Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#18333
of 909177 performers
Top 5%
Dick Durock works on drama rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Dick Durock appears in 4 films in the Nutevio catalogue, and none of them would work the same way without Dick. Stand by Me is the clearest case: a film rated 7.9 by our editors, where the performance carries weight the script only implies.
The recognisable elements are drama, action, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for adventure, drama, action. It is a style built on what is withheld as much as what is played.
Working with Rob Reiner, John Irvin, Lawrence Kasdan and others, Dick Durock helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Stand by Me (1986) as Bill Travis · Silverado (1985) as Bar Fighter · The Enforcer (1976) as Karl
Career snapshot
Ranked #18333 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
4
1976–1986
Career length
10 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.9
Stand by Me
Average Nutevio score
6.8
Across catalogue work
Highest IMDb rating
7.8
Stand by Me
Most frequent director
Rob Reiner
1 film together
Longest collaboration
1×
With Rob Reiner
Most common genre
Action
3 titles
Average runtime
1h 46m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1980s
6.9 average MV
The 1980s are where the work and the material meet. Stand by Me, Raw Deal, Silverado — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1980s
6.9
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1980s
6.9
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1970s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Enforcer.
Most productive era
1980s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1970s | 1980s |
|---|---|---|
| Drama | — | 7.32 films |
| Action | 6.71 film | 6.32 films |
| Thriller | 6.71 film | 5.91 film |
| Crime | 6.71 film | 5.91 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1976The Enforcer
Where our catalogue meets this career, as Karl.
Highest rated performance · Career peak
1986Stand by Me
7.9 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
1986Raw Deal
The current state of the argument, as Dingo.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
4 of 4 films
as Bill Travis
Directed by Rob Reiner
as Bar Fighter
Directed by Lawrence Kasdan
as Karl
Directed by James Fargo
as Dingo
Directed by John Irvin
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Bill Travis
Stand by Me (1986)
Performance score7.7
The performance the rest of the career is read through. Bill Travis gives Dick Durock a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Bar Fighter
Silverado (1985)
Performance score6.7
Silverado asks for something the previous films did not, and gets it. Bar Fighter is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Karl
The Enforcer (1976)
Performance score6.6
The Enforcer asks for something the previous films did not, and gets it. Karl is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Dingo
Raw Deal (1986)
Performance score6.5
Raw Deal asks for something the previous films did not, and gets it. Dingo is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Bill Travis
Start here. Stand by Me is the clearest statement of what Dick Durock does — accessible, 89 minutes, and rated 7.9 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Dick at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Enforcer (1976)
A deliberate change of key after Stand by Me — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Silverado (1985)
Keeps the action register of The Enforcer but asks for a colder reading of it.
Raw Deal (1986)
Keeps the action register of Silverado but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Rob Reiner
Director
1 film together · 7.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Stand by MeLawrence Kasdan
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
SilveradoJames Fargo
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The EnforcerJohn Irvin
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Raw DealSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Stand by Me
as Bill Travis
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Stand by Me
as Bill Travis
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Stand by Me
as Bill Travis
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Stand by Me
as Bill Travis
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Stand by Me
as Bill Travis
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Dick Durock has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Action Legend
Awarded
3 catalogue titles in action, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Stand by Me
as Bill Travis
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Enforcer
as Karl
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Stand by Me
as Bill Travis
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Enforcer
as Karl
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Stand by Me
as Bill Travis
Images that would survive with the sound switched off.
Best action sequence
Silverado
as Bar Fighter
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Stand by Me
as Bill Travis
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Stand by Me
as Bill Travis
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Built a career in the same territory: adventure and drama
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David Krumholtz
Built a career in the same territory: action and adventure
Cillian Murphy
Built a career in the same territory: drama and thriller
Morgan Freeman
Built a career in the same territory: action and crime
Elliot Page
Built a career in the same territory: adventure and drama
Have your say
Community
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Reference
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