Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#40259
of 909177 performers
Top 5%
Du Jiang works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Du Jiang appears in 12 films in the Nutevio catalogue, and none of them would work the same way without Du. So Long, My Son is the clearest case: a film rated 7.1 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for war, drama, history. It is a style built on what is withheld as much as what is played.
Working with Chen Kaige, Dante Lam Chiu-yin, Shen Teng and others, Du Jiang helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
So Long, My Son (2019) as Shen Hao · Operation Red Sea (2018) as Xu Hong · The Volunteers: Peace at Last (2025) as Cui Jiangong
Career snapshot
Ranked #40259 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
12
2018–2025
Career length
7 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.1
So Long, My Son
Average Nutevio score
6.6
Across catalogue work
Highest IMDb rating
8.0
The Volunteers: Peace at Last
Most frequent director
Dante Lam Chiu-yin
2 films together
Longest collaboration
2×
With Dante Lam Chiu-yin
Most common genre
Drama
8 titles
Average runtime
1h 52m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.6 average MV
The 2010s are where the work and the material meet. The Captain, The Bravest, Mao Zedong 1949 — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.6
Across 7 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
7.0
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Captain, The Bravest, Mao Zedong 1949.
Most productive era
2010s
7 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.64 films | 6.64 films |
| Action | 6.73 films | 6.72 films |
| Thriller | 6.72 films | 6.41 film |
| Crime | 6.31 film | 6.41 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance
Where our catalogue meets this career, as Xu Hong. 7.1 on the Nutevio scale, the top of the catalogue for this performer.
Career peak
2023Flashover
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025Operation Hadal
The current state of the argument, as 徐宏.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
12 of 12 films
as Xu Hong
Directed by Dante Lam Chiu-yin
as Liang Dong
Directed by Andrew Lau Wai-Keung
as Ma Weiguo
Directed by Tony Chan
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Han Kai
Flashover (2023)
Performance score7.4
The performance the rest of the career is read through. Han Kai gives Du Jiang a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Shen Hao
So Long, My Son (2019)
Performance score7.2
So Long, My Son asks for something the previous films did not, and gets it. Shen Hao is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Xu Hong
Operation Red Sea (2018)
Performance score7.2
Operation Red Sea asks for something the previous films did not, and gets it. Xu Hong is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Liang Dong
The Captain (2019)
Performance score7.1
The Captain asks for something the previous films did not, and gets it. Liang Dong is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Han Kai
Start here. Flashover is the clearest statement of what Du Jiang does — accessible, 114 minutes, and rated 6.7 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Du at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Operation Red Sea (2018)
Keeps the action register of Flashover but asks for a colder reading of it.
So Long, My Son (2019)
A deliberate change of key after Operation Red Sea — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Captain (2019)
A deliberate change of key after So Long, My Son — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Bravest (2019)
A deliberate change of key after The Captain — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Dante Lam Chiu-yin
Director
2 films together
Notably Operation Red Sea
Guan Hu
Director
1 film together
Notably My People, My Country
Wong Jing
Director
1 film together
Notably Chasing the Dragon II: Wild Wild Bunch
Tony Chan
Director
1 film together
Notably The Bravest
Andrew Lau Wai-Keung
Director
1 film together
Notably The Captain
Shen Teng
Director
1 film together
Notably My Country, My Parents
Chen Kaige
Director
1 film together
Notably The Volunteers: Peace at Last
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Dante Lam Chiu-yin
Director
2 films together · 6.8 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Operation Red SeaChen Kaige
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Volunteers: Peace at LastAndrew Lau Wai-Keung
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The CaptainTony Chan
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The BravestGuan Hu
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
My People, My CountryWong Jing
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Chasing the Dragon II: Wild Wild BunchShen Teng
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
My Country, My ParentsSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Operation Red Sea
as Xu Hong
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
My People, My Country
as Zhu Tao (segment "The Going Home")
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Operation Red Sea
as Xu Hong
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
My People, My Country
as Zhu Tao (segment "The Going Home")
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Flashover
as Han Kai
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Du Jiang has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
8 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Lost in the Stars
as Zheng Cheng
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Operation Red Sea
as Xu Hong
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
My People, My Country
as Zhu Tao (segment "The Going Home")
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Lost in the Stars
as Zheng Cheng
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Operation Red Sea
as Xu Hong
Images that would survive with the sound switched off.
Best action sequence
Flashover
as Han Kai
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Volunteers: Peace at Last
as Cui Jiangong
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Mao Zedong 1949
as Third Regimental Commander
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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