Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#36348
of 909177 performers
Top 5%
Ella Stiller works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Ella Stiller appears in 6 films in the Nutevio catalogue, and none of them would work the same way without Ella. Friday is the clearest case: a film rated 10.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, documentary, drama. It is a style built on what is withheld as much as what is played.
Working with Bobby Farrelly, Ben Stiller, Steven Brill and others, Ella Stiller helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Friday (2021) as Lily · Megamind (2010) as Schoolchild (voice) · Driver's Ed (2025) as Dakota
Career snapshot
Ranked #36348 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
6
2010–2025
Career length
15 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
10.0
Friday
Average Nutevio score
7.1
Across catalogue work
Highest IMDb rating
10.0
Friday
Most frequent director
Bobby Farrelly
1 film together
Longest collaboration
1×
With Bobby Farrelly
Most common genre
Comedy
4 titles
Average runtime
1h 26m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.0
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.7
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
7.3 average MV
The 2020s are where the work and the material meet. Driver's Ed, Stiller & Meara: Nothing Is Lost, Friday — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
7.3
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
7.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Night at the Museum: Secret of the Tomb, Megamind.
Most productive era
2020s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | — | 10.01 film |
| Action | 7.01 film | — |
| Thriller | — | 10.01 film |
| Comedy | 6.62 films | 6.32 films |
| Horror | — | 5.91 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2010Megamind
Where our catalogue meets this career, as Schoolchild (voice).
First Nutevio masterpiece · Highest rated performance · Career peak
2021Friday
The first film here to clear 9.0 on our scale — a threshold fewer than one film in ten reaches. 10.0 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025Stiller & Meara: Nothing Is Lost
The current state of the argument, as Self.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
6 of 6 films
as Schoolchild (voice)
Directed by Tom McGrath
as Lexie
Directed by Steven Brill
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Lily
Friday (2021)
Performance score9.9
The performance the rest of the career is read through. Lily gives Ella Stiller a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Schoolchild (voice)
Megamind (2010)
Performance score6.9
Megamind asks for something the previous films did not, and gets it. Schoolchild (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Dakota
Driver's Ed (2025)
Performance score6.7
Driver's Ed asks for something the previous films did not, and gets it. Dakota is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Self
Stiller & Meara: Nothing Is Lost (2025)
Performance score6.7
Stiller & Meara: Nothing Is Lost asks for something the previous films did not, and gets it. Self is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Lily
Start here. Friday is the clearest statement of what Ella Stiller does — accessible, 17 minutes, and rated 10.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Ella at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Megamind (2010)
A deliberate change of key after Friday — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Hubie Halloween (2020)
Keeps the comedy register of Megamind but asks for a colder reading of it.
Driver's Ed (2025)
Keeps the comedy register of Hubie Halloween but asks for a colder reading of it.
Stiller & Meara: Nothing Is Lost (2025)
A deliberate change of key after Driver's Ed — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Tom McGrath
Director
1 film together
Notably Megamind
Shawn Levy
Director
1 film together
Notably Night at the Museum: Secret of the Tomb
Steven Brill
Director
1 film together
Notably Hubie Halloween
Ben Stiller
Director
1 film together
Notably Stiller & Meara: Nothing Is Lost
Bobby Farrelly
Director
1 film together
Notably Driver's Ed
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Tom McGrath
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
MegamindBobby Farrelly
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Driver's EdBen Stiller
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Stiller & Meara: Nothing Is LostShawn Levy
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Night at the Museum: Secret of the TombSteven Brill
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Hubie HalloweenSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Friday
as Lily
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Friday
as Lily
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Friday
as Lily
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Night at the Museum: Secret of the Tomb
as Child on London Bus (uncredited)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Friday
as Lily
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Ella Stiller has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
4 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Friday
as Lily
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Friday
as Lily
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Friday
as Lily
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Hubie Halloween
as Lexie
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Friday
as Lily
Images that would survive with the sound switched off.
Best action sequence
Megamind
as Schoolchild (voice)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Night at the Museum: Secret of the Tomb
as Child on London Bus (uncredited)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Driver's Ed
as Dakota
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Michael Caine
Built a career in the same territory: adventure and drama
Tom Hanks
Built a career in the same territory: animation and family
Bonnie Hunt
Built a career in the same territory: animation and family
Jamie Harris
Built a career in the same territory: adventure and drama
Matt Damon
Built a career in the same territory: adventure and drama
Elliot Page
Built a career in the same territory: adventure and drama
Have your say
Community
Which Ella Stiller performance holds up best?
Our readers argue about this one. Make your case, or read the ranked debate already in progress.
Join the conversation
Reference
Continue exploring
Trending performers
Directors they work with
Collections to read next
