Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#56620
of 909177 performers
Top 10%
Denden works on quiet performance rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Denden appears in 8 films in the Nutevio catalogue, and none of them would work the same way without Denden. A Moon in the Ordinary is the clearest case: a film rated 7.7 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, versatility, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for fantasy, drama, romance. It is a style built on what is withheld as much as what is played.
Working with Nobuhiro Doi, Michihito Fujii, Sion Sono and others, Denden helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
A Moon in the Ordinary (2025) · The Parades (2024) as Keisuke · A Man (2022) as Kosuge
Career snapshot
Ranked #56620 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
8
2008–2025
Career length
17 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.7
A Moon in the Ordinary
Average Nutevio score
6.8
Across catalogue work
Highest IMDb rating
7.7
A Moon in the Ordinary
Most frequent director
Nobuhiro Doi
1 film together
Longest collaboration
1×
With Nobuhiro Doi
Most common genre
Drama
5 titles
Average runtime
1h 55m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
6.9 average MV
The 2000s are where the work and the material meet. Tokyo! — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
6.9
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
6.9
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Tokyo!.
Most productive era
2020s
6 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.91 film | — | 7.14 films |
| Thriller | — | 6.31 film | 7.11 film |
| Comedy | 6.91 film | — | 6.42 films |
| Crime | — | 6.31 film | — |
| Romance | 6.91 film | — | 7.71 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2008Tokyo!
Where our catalogue meets this career, as Car Pound Attendant (segment "Interior Design").
Highest rated performance · Career peak · Most recent film
7.7 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
8 of 8 films
Directed by Nobuhiro Doi
as Keisuke
Directed by Michihito Fujii
as Car Pound Attendant (segment "Interior Design")
Directed by Michel Gondry
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
A Moon in the Ordinary
A Moon in the Ordinary (2025)
Performance score7.7
The performance the rest of the career is read through. The role gives Denden a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Keisuke
The Parades (2024)
Performance score7.3
The Parades asks for something the previous films did not, and gets it. Keisuke is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Car Pound Attendant (segment "Interior Design")
Tokyo! (2008)
Performance score7.1
Tokyo! asks for something the previous films did not, and gets it. Car Pound Attendant (segment "Interior Design") is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Kosuge
A Man (2022)
Performance score7.0
A Man asks for something the previous films did not, and gets it. Kosuge is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
Start here. A Moon in the Ordinary is the clearest statement of what Denden does — accessible, 119 minutes, and rated 7.7 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Denden at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Tokyo! (2008)
Keeps the romance register of A Moon in the Ordinary but asks for a colder reading of it.
The Supporting Actors in Byplaywood (2021)
Keeps the comedy register of Tokyo! but asks for a colder reading of it.
A Man (2022)
Same director as The Supporting Actors in Byplaywood, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
The Parades (2024)
Keeps the drama register of A Man but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Nobuhiro Doi
Director
1 film together · 7.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A Moon in the OrdinaryMichihito Fujii
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The ParadesMichel Gondry
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Tokyo!Sion Sono
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Forest of LoveSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
A Moon in the Ordinary
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
A Moon in the Ordinary
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
A Moon in the Ordinary
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
The Supporting Actors in Byplaywood
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
A Moon in the Ordinary
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Denden has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
5 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Parades
as Keisuke
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
A Man
as Kosuge
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
A Moon in the Ordinary
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
A Man
as Kosuge
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
A Moon in the Ordinary
Images that would survive with the sound switched off.
Best action sequence
The Parades
as Keisuke
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Tokyo!
as Car Pound Attendant (segment "Interior Design")
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
A Moon in the Ordinary
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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