch Junior.
First Nutevio masterpiece · Highest rated performance
2020The Big Night In
The first film here to clear 9.0 on our scale — a threshold fewer than one film in ten reaches. 9.0 on the Nutevio scale, the top of the catalogue for this performer.
Career peak · Most recent film
2025Macbeth
Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Macbeth.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
25 of 25 films
as Mr. Logan
Directed by Unknown
as Crowley (voice)
Directed by Douglas Mackinnon
as The Doctor (10)
Directed by Nick Hurran
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Macbeth
Macbeth (2025)
Performance score9.2
The performance the rest of the career is read through. Macbeth gives David Tennant a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Mr. Logan
The Big Night In (2020)
Performance score8.6
The Big Night In asks for something the previous films did not, and gets it. Mr. Logan is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Self
An Audience with Adele (2021)
Performance score8.1
An Audience with Adele asks for something the previous films did not, and gets it. Self is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Crowley (voice)
Good Omens: Lockdown (2020)
Performance score8.0
Good Omens: Lockdown asks for something the previous films did not, and gets it. Crowley (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Macbeth
Start here. Macbeth is the clearest statement of what David Tennant does — accessible, 115 minutes, and rated 8.8 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet David at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Doctor Who: The Day of the Doctor (2013)
A deliberate change of key after Macbeth — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Big Night In (2020)
A deliberate change of key after Doctor Who: The Day of the Doctor — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Good Omens: Lockdown (2020)
Keeps the comedy register of The Big Night In but asks for a colder reading of it.
An Audience with Adele (2021)
A deliberate change of key after Good Omens: Lockdown — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Douglas Mackinnon
Director
2 films together
Notably Doctor Who: The Husbands of River Song
Mike Newell
Director
1 film together
Notably Harry Potter and the Goblet of Fire
Oliver Parker
Director
1 film together
Notably St Trinian's 2: The Legend of Fritton's Gold
Dean DeBlois
Director
1 film together
Notably How to Train Your Dragon
James Strong
Director
1 film together
Notably United
Craig Gillespie
Director
1 film together
Notably Fright Night
Peter Lord
Director
1 film together
Notably The Pirates! In an Adventure with Scientists!
Nick Hurran
Director
1 film together
Notably Doctor Who: The Day of the Doctor
Andy Hamilton
Director
1 film together
Notably What We Did on Our Holiday
Carlos Saldanha
Director
1 film together
Notably Ferdinand
Dean Devlin
Director
1 film together
Notably Bad Samaritan
Lilah Vandenburgh
Director
1 film together
Notably Heart to Heart
Matt Lipsey
Director
1 film together
Notably Cinderella: A Comic Relief Pantomime for Christmas
Akiva Schaffer
Director
1 film together
Notably Chip 'n Dale: Rescue Rangers
Michael Cusack
Director
1 film together
Notably The Paloni Show! Halloween Special!
Chris Columbus
Director
1 film together
Notably The Thursday Murder Club
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Douglas Mackinnon
Director
2 films together · 7.8 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Doctor Who: The Husbands of River SongDean DeBlois
Director
1 film together · 8.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
How to Train Your DragonMike Newell
Director
1 film together · 8.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Harry Potter and the Goblet of FireNick Hurran
Director
1 film together · 7.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Doctor Who: The Day of the DoctorCarlos Saldanha
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
FerdinandAkiva Schaffer
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Chip 'n Dale: Rescue RangersJames Strong
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
UnitedDean Devlin
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Bad SamaritanAndy Hamilton
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
What We Did on Our HolidayChris Columbus
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Thursday Murder ClubPeter Lord
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Pirates! In an Adventure with Scientists!Michael Cusack
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Paloni Show! Halloween Special!Matt Lipsey
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Cinderella: A Comic Relief Pantomime for ChristmasCraig Gillespie
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Fright NightOliver Parker
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
St Trinian's 2: The Legend of Fritton's GoldLilah Vandenburgh
Director
1 film together · 4.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Heart to HeartSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Macbeth
as Macbeth
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
How to Train Your Dragon
as Spitelout (voice)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Big Night In
as Mr. Logan
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Chip 'n Dale: Rescue Rangers
as Scrooge McDuck (voice)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Macbeth
as Macbeth
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. David Tennant has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
20 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
14 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Big Night In
as Mr. Logan
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Macbeth
as Macbeth
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
United
as Jimmy Murphy
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Thursday Murder Club
as Ian
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Big Night In
as Mr. Logan
Images that would survive with the sound switched off.
Best action sequence
How to Train Your Dragon
as Spitelout (voice)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Amazing Maurice
as Dangerous Beans (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Harry Potter and the Goblet of Fire
as Barty Crouch Junior
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Works with the same directors — shared collaborators
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Built a career in the same territory: animation and family
Bonnie Hunt
Built a career in the same territory: animation and family
Michael Caine
Built a career in the same territory: adventure and drama
Robert Downey Jr.
Built a career in the same territory: drama and history
Have your say
Community
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Our readers argue about this one. Make your case, or read the ranked debate already in progress.
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Reference
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