Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#29958
of 909177 performers
Top 5%
Daz Crawford works on physical performance rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Daz Crawford appears in 4 films in the Nutevio catalogue, and none of them would work the same way without Daz. The Gray Man is the clearest case: a film rated 6.9 by our editors, where the performance carries weight the script only implies.
The recognisable elements are physical performance, action, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, thriller, fantasy. It is a style built on what is withheld as much as what is played.
Working with Anthony Russo, Jon Favreau, Guillermo del Toro and others, Daz Crawford helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Gray Man (2022) as Markham · The Jungle Book (2016) as Shere Kahn (mo-cap) (uncredited) · Blade II (2002) as Lighthammer
Career snapshot
Ranked #29958 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
4
1999–2022
Career length
23 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.9
The Gray Man
Average Nutevio score
6.7
Across catalogue work
Highest IMDb rating
6.9
The Gray Man
Most frequent director
Anthony Russo
1 film together
Longest collaboration
1×
With Anthony Russo
Most common genre
Action
3 titles
Average runtime
2h 0m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.9 average MV
The 2010s are where the work and the material meet. The Jungle Book — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.9
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
6.9
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The World Is Not Enough.
Most productive era
1990s
1 film
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2000s | 2010s | 2020s |
|---|---|---|---|---|
| Action | 6.31 film | 6.61 film | — | 6.91 film |
| Thriller | 6.31 film | 6.61 film | — | 6.91 film |
| Horror | — | 6.61 film | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Casino Thug.
Highest rated performance · Career peak
2016The Jungle Book
6.9 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2022The Gray Man
The current state of the argument, as Markham.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
4 of 4 films
as Markham
Directed by Anthony Russo
as Shere Kahn (mo-cap) (uncredited)
Directed by Jon Favreau
as Lighthammer
Directed by Guillermo del Toro
as Casino Thug
Directed by Michael Apted
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Markham
The Gray Man (2022)
Performance score6.8
The performance the rest of the career is read through. Markham gives Daz Crawford a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Shere Kahn (mo-cap) (uncredited)
The Jungle Book (2016)
Performance score6.8
The Jungle Book asks for something the previous films did not, and gets it. Shere Kahn (mo-cap) (uncredited) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Lighthammer
Blade II (2002)
Performance score6.6
Blade II asks for something the previous films did not, and gets it. Lighthammer is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Casino Thug
The World Is Not Enough (1999)
Performance score6.5
The World Is Not Enough asks for something the previous films did not, and gets it. Casino Thug is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Markham
Start here. The Gray Man is the clearest statement of what Daz Crawford does — accessible, 128 minutes, and rated 6.9 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Daz at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The World Is Not Enough (1999)
Keeps the action register of The Gray Man but asks for a colder reading of it.
Blade II (2002)
Keeps the action register of The World Is Not Enough but asks for a colder reading of it.
The Jungle Book (2016)
Keeps the fantasy register of Blade II but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Michael Apted
Director
1 film together
Notably The World Is Not Enough
Guillermo del Toro
Director
1 film together
Notably Blade II
Jon Favreau
Director
1 film together
Notably The Jungle Book
Anthony Russo
Director
1 film together
Notably The Gray Man
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Anthony Russo
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Gray ManJon Favreau
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Jungle BookGuillermo del Toro
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Blade IIMichael Apted
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The World Is Not EnoughSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Gray Man
as Markham
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Jungle Book
as Shere Kahn (mo-cap) (uncredited)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Jungle Book
as Shere Kahn (mo-cap) (uncredited)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
The World Is Not Enough
as Casino Thug
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Gray Man
as Markham
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Daz Crawford has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
23 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Action Legend
Awarded
3 catalogue titles in action, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Jungle Book
as Shere Kahn (mo-cap) (uncredited)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Gray Man
as Markham
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Jungle Book
as Shere Kahn (mo-cap) (uncredited)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Jungle Book
as Shere Kahn (mo-cap) (uncredited)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Gray Man
as Markham
Images that would survive with the sound switched off.
Best action sequence
The World Is Not Enough
as Casino Thug
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Jungle Book
as Shere Kahn (mo-cap) (uncredited)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Blade II
as Lighthammer
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Matt Damon
Built a career in the same territory: adventure and fantasy
Elliot Page
Built a career in the same territory: adventure and fantasy
Michael Caine
Built a career in the same territory: adventure and thriller
Catherine Lagaʻaia
Built a career in the same territory: adventure and family
Dwayne Johnson
Built a career in the same territory: adventure and family
Rena Owen
Built a career in the same territory: adventure and family
Have your say
Community
Which Daz Crawford performance holds up best?
Our readers argue about this one. Make your case, or read the ranked debate already in progress.
Join the conversation
Reference
Continue exploring
Trending performers
Directors they work with
Collections to read next
