Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#21304
of 909177 performers
Top 5%
Elena Kampouris works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Elena Kampouris appears in 12 films in the Nutevio catalogue, and none of them would work the same way without Elena. Labor Day is the clearest case: a film rated 7.1 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, crime, thriller. It is a style built on what is withheld as much as what is played.
Working with Gabriele Muccino, Sean McNamara, Nia Vardalos and others, Elena Kampouris helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Labor Day (2013) as Young Rachel McCann · Before I Fall (2017) as Juliet Sykes · Wifelike (2022) as Meredith
Career snapshot
Ranked #21304 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
12
2013–2024
Career length
11 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.1
Labor Day
Average Nutevio score
5.9
Across catalogue work
Highest IMDb rating
7.1
Labor Day
Most frequent director
Jason Reitman
2 films together
Longest collaboration
2×
With Jason Reitman
Most common genre
Comedy
6 titles
Average runtime
1h 30m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.3 average MV
The 2010s are where the work and the material meet. Summer Night, Before I Fall, My Big Fat Greek Wedding 2 — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.3
Across 6 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Summer Night, Before I Fall, My Big Fat Greek Wedding 2.
Most productive era
2010s
6 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.45 films | 5.21 film |
| Thriller | 7.11 film | 5.44 films |
| Comedy | 5.94 films | 5.62 films |
| Crime | — | 5.51 film |
| Romance | 6.13 films | 5.72 films |
| Horror | — | 4.82 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance
2013Labor Day
Where our catalogue meets this career, as Young Rachel McCann. 7.1 on the Nutevio scale, the top of the catalogue for this performer.
Career peak
2022Wifelike
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2024Here Now
The current state of the argument, as Sophie.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
12 of 12 films
as Juliet Sykes
Directed by Ry Russo-Young
as Young Rachel McCann
Directed by Jason Reitman
as Sophie
Directed by Gabriele Muccino
as Lou
Directed by Sean McNamara
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Meredith
Wifelike (2022)
Performance score7.3
The performance the rest of the career is read through. Meredith gives Elena Kampouris a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Juliet Sykes
Before I Fall (2017)
Performance score7.1
Before I Fall asks for something the previous films did not, and gets it. Juliet Sykes is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Young Rachel McCann
Labor Day (2013)
Performance score7.0
Labor Day asks for something the previous films did not, and gets it. Young Rachel McCann is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Sophie
Here Now (2024)
Performance score6.5
Here Now asks for something the previous films did not, and gets it. Sophie is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Meredith
Start here. Wifelike is the clearest statement of what Elena Kampouris does — accessible, 105 minutes, and rated 6.6 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Elena at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Labor Day (2013)
Keeps the thriller register of Wifelike but asks for a colder reading of it.
Before I Fall (2017)
Keeps the drama register of Labor Day but asks for a colder reading of it.
Vindicta (2023)
A deliberate change of key after Before I Fall — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Here Now (2024)
Keeps the thriller register of Vindicta but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Jason Reitman
Director
2 films together
Notably Labor Day
Tom McCarthy
Director
1 film together
Notably The Cobbler
Kirk Jones
Director
1 film together
Notably My Big Fat Greek Wedding 2
Ry Russo-Young
Director
1 film together
Notably Before I Fall
Joseph Cross
Director
1 film together
Notably Summer Night
Kurt Wimmer
Director
1 film together
Notably Children of the Corn
Nia Vardalos
Director
1 film together
Notably My Big Fat Greek Wedding 3
Sean McNamara
Director
1 film together
Notably Vindicta
Gabriele Muccino
Director
1 film together
Notably Here Now
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Jason Reitman
Director
2 films together · 6.8 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Labor DayRy Russo-Young
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Before I FallKirk Jones
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
My Big Fat Greek Wedding 2Nia Vardalos
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
My Big Fat Greek Wedding 3Tom McCarthy
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The CobblerGabriele Muccino
Director
1 film together · 5.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Here NowJoseph Cross
Director
1 film together · 5.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Summer NightKurt Wimmer
Director
1 film together · 5.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Children of the CornSean McNamara
Director
1 film together · 4.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
VindictaSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Labor Day
as Young Rachel McCann
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Labor Day
as Young Rachel McCann
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Labor Day
as Young Rachel McCann
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
The Cobbler
as Alexia
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Wifelike
as Meredith
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Elena Kampouris has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
6 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Before I Fall
as Juliet Sykes
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Wifelike
as Meredith
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Summer Night
as Corin
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Wifelike
as Meredith
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Labor Day
as Young Rachel McCann
Images that would survive with the sound switched off.
Best action sequence
The Cobbler
as Alexia
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Summer Night
as Corin
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Summer Night
as Corin
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Tom Hanks
Built a career in the same territory: comedy and drama
Bonnie Hunt
Built a career in the same territory: comedy and drama
Morgan Freeman
Built a career in the same territory: crime and drama
Zach Grenier
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Have your say
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Reference
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