Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#50834
of 909177 performers
Top 10%
Emma Frances Burge works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Emma Frances Burge appears in 5 films in the Nutevio catalogue, and none of them would work the same way without Emma. The Hollars is the clearest case: a film rated 6.4 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, comedy, tv movie. It is a style built on what is withheld as much as what is played.
Working with Tate Taylor, John Krasinski, Emma Frances Burge helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Hollars (2016) as Airport Traveler (uncredited) · Love, Game, Match (2022) as Ariella · Assimilate (2019) as Child of Replicate
Career snapshot
Ranked #50834 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
5
2016–2022
Career length
6 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.4
The Hollars
Average Nutevio score
6.2
Across catalogue work
Highest IMDb rating
6.3
The Hollars
Most frequent director
Tate Taylor
1 film together
Longest collaboration
1×
With Tate Taylor
Most common genre
Horror
3 titles
Average runtime
1h 30m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
6.3 average MV
The 2020s are where the work and the material meet. Love, Game, Match — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
6.3
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
6.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Ma, Assimilate, Don't Kill It.
Most productive era
2010s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.41 film | — |
| Action | 6.21 film | — |
| Thriller | 6.22 films | — |
| Comedy | 6.41 film | 6.31 film |
| Romance | — | 6.31 film |
| Horror | 6.23 films | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Career peak
2016Don't Kill It
Where our catalogue meets this career. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Highest rated performance
2016The Hollars
6.4 on the Nutevio scale, the top of the catalogue for this performer.
Most recent film
The current state of the argument, as Ariella.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
5 of 5 films
as Ariella
Directed by Unknown
as High School Student
Directed by Tate Taylor
as Child of Replicate
Directed by Unknown
Directed by Unknown
as Airport Traveler (uncredited)
Directed by John Krasinski
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Ariella
Love, Game, Match (2022)
Performance score6.5
The performance the rest of the career is read through. Ariella gives Emma Frances Burge a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
High School Student
Ma (2019)
Performance score6.5
Ma asks for something the previous films did not, and gets it. High School Student is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Child of Replicate
Assimilate (2019)
Performance score6.5
Assimilate asks for something the previous films did not, and gets it. Child of Replicate is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Don't Kill It
Don't Kill It (2016)
Performance score6.5
Don't Kill It asks for something the previous films did not, and gets it. The role is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Ariella
Start here. Love, Game, Match is the clearest statement of what Emma Frances Burge does — accessible, 85 minutes, and rated 6.3 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Emma at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Don't Kill It (2016)
Same director as Love, Game, Match, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
The Hollars (2016)
A deliberate change of key after Don't Kill It — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Ma (2019)
A deliberate change of key after The Hollars — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Assimilate (2019)
Keeps the horror register of Ma but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
John Krasinski
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The HollarsTate Taylor
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
MaSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Hollars
as Airport Traveler (uncredited)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Love, Game, Match
as Ariella
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Hollars
as Airport Traveler (uncredited)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
The Hollars
as Airport Traveler (uncredited)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Love, Game, Match
as Ariella
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Emma Frances Burge has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Horror Legend
Awarded
3 catalogue titles in horror, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Hollars
as Airport Traveler (uncredited)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Don't Kill It
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Love, Game, Match
as Ariella
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Ma
as High School Student
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Don't Kill It
Images that would survive with the sound switched off.
Best action sequence
Don't Kill It
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Hollars
as Airport Traveler (uncredited)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Don't Kill It
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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